This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

A Warm Glow to Remember is a body of work that physically manifests Yumemi’s personal relationship to her Japanese heritage. It is her transitional journey in reconciling her place as a resident within cultural gaps while accepting the importance of letting go.

3 – 28 August 2022
Opening Event
Friday 5 August 2022
6 – 8pm with performance happening at 7pm
RSVP 

Gallery hours
9am – 5pm weekdays
10am – 5pm weekends

Photo: Frazer-McBride

Artist

Photo: Will Nicolson

Yumemi Hiraki 

Yumemi Hiraki is a multidisciplinary artist currently based in Nipaluna. Her practice delves into the interactions between memory, nostalgia, history and connection to place, while re-examining the relationship to her Japanese heritage. Viewing herself as a resident of cultural gaps, her works evokes a familiar yet foreign sense of longing, belonging and holding on, while hinting at life’s inevitable continuity and ephemerality. 

Yumemi is originally from Hiroshima, Japan. She completed her BFA(Sculpture and Spatial Practice) at the Victorian College of the Arts and has been an active Arts Worker while exhibiting and developing her practice in both Naarm and Nipaluna. Yumemi has a growing interest in community-based arts, mentorship and education, and currently also works as a Youth Arts Officer at the Youth Arts and Recreation Centre. 


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health. Masks will be available upon entering our venues for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

It’s always darkest before the dawn, you don’t miss the heat until it’s gone, the queers have hibernated from the coldest day, now they emerge to get on stage and be really, REALLY gay.

QT offers up their gender nonconforming slice of cake, to The Winter Light Festival we celebrate, show casing new acts, new talents, and old favorites running the old gamuts. Get ready for a night that will make you laugh cry and scream, Put on your warm coat and dancing shoes and get ready to yell “slay qween!”

It’s one night only so book in advance, leaving tickets until the night is a dangerous chance.

Friday 12 August 2022
Doors at 7:30pm
Show 8pm-11pm


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Artists

Photo: Trash King Photography

Hera Fox

Hera is a playwright, and circus & cabaret creator based in nipaluna (Hobart). Having grown up in the Huon Valley starting in community musicals, they have had a varied career in burlesque and drag to circus and acrobatics. Now they have found their voice as a transgender woman returning to song and cabaret creating work for and by transgender people. Her plays have endeavored to assist in changing the culture of the live performing arts, to be more inclusive, and to not take itself too seriously. She has a tendency to write about love, lust, and loss, with a style reflecting reactions of your various ex partners.

They are the founder and artistic director of QT Cabaret, a space for transgender and gender queer performers to trial new cabaret and circus work, which won Artfully Queers unifying voice award 2019. Hera is also the winner of 2020’s Out For Australia Community Champion award.

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

A young woman gets into an accident on her drive home to Cygnet. She’s hit something. It’s huge. It’s from the ocean. It’s Moving. Birthing. Expanding.

ANENEMY is about being outside at night. It’s about revenge and the terror of this world (and maybe worlds we don’t know yet).  

ANENEMY is an outdoor drive-in performance at a secret location. BYO car.

11 – 13 August 2022
6.30-7.30pm
14 August 2022
8-9pm

[Please note: To view this performance you need to have a vehicle you can drive to the performance in as the entire performance will be viewed from your own car. Ticket holders will be emailed the exact location prior to the performance.]


ANENEMY is a collaboration between Salamanca Arts Centre and the University of Tasmania’s Theatre and Performance students.

Devised and Performed by Third year students in the Theatre and Performance Major: Alexandra Chatwin-Dalgleish, Annabelle Docherty, Ruby Hill, Megan Kenna, Taylah Lowry, Samora Squid and Philip Tabor.

ANENEMY is presented in partnership with the University of Tasmania.


Artists

A woman is driving a car at night. We see the back of her head and her reflection in the rearview mirror
Photo: Pier Carthew

Davina Wright

Davina Wright is a site-specific artist currently living and working in nipaluna/Hobart. She is interested in making site specific, nonlinear and immersive theatre that looks at loneliness, suburbia, violence and feminism. Recently she wrote and directed This is Grayson; a performance for audience 8+ with her collective Gold Satino. This is Grayson explored death, loneliness and family and was an immersive experience. This is Grayson received four Green Room Award Nominations in the Contemporary and Experimental Performance panel and received the awards for Innovation in Site Responsive Performance and Performance for Young Audiences.


