Friday 13 January 2023 7:00pm – 12:00midnight The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Things are going to get Gunky in the Founders Room.
Join Gus Leighton (Tenor Sax, Ewi, Vox), Mathew Olivier (Keys), Aleks Folvig (Guitar), Sasha Gavlek (Bass) and Lawrence Churches (Drums) for two sets of beauty.
You can expect to hear some of Gus’s original funk compositions as well as arrangements of music made famous by musical legends that include but are not limited too; Maceo Parker, Joshua Redman, The Brecker Brothers and Weather Report.
Tickets are limited so get in quick! This show is strictly one night only!
Gus Leighton
Gus Leighton is a 27-year-old Australian contemporary tenor saxophonist based in Hobart Tasmania. Growing up listening to a variety of music, Gus soon developed an affinity with the sounds of jazz and country music which have had a significant impact upon his career. Gus’ improvisational and compositional language is heavily influenced by Lester Young, Dexter Gordon, Stan Getz and Wayne Shorter. These four saxophonists have become the focus of Gus’ PhD Thesis topic (currently) titled ‘Creating an original sound: a study of Lester Young’s improvisational language, its influence on Stan Getz, Dexter Gordon and Wayne Shorter, and, how this has informed my development as an improviser.’
Gus is a well-respected saxophonist, composer, arranger and bandleader of ‘Uncle Gus and The Rimshots’, ‘The Gus Leighton Quartet’ and ‘The Greenrises Jazz Orchestra’. Outside of his own projects Gus performs at a variety of different festivals/events as both a leader and accompanist – notably accompanying Dami Im at the Festival of Voices Big Sing Bonfire in 2019 and Andrew O’Keefe for the Hobart show of Andrew O’Keefe ‘Shouts’ Johnny O’Keefe. In 2020 Gus was selected to be the Musical Director of the 2020 Virtual Big Sing Bonfire for Festival of Voices, and has served as musical director of various other projects in Tasmania. Gus was also the recipient of the Jack Duffy Memorial award presented by the Hobart Jazz Club and the Musician’s Union of Tasmania for his musical ability and what he gives back to the greater jazz community.
Friday 20 January 2023 7:30pm – 12:00midnight The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Lasca Dry, エミエミ (emi emi) & Baltimore combine forces for a night of musical beauty in The Founders Room.
Lasca Dry
Lasca has developed her very own unique flavor of slightly bittersweet melancholy songs. Heartfelt, honest and deceptively simple, Lasca Dry’s songs are direct, emotive and play with haunting vocals and contagious melodies. Lasca sings of life, love and loss carrying her listeners into new places and other realms.
エミエミ (emi emi)
エミエミ (emi emi) is the experimental J-pop project from 25-year-old Emi Doi. Born and raised in lutruwita to her Launcestonian mum and Japanese dad, エミエミ combines Emi’s existing indie-music flavour with uptempo Japanese-pop, drawing on inspiration from the likes of Kero Kero Bonito, CHAI, Kyary Pyamu Pyamu and Superorganism. Her songs use a mixture of English and Japanese lyrics to explore her three emotional states of being – happy, heartsick and hungry. 楽しんでください (≧▽≦)
Baltimore
Baltimöre Charlót, the experimental alt-pop moniker of Hobart-based producer Sarah Charlotte, delivers sultry and danceable soundscapes accompanied by honest driving vocals. Late night vibes any time of the day.
Saturday 7 January 2023 7:30pm – 12:00midnight The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
An EP Launch, a market stall, live performances and an art showcase. Featuring Gochi, SteezE, BOB (Qld), Phat Loops & Samora Squid.
Mr Gochi’s 2nd Biannual Extravaganza is coming to town, with 5 mind blowing acts and a showcase of surreal performances and art. Come purchase one of Mr Gochi’s one of a kind t-shirts, or an NFT at the market stall or simply peruse the art on display.
Mr Gochi will be launching their third EP, “Jester’s Reign”, which will be available to stream the night of the event on most platforms. Come along and bring a friend! Gochi’s Extravaganza is back babayyyyyyyyyy.
Phat Loops
Phat Loops is just electronic grooves with acoustic improvisation, and it sounds amazing because Colin is a hack.