Georgie Vozar

Georgie is an artist who predominantly works with clay. As a second generation potter she grew up in a functioning pottery where she absorbed many skills that she now applies to her own practice, from there she gracefully introduces these magic techniques onto others.  With this medium, she practices art therapy within communities, collaborating, exploring the process and spontaneity together, her work is of acceptance and transience.  She finds great stimulation when collaborating with other artists and programs within the arts realm. Georgie often undertakes experimental and performance projects, solo and collaboratively and has exhibited and performed within arts organisations locally and nationally. Recent projects include, QVERI, 2018 ‘Hidden Egg – (Qvuvri/Amphora)’ As a part of group show: Across The Coals curated by Constance Ari at GASP, Tasmania Collaborator, Adam James. Constellations Underground, 2019 for the Ceramics Triennale ‘Kyklosis’ Performance and Installation Collaborator, Julia Drouhin. ‘Ritual’, 2016 Schmorgasbaag, 130 Murray Street, Nipaluna/Hobart, Duration 1hour Performance with visual collaborator, CUSS THIS.


Photo: supplied by the artist

Isabella Stone

Isabella Stone is a dance artist from Perth, Western Australia, which is Whadjuk Noongar Country. She is a dance performer, choreographer and teaching artist with over a decade of experience in Western Australia and Tasmania. She is currently living and working in nipaluna/Hobart as the Artistic Director of DRILL Performance Company Inc. Her experiences have taken her across the country and internationally, working in both major cities and remote areas, within professional and community contexts. Isabella believes in dance as a language that crosses borders and unites communities; that the act of dancing facilitates a space for sharing – shared stories and shared experiences – and creates space for change. Her approach is centered around people and kindness, play and imagination, liberation of self and the importance of community. Isabella is a graduate of the Western Australian Academy of Performing Arts and LINK Dance Company.


Photo: supplied by the artist

Heath Brown
Heath Brown is a Tasmanian composer and Associate Lecturer at the University of Tasmania.

His work ranges from film and TV to performing arts and installation. He has written scores for four feature films (The Comet KidsChocolate Strawberry Vanilla41 and El Monstro Del Mar!) and over 40 shorts, with his film work having been recognised throughout the world with a number of awards for original music composition, including the award for Best Original Score at the 2012 Maverick Movie Awards for his score to 41. He also composed the score for the multi-award winning web series Noirhouse(funded by Screen Australia, Screen Tasmania and the ABC) the ABC documentary series Bespokeand the second season of the Shaun Micallef comedy series The Ex PM.

In 2015 Heath collaborated with Aly Rae Patmore in composing a performance-based musical element for Patricia Piccinini and Peter Hennessey‘s large scale installation The Shadow’s Callingat Detached and presented as part of DarkMOFO 2015.

As producer, sound designer and performer, Heath is a member of the Radio Gothic collective, which produces original live-performance works inspired by the tradition of broadcast radio drama. Radio Gothic has produced three episodes, all of which have been presented as part of Dark MOFO.

Heath has written extensively for the theatre, notably for Terrapin Puppet Theatre (The Riddle of Washpool GullyRed Racing HoodBig BabyThe Waltzing Tree) and Tasmanian Theatre Co. (Sex With StrangersBorn From Animals, An Inconvenient Woman, Bakersfield Mist).

His work has appeared in a number of arts festivals including Ten Days on the Island (Babel) and DarkMOFO (The Geometry of Innocent Flesh on the Bone – a collaborative installation work with Oscar FerreiroRadio Gothic Eps 1 – 3) and The Tasmanian International Arts Festival (Radio Gothic – Episode 1: The Pit).

Heath has also written music for television and radio commercials, winning the 2012 Tasmanian Advertising Design Awards category of Best Original Music and the 2016 Diemen Award for Best Sound Design.

Heath holds a BA (Philosophy) and BMus (Composition) from The University of Tasmania, where he now lectures in music theory and screen music composition.


Photo: supplied by the artist

Ryan Mahony | Tech Consultant
Ryan is an audio engineer, production manager and technical director from Brisbane, Australia. Over the last decade he has worked extensively both in Australia and around the globe, assisting in presenting works to over a million people across 22 countries in circus, puppetry, musical theatre, drama theatre and live music. Ryan is currently the production manager for Hobart based, contemporary puppetry company, Terrapin.


Photo: supplied by the artist

Gianni Posadas-Sen | Stage Manager

Gianni Posadas-Sen is a flutist, singer, and composer. His music practice consists of classical

performance alongside experimental improvisation and collaborative music-making, with forays into electronic music.

Posadas-Sen had the privilege of performing Cornelius Cardew’s Treatise with the UTAS

Experimental Music Ensemble for Mona Foma (2021), and was a part of Fflora’s MAKE SOME NOISE Project for Mona Foma (2022). He is a member of Silikill, an eclectic band of musicians who explore a range of styles and concepts through experimental improvisation. Posadas-Sen is committed to the Hobart Wind Symphony, and to the Tasmanian Youth Orchestra as principal flutist.

He is currently completing his Bachelor of Music (Classical Performance, flute) at The Hedberg School of Music under Mardi McSullea.


Photo: Kishka Jensen

Michelle Boyd | Costume Mentoring

Michelle is a Tasmanian designer working between fashion, costume, interior and stage design.   With an honours degree in design from RMIT and a lifetime of experience in stagecraft, she has designed within the performing and visual arts industries nationally for independent artists and orgs such as Chunky Move Dance Co., Mona, NGV, Arena Theatre and Terrapin Puppet Theatre and festivals Dark Mofo, State of Design, Sydney Festival and Mona Foma.  Her own work explores relationship and embodiment through colour, sculpture and graphic design and she collaborates with a broad range of practitioners in complementary fields including architecture, dance, public art and sound.  Michelle has more recently become a design mentor and teacher and is enjoying these new exchanges with Tasmanian design students across cultures, age and abilities.    

Skirt construction and design by Ella Stanford 

Stage Manger | Sam Toll


Thursday 25 August 2022
7pm – 9pm
Doors 7pm
The Founders Room
Salamanca Arts Centre
Enter via Wooby’s Lane, or for lift access enter through The Courtyard

Get to The Founders Room for another round of homegrown edge-of-your-seat, rib-tickley makesy-upsy from PROTEA Impro and Salamanca Arts Centre.

Featuring the improvised talents of: Rosemary Cann, Rowan Harris, Jane Stoddart, Ollie Gorringe, Jeff Michel and Emma Skalicky!

Improvised music from Andrew Morrisby with host Matt Wilson. 
See you there!

Concession $15/General Admission $20


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

This event is part of Winter Light 2022 and the Australian Antarctic Festival 2022 and is presented by Salamanca Arts Centre

11 – 28 August 2022
Tuesday – Sunday
11am – 4pm

Last Dance Orange Roughy depicts the final Australian voyage of the RSV Aurora Australis to the Antarctic continent. The Aurora Australis has been carrying expeditioners and resupply to Antarctica for over 30 years. This final voyage was special in many ways. It departed with COVID-19 just a whisper and returned to a fundamentally changed world. The extra protocols instituted on the ship in response to COVID-19 reinforced the interdependency and collaborative actions of such a tightly knit microcosm, already essential for survival in Antarctica, but with a renewed sense of urgency in the emerging emergency. At that time Antarctica became the last COVID-19 free continent and we had a duty to preserve that status.

Using laser and photogrammetry scans and ambisonic sound recordings of the ship, crew and expeditioners, Last Dance Orange Roughy  presents a virtual experience depicting the intricate choreography of ship and expeditioners. Using an artistic rendering of the ship along with choreographed impressions of the crew and expeditioners, Last Dance Orange Roughy portrays the final voyage as an intricate dance sustaining life.

Last Dance Orange Roughy is an immersive visual and sonic feast of three-dimensional environments and spatial sound visualising and sonifying the last grand Antarctic dance of the Aurora Australis, crew and expeditioners. John McCormick and Adam Nash (Wild System) were the 2020 Australian Antarctic Arts Fellows on the final Australian voyage of the icebreaker Aurora Australis to the Antarctic continent. 

Antarctic Art Fellows: John McCormick, Adam Nash
3D Artists: Casey Richardson, Casey Dalbo
Choreography: Kim Vincs, John McCormick
Dancers: Valentina Dillon, Wendy Feng
Ambisonic Sound: Adam Nash
Antarctic Arts Program: Sachie Yasuda, Tiffany Brooks
Drone Filming: Simon Payne, John McCormick
3D Stereo development: Joshua Reason
Ambisonic sound consultant: Simon Maisch

John and Adam would like to extend their thanks to all the crew and expeditioners aboard the final voyage of the RSV Aurora Australis to the Antarctic Continent.


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Artists

Photo John McCormick

John McCormick

John McCormick is a technology based artist with a major interest in movement. John is a lecturer and researcher at the Centre for Transformative Media Technologies, Swinburne University of Technology where he investigates artistic practice in mixed reality environments, robotics, artificial intelligence and human movement. John has collaborated on works worldwide, including at ISEA, SIGGRAPH, Melbourne Festival, SIGGRAPH Asia, Ars Electronica Futurelab and Art Science Museum Singapore.