SteezE
SteezE is a hip hop MC residing in Niplaluna/Hobart. Coming off of his debut EP launch ‘Please Stand Bye’ in 2021 and his album ‘Ostracon’ with DJ Mike in 2022, SteezE has written a diverse range of songs about love, fear, community and capitalism. He aims to bring thought provoking poetry to his audience while also embracing his own unique style of improv to involve the crowd.
Mr Gochi
Mr Gochi, fueled by prescription medication and a lust for curly wurlies has come out of his hovel purely to entertain you. When is enough, enough? He assumed giving you his EP “Ascent of a Madman” (available on most streaming services) would satisfy but alas, the higher ups have called upon his completely improvised live show once more. Be excited, be very excited.
BOB
BOB is a qld based dj that is going to blow your mind. Absolutely blow it off.
Wednesday 21 December 2022 7:00pm – 11:00pm The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Tailwind is a new 4-piece jazz/groove/improv project evoking dreams of pacific holidaying, summer-breeze and endless sunsets.
Comprising of Finn Rees on keys, Karai Hemara on guitar, Dominic Nguyen on bass and Matthew Apted on drums.
エミエミ (emi emi)
エミエミ (emi emi) is the experimental J-pop project from 25-year-old Emi Doi. Born and raised in lutruwita to her Launcestonian mum and Japanese dad, エミエミ combines Emi’s existing indie-music flavour with uptempo Japanese-pop, drawing on inspiration from the likes of Kero Kero Bonito, CHAI, Kyary Pyamu Pyamu and Superorganism. Her songs use a mixture of English and Japanese lyrics to explore her three emotional states of being – happy, heartsick and hungry. 楽しんでください (≧▽≦)
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
We wish to advise that this event has been cancelled. We apologise for any inconvenience
Saturday 14 January 2023 7:30pm – 12:00midnight The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Soon to be Hobart run-aways It Thing join their friends All The Weathers and Liquid Nails for a night of splintering punk!
This back-to-back attack of local, and most importantly- loud live bands will take place on the land of the palawa people.
It Thing
It Thing is not a girl band from lutruwita / naarm. IT THING boasts a fist-hit setlist full of badinage (come and find out what that means!) I.T Thing has been likened to Hagen and English Punk Band from the 70s or 80s or something.
All The Weathers
All The Weathers have graced Hobart and beyond (if there is any such thing) for years, forming a deadly repertoire of songs each crazier than the last. Not shy of instrument hopping, swapping and hip hopping, ATW will surely rattle your brain with their diverse sound.
Liquid Nails
Local home grown punk. No compromises, don’t accept substitutes.
10 December 2022 7:00pm – 12:00midnight The Founders Room Salamanca Arts Centre Enter via Wooby’s Lane, or for lift access enter through The Courtyard
Flours for my baby… A night of wonder and excitement featuring Dumaresq, Les Nointers, Edward Guglielmino and special guests Random Acts of Weirdness.
When do you give your loved one flours? When you’ve been naughty, when you want to be naughty and when they need to bake. Flours for my baby is a night of music, mayhem, performance art, video mishmashes and celebration.
Dumaresq (pronounced “dju-merick”) is Queensland-born, nipuluna/Hobart-based vocalist & producer Joe Kneipp.
Joe, while unable to place himself in any specific genre, describes his music as a “alternative rock, with some ambient and shoegaze influences.”
As well as his solo project, Joe is a member of indie-rock project Maison Hall. He has toured in his native Australia and internationally as a session musician for Fletcher Gull, Harper Bloom and others. Joe and Dumaresq have been featured in NME and Rolling Stone Australia, and has received radio support from triple J, 4zzz, FBi Radio, and more.
Les Nointers are Lucien Simon and Cameron Healy from seminal 90s Tasmanian misfit stagger rock outfit DUST, flamenco metal queen Katherine Diaz Robayo and drum slinger Marcos Genaris.Described as a cross between the Pixies and the Beatles – Les Nointers are the impossible made real.
Joining Les Nointers on stage will be the angelic Koko Flow on a duet with the demonic Lucien.
Edward Guglielmino is an Australian musician, disc jockey, public speaker, academic, and blogger based in Hobart, Tasmania, Australia. He currently is a member of musical groups the Thin Kids and Lost of Love, but is best known for his own solo music career and has commercially released three full-length albums.
Random acts of Weirdness
Random acts of Weirdness is the woman of many faces Jem Nicholas and the woman of many sounds cellist Georgia Shine, together, and often with dance contortionist Risa Ray, they create moments of the sublime, the occasional crime and the odd rhyme.
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Inspired by a play that got its author charged with immorality, five authors have worked together to write the stories of ten couples—always played by the same two actors—that take place over a day and a night in the middle of a Hobart winter. Oh, and the characters have sex in every scene.
Carrie McLean – Writer Stephanie Jack – Writer Hera Fox – Writer Andy Vagg – Writer Matthew Cooke – Writer Chris Mead – Director and Dramaturg Fengyi Liu – Actor Jem Nicholas – Actor Natalya Bing – Composer Joshua Santospirito – Composer Jason James – Lighting Design Nicole Robson – Set Design Lucien Simon – Producer
Inspired by the play that was banned on its 1903 publication, started a riot on its 1920 Berlin premiere, was shut down by police in Vienna a year later when its author was charged with immorality, La Ronde also inspired David Hare’s The Blue Room, the musical Hello Again!, 18 movies (including by Max Ophüls and Roger Vadim) and Australia’s own three hundred and sixty positions in a one night stand. This is a story with staying power, genuine insight, and a real point of difference—the characters have sex in every scene. Freud was a fan, really.*
In this new play, commissioned by Salamanca Arts Centre, five writers gather to give audiences an erotic, wild and wicked tour of an Australian waterside city. Spur-of-the-moment hook-ups, long-standing clandestine assignations and unanticipated encounters provide the prism with which to see real people, groping towards intimacy, awkward, curious, uncertain, sometimes finding relief, intermittently uncovering meaning, occasionally even discovering joy.
This is no suburban bump-and-grind mini-bus ride for voyeurs, but a rich, provocative and elegant dissection of desire and politics, their points of intersection, disturbing collisions and bewildering deviations. With a year of development, led by director and dramaturg Chris Mead, there’s been time to get more than just a mouthful of those ‘c words’ up on the rehearsal room floor, but time to consult, champion, co-operate, construct and create.
Keen to move beyond the tacky, crass or salacious, this play takes the opportunity to plumb the depths of a city, its glorious geography, demographic contours, rental crises, immorality, failing parliament, ostentatious mid-winter festivals, stiff conservatism, dirty secrets, history, forgotten corners, psychosexual dynamics as well as some of its people, their yearnings, peccadilloes, transgressions, crimes of the heart, indulgences, confessions, gifts, cravings.
Two actors play all ten characters. You will have seen nothing like it. Not only is it a workout for the mind, for the senses, maybe even post-show for dating apps, but for the two crazy-brave actors Fengyi Liu and Jem Nicholas, it’s the kind of job to keep you up at night, researching characters, locales and probable backstories. Quick changes and detailed vocal and physical behaviours are the order of the day as the characters range from 16 to 55 years old, and hail variously from Brighton, Smithton, Sandy Bay, New Town, the corner of Brisbane and Campbell, even Shenzen.
And the writers: Matthew Cooke is a data analyst; Hera Fox is already a legendary young playwright and cabaret hostess; Stephanie Jack is an Australian and Singaporean-Chinese actor, writer, and singer who has lived in six different countries and aboard a yacht; Carrie McLean is a playwright, founding member of Mudlark Theatre, an actor and mother of four; and Andy Vagg is an artist, writer, poet and performer whose work utilises post-consumer materials and objects to encourage positive social change.
Two musicians, Joshua Santospirito and Natalya Bing have composed the music for the piece. Bing/Santospirito create hypnotic improvised soundscapes using elements from classical improvisation combined with noise-improv-jazz. They often collaborate with visual artists and film-makers to create fully immersive performances. Bing/Santospirito has performed at major festivals and underground venues.
A Mouthful of ‘C’ Words is theatre at its most inventive, of-the-moment, in-yer-face, moving, ribald, shrewd, it shows and it tells.