Photo: John McCormick

Adam Nash

Adam Nash is an artist, composer, programmer, performer and writer working in virtual environments and generative platforms. His work has been presented all over the world, including SIGGRAPH, ISEA, ZERO1SJ, the National Portrait Gallery and Venice Biennale. He is Associate Professor (Virtual Interior) in the Interior Design discipline, School of Architecture and Urban Design, RMIT University. 

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Arcana brings together some of Tasmania’s finest performers to render a musical interpretation of your past, present and future. Using the ancient art of the tarot as a springboard, go in the draw to ask your question and hear your reading as a multi-layered, semi improvised sonic experience.

Will your fortune build to a mighty crescendo, provoke an existential scream, or scuttle around the edges of audibility? 

An original work conceptualised and developed by emerging Tasmanian artists led by Alethea Coombe, Arcana is a multi-artform collaboration bringing musical, movement, and occult arts into play. 

13 – 14 August 2022
8pm – 9.00pm
Sunday 14 August 2022
4.30pm – 5.30pm


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Artists

Photo Evren Selvi

Alethea Coombe

A diverse musician, Alethea plays casually with the Tasmanian Symphony Orchestra, the Van Diemen’s Band, has programmed multiple concerts at the Moonah Arts Centre (Hobart), and has featured as soloist with the Melbourne Metropolitan Sinfonietta premiering Michael Mathieson-Sandars’ violin concerto, Jongleur Histories, which was written for her. She collaborates with a number of sound artists and visual artists, exploring technology and improvisation. Their collaborative work has been featured at a number of Hobarts galleries and museums. She has been the recipient of a number of federal and state grants for development and residencies in Australia and abroad. Alethea has performed with internationally acclaimed ensembles ELISION, eighth blackbird and Ensemble Interface, and has performed at soundSCAPE (Italy), Kuhmo Chamber Music Festival (Finland), the International Summer Course for New Music at Darmstadt (Germany) the Australian Festival of Chamber Music (Townsville), The

Unconformity (Queenstown), Dark Mofo (Hobart) and MONA FOMA (Hobart and Launceston).


Photo: supplied by the artist

Jem Nicholas
Jem Nicholas is a facilitator, actress and mover who has recently relocated to Hobart from Melbourne. She has a Bachelor of Performing Arts at Monash University, and has appeared several productions, including as Sylvia in Australian premier of ‘You are the Blood,’ by Ashley Rose Welman. Directed by Peter Blackburn, Carrie in ‘Rules for Living,’ Red Stitch Actors Theatre, directed by Kim Farrant, and Florence in ‘Dr Blake Murder Mysteries, Season 5,’ ABC, directed by Diana Read. She received critical acclaim for her work ‘Child’s Play,’ a one-woman show written and performed by Jem, directed by Jessica Stanley.  She has done further training with Peter Kalos – The Melbourne Actors Lab, Patsy Rodenburg – Voice Master Class, Carl Ford and Susan Batson at the Susan Batson Studio – New York, and is currently training in the Alexander Technique with Penny McDonald.


Photo: supplied by the artist

Tom Robb
Tom Robb is a Hobart-based freelance drummer, electronic musician and educator currently engaged in many musical projects, ranging from free improvisation, jazz, noise music, and music therapy. As a performer, Robb has been fortunate enough to work with some of the most accomplished musicians and ensembles in Australia, including Greg Kingston, John Hoffman, Tim Green, Rugcutters Quartet, Eugene Ball, Zac Hurren, and Scott Tinkler.  Robb’s recorded work has been released on Chemical Imbalance (SYD), Supersonic (BRIS) and Green Chimneys Records (BRIS), as well as being involved in numerous independent releases.


Photo: supplied by the artist

Lachlan Johnson | Cello

​Lachie is a Hobart-based cellist and teacher, performing regularly in a wide variety of local ensembles, including stints as principal cellist with the Hobart Chamber Orchestra, the Tasmanian Conservatorium of Music Symphony Orchestra, and the Tasmanian Discovery Orchestra.  He undertook a Bachelor of Music studying under Markus Stocker at the Queensland Conservatorium of Music, and continued studies with Sue-Ellen Paulsen at UTas, where he received the university medal in 2016.


Photo: supplied by the artist

Michael Fortescue | Double Bass
Michael’s early musical training was in Canberra, playing with Canberra Youth Orchestra, Canberra Symphony Orchestra, and Australian Youth Orchestra. After a year with Melbourne Chamber Orchestra, he moved to Tasmania to study with Jan Sedivka at UTAS. He commenced work with TSO in 1976. He undertook studies in 1988-89 with