Creative Team
Chris Mead| Director
Associate Professor Chris is Head of Drama at the Victorian College of the Arts, Faculty of Fine Arts and Music, University of Melbourne. He has recently published Wondrous Strange: Seven Brief Thoughts on New Plays (Currency Press, 2022). Previous institutional position include: Literary Director, Melbourne Theatre Company; inaugural artistic director, PlayWriting Australia; Literary Manager, Sydney Theatre Company; Literary Manager, Belvoir; Curator, Australian National Playwrights’ Conference; and Festival Director, Interplay, the International Festival for Young Playwrights. Recent directing credits include Ross Mueller’s A Strategic Plan (Griffin Theatre, 2017), Richard Frankland’s Walking into the Bigness (co-directed by Wayne Blair, Malthouse 2014), Ian Wilding’s Rare Earth (NIDA 2011) and Quack (Griffin 2010), and Damien Millar’s The Modern International Dead (Griffin 2008) which won Best New Play (Sydney Theatre Critics’ Awards) and the WA Premier’s Literary Award. He has a PhD from Sydney University. His Currency House Platform Paper on institutional racism and outreach strategies, ‘What is an Australian Play?’ was published in 2008. In the past five years he has worked closely with writers Anchuli Felicia King, Aidan Fennessy, Merlynn Tong, Emme Hoy, Andrea James, Elise Esther Hearst, Phillip Kavanagh, Louris van de Geer, Lally Katz, Brendan Cowell, Joanna Murray-Smith, David Williamson, Eddie Perfect, Hannie Rayson, Tom Holloway, Angela Betzien, Rob Sitch, Santo Cilauro and Tom Gleisner, and Steve Vizard.
Photo: Amy Brown
Carrie MacLean| Writer
Carrie McLean is a freelance writer, director, actor and mother of four based in Hobart. She holds a BPA from UTAS, and is a founding member of Mudlark Theatre and Radio Gothic. For Mudlark, Carrie has written the plays Beautiful: A Ghost Story, Strange Fruit, The Angels of Two Hoots, Mind the Gap, The Fools of Fire, Danger #31and Cafe. In 2012, she wrote Chasing a Sound Like Rain, a youth theatre project for SSYT performed for Ten Days, and the Gros Morne Theatre Festival.
For Radio Gothic, Carrie wrote The Hanniford Tapes for Dark MOFO (2018), and performed in The Pit by Briony Kidd and The Illustrated Girl by Alison Mann. In 2020, Carrie directed the one woman show Who Cares? by Helen Swain for a Tasmania Performs tour and was part of the Imprognosis collective, performing long form improvisation, for the Burning Desire Festival.
In 2021, The Motherload, a documentary theatre performance co-created over four years, premiered at Junction Arts Festival with TTC. Carrie will be performing in Hobart’s Festival of Improvised Theatre with the Practitioners of Ephemeral Arts in 2022, and she is currently writing a solo theatre show called 100 F#@&ing Days.
Photo: Kishka Jensen
Stephanie Jack| Writer
Stephanie Jack is an Asian Australian actor and writer based in nipaluna/Hobart. She completed an M.F.A. Acting at Harvard’s American Repertory Theater Institute, including a semester at the Moscow Art Theatre School. Her performance highlights include acting alongside Essie Davis and Marta Dusseldorp in Archipelago Productions’ The Maids; playing the Queen in the N.Y. Times’ Critics’ Pick musical The Light Princess; and a recurring role in Amazon Prime’s upcoming television series, Deadloch. In 2021, Stephanie was the Tasmanian Theatre Company’s Associate Artist, and a core member of MONA’s Faro Ensemble. As a writer, she has contributed to Forty South, Peril Magazine, Mixed Asian Media, and Doyenne. Stephanie is currently developing a play called Mixed Feelings, a deep dive into mixed race heritage and modern Chinese culture, with the support of Asialink, a Regional Arts Fund Fellowship and Arts Tasmania. In 2022 she received the Margaret Scott Young Writer’s Fellowship at the Tasmanian Literary Awards, and was recognised by Asialink/University of Melbourne as one of 40 under 40 Most Influential Asian Australians.
Photo: Ben Dilger
Matthew Cooke| Writer
Matthew Cooke is a screenwriter and playwright from Hobart, Tasmania. He specializes in zeitgeist humour and is passionate about telling authentic LGBTQIA+ stories.
He was also a poet for forty-five harrowing minutes in high school, after his year nine English teacher came up with a cruel and unusual punishment during detention. The poem he wrote that lunchtime, titled A Day in the Life of Matt Cooke, later won an award in a national competition.
His most recent credits include completing Wide Angle Tasmania’s End Game program in 2019, and co-writing Uni Revue: Pundemic in 2020.
Photo: Ethan Woodward
Hera Fox| Writer
Hera is a playwright, and circus & cabaret creator based in nipaluna (Hobart). Having grown up in the Huon Valley starting in community musicals, they have had a varied career in burlesque and drag to circus and acrobatics. Now they have found their voice as a transgender woman returning to song and cabaret creating work for and by transgender people. Her plays have endeavored to assist in changing the culture of the live performing arts, to be more inclusive, and to not take itself too seriously. She has a tendency to write about love, lust, and loss, with a style reflecting reactions of your various ex partners.
They are the founder and artistic director of QT Cabaret, a space for transgender and gender queer performers to trial new cabaret and circus work, which won Artfully Queers unifying voice award 2019. Hera is also the winner of 2020’s Out For Australia Community Champion award.
Photo: Gabrielle Kneebone
Andy Vagg| Writer
Andy Vagg is an artist, writer, and performer. His art practice explores the qualities and limitations of contemporary existence, and how the choices we make inherently effect, respond to, and delineate social evolution. He creates work in social contexts, to activate spaces to form literal and metaphorical platforms for the development of ideas to encourage positive social change. His work utilises post consumer materials, to create installations, sculptures and objects. His performances explore the role of religion, liturgy and ritual in a contemporary secular context, and how they can help us come to terms with the rapid changes brought about by industrialisation, globalisation and climate change. Andy has created work in public and private spaces in Newcastle, Sydney, Melbourne, Launceston and Hobart. He has collaborated with community in colleges, high schools, primary schools, community centres, and child and family centres.
Photo: Cassie Sullivan
Jem Nicholas| Actor
Jem Nicholas has worked as an actor in Australia, New Zealand and New York. Jem holds a Bachelor of Performing Arts from Monash University, and has since further her studies at the Susan Batson Studio NY, 16TH Street Actors Studio and The Melbourne Actors Lab. Jem has also trained with Hollywood Director and coach Kim Farrant. Some of her notable theatre credits include playing Carrie in ‘Rules for Living’ (Red Stitch Theatre), Sylvia in ‘You Are the Blood’ (Spinning Plates Co.), various lead roles in ‘Song Contest, Almost Eurovision Experience’ (Glynn Nicholas Group), Vendla in ‘Spring Awakening’ (Monash University), and many more. Jem has also appeared in ABC’s ‘Dr Blake Murder Mysteries,’ directed by Diana Reid, and as Elizabeth in ‘The spirit of the Game’ (Shearwater Entertainment). Jem is an independent play write and physical theatre performer and puppeteer and has received a Green Room Nomination for Best Actress in an Ensemble for her role as Rose in ‘Love, Love, Love’ with Red Stitch. She is currently training in the Alexander Technique in Hobart and will graduate as a teacher in 2014.
Photo: Cassie Sullivan
Fengyi Liu| Actor
Fengyi Liu studied Master of arts and cultural management in University of Melbourne, then went to Columbia University in the U.S, studying contemporary theatre as an exchange student. In 2020, he came to the University of Tasmania, studied theatre and performing arts, during which time he also performed in a number of critically acclaimed community theatres productions. As a theatre practitioner, he has directed and performed in 21 productions in Australia. He is also the artistic director of Do Theatre. Do theatre is a team of 13 people from linguistic diverse background and they are all passionate about developing multicultural theatre arts and with related experience accordingly as well. ENE World, as an event management company, support the production in administrative, marketing and management role. Do Theatre and ENE World have been worked with each other from March 2021 and presented more than 2 shows in Hobart, and staged the Last Laugh at Anywhere Festival Brisbane this year (winning best theatre show).
Natalya Bing& Joshua Santospirito | Composers
Natalya Bing is a classically-trained concert violinist with decades of experience performing at Opera houses with symphony orchestras and underground dive bars. She currently performs with Hartz Trio, Van Diemens Band, Warner Smith & Bancroft and occasionally with the Tasmanian Symphony Orchestra. Joshua Santospirito is a multimedia artist, writer, experimental musician/performer and an award winning graphic novelist. As a musician he has performed solo for 20 years across Australia and Europe but can usually be found these days in his studio making marks with ink on paper or in the garden with his chickens.
Jason James| Lighting Designer
Jason has worked as a designer for over fourteen years; creating designs principally for new works. His recent credits include design for Backwards from Winter, Echos, The Barbarians, and Kimisis IHOS Opera; Riddle of Washpool Gully, Red Racing Hood, Big Baby, Pip and Pooch, Shadow Dreams, Sleeping Horses Lie, and LoveTerrapin Puppet Theatre; BabelInvisible Practice, Merchant of Venice Loud Mouth, What Rhymes with Cars and Girls,Born from Animals, Branch Book Bench, The Company I KeepTasmanian Theatre Company; Flux, Wild at Heart, Motel DreamingUnconscious Collective; Abandoned Dances, Episodes, Birds, Sing for MeMature Artists Dance Experience. Fall, Winter, SpringSecond Echo Ensemble.
Jason has developed a broader arts practice around light, sound and projection over the last seven years. He is recently graduated with a Fine Arts Degree from the Tasmanian School of Art, and has had several artworks presented in festivals, and galleries, around Tasmania. Recent works include Wind and WaveformsKingston Beach Arts Hub 2018, Eat ArtMoonah Arts Centre 2018, The Search The Unconformity 2016, and Angry ElectronsDark Mofo 2015.
In April 2022 he curated the video art survey exhibition Photons at Moonah Arts Centre.
Nicole Robson | Set Designer
Nicole has a Masters in Fine Art, she works primarily in photography and design. Nicole traveled to Lausanne, Switzerland to participate in reGeneration2: tomorrow’s photographers today, launched at the Musée de l’Elysée. and touring to countries such as China, South Africa, USA, and France. Nicole received a Marie Edwards Travel scholarship to attend the opening and folio review at the Aperture foundation in New York. This exhibition also included a publication of the same name, printed by Thames and Hudson.
Nicole has had exhibitions in CAT Gallery (Contemporary Arts Tasmania), Queen Victoria Museum, The Australian Centre for Photography in Sydney and a solo exhibition at The Edmund Pearce Gallery, Melbourne. Nicole is represented by Penny Contemporary Gallery.
Nicole Master’s exegesis explored the theatricality in the domestic space, examining the suburban ‘home’ as a performative space. Over the last 10 years Nicole has taken her design and visual art experience into theatre environment. Working closely with various organisations such as MADE (Mature Artist Dance Experience), in productions such as Pane, Sing For Me and Episodes, as well as Invisible Practice, creating sets for Brittle, and F*ck and Salamanca Arts Centre, with the design and construction for the SAC Art Ball.
Most recently Nicole worked on the set design for the Opera, The Call of the Aurora by Joe Bugden and with Sacred Heart School, designing and constructing the set for their major combined high school and primary school production, Sinbad.
Curated by Ainslie Macaulay and proudly presented by Salamanca Arts Centre 4 November – 3 December 2022
Wona Bae and Charlie Lawler’s Micro Macro explores ideas of causality as they relate to the self regulating balance between entities. It represents Wona Bae and Charlie Lawler’s first presentation in Tasmania. Interested in the ritual of the everyday experience, their practice probes the periphery of the natural and cultural landscape. For Micro Macro Bae and Lawler look at the fascinating life of Lichen, its unique symbiotic relationship and role as a bio indicator in our environment. In this exhibition the pair present a series of paintings and installation works characterised through abstraction, distortion and repetition. Bae and Lawler emphasise structure and material, using charcoal, ash, synthetic polymers to create highly textured surfaces. Bae and Lawler draw on references from the microcosmic world of lichen, to create works that take on a macrocosmic state.
마이크로 매크로 배원아 + 찰리 롤러 Micro Macro 는 개체 간의 자기 조절 균형과 관련하여 인과 관계의 아이디어를 탐구하는 배원아와 찰 리 로우러 작가의 태즈메이니아에서의 첫 전시회입니다. 그들은 일상 경험의 의례에 관심을 갖고 자연 과 문화 경관의 주변부를 탐구하고 실험한다. Micro Macro 전시에서 Bae와 Lawler는 Lichen의 놀라 운 삶, 독특한 공생 관계 및 환경에서 생물학적 지표로서의 역할을 살펴본다. 이번 전시에서 두 사람은 추상화, 왜곡, 반복을 특징으로 하는 일련의 회화와 설치 작업을 선보인다. Bae and Lawler는 구조와 재료를 강조하여 목탄, 재, 합성 폴리머를 사용하여 높은 질감을 만들어낸다. Bae와 Lawler는 이끼의 소우주 세계에서 참고 자료를 활용하여 거시적 상태를 취하는 조각 표면을 보여준다.
Gallery Hours
Thursday – Monday 10am – 2pm
Closed Tuesday and Wednesday
Photo: supplied by the artists
Wona Bae (South Korea) and Charlie Lawler (Australia) are collaborative artists based in Australia, known internationally for their installations and sculpture that navigate visceral and symbiotic human relationships with nature.
Their multifarious practice includes sculpture, relief, sound, photography, and video. Drawing on patterns and systems from the world around them, their unique immersive installations experiment with materiality and technology, tapping into the primitive need to find connection with the natural world.
Grounded in observation and documentation of the world around them, their practice explores human experience in both natural landscapes and the built environment. Characterised through abstraction, distortion and repetition their work plays spatially with ideas relating to perspective and escapism.
Bae and Lawler have held solo exhibitions at Heide Museum of Modern Art, Melbourne (2019/20); Backwoods Gallery, Melbourne (2022 and 2019); See You Soon Gallery, Tokyo (2017); and Koskela Gallery, Sydney (2016). They were commissioned to create a major new installation for The National at the Art Gallery of New South Wales (2021), and have undertaken other major installations throughout Australia, South Korea, Japan, Spain and the UK. Bae and Lawler have won the 2019 Yering Galley Award and the 2018 Yarra Valley Arts/ RACV Award. They have undertaken residencies at Artspace, Sydney (2021), Gregans Retreat, Lisdillon, Tasmania (2020), and Onyang Folk Museum, South Korea (2022).
Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.
Rough and Cut documents four years journeying into central Australia to a place called Coober Pedy. The town owes its existence to the discovery of opal seams in 1915, an iridescent gemstone that came to existence from the water that once covered this desert scape. This precious opal has been mined through a series of boom & busts, almost into oblivion. Beyond the mullock heaps and away from the sun’s searing heat lies the underground dugouts inhabited by the last of the miners still dreaming of one last opal-rich strike. Keeping the idiosyncrasies of the town’s personality alive and well, the encounters are an insight into the characters that call this place a forever home. Captured are the remnants of this magnetic, surreal landscape shaped by its extremities. We are faced with a seeming wasteland formed by remoteness, isolation, and finite resources, and we are reminded of our delicate place in the natural world relentlessly evolving through climate change.
– Abigail Varney
Open Sky is a series of exhibitions showcased in Kelly’s Garden, presented on the land of the traditional owners, the muwinina people. In Varney’s Rough & Cut series she explores the notion of excavating and shifting landscape, and the remnants that are left behind. Echoing these changed landscapes of Coober Pedy we look to Kelly’s Garden, post invasion where Varney’s work is placed. The exposed rock walls that sit within the Salamanca precinct show the impact of colonisation on the natural environment. A reminder of the layers that are beneath our feet and the rich histories that have come before us.
Abigail Varney (b. 1986) is a portrait and documentary photographer based in Melbourne (Naarm), Australia. Her work predominantly evolves from her curiosity and connection to Australia’s land, people and ecology; to explore untold stories that give light to the vivid and complex lives in Australia. Her work is more recently moving back even closer to home, working with family archives and stories that centre her community and family.
She has completed a Bachelor of Arts, at Deakin University and an Advanced Diploma at the Photography Studies College. In 2014 her portrait series was featured at the National Portrait Gallery. In 2020 she became a member of the photography collective Oculi. Her long-term documentary project Rough & Cut (2014–2018), has been exhibited in Melbourne, Sydney and Canberra, as well as overseas. Rough & Cut will be her first publication with Trespasser, an independent Texas based publisher releasing in November of 2022.
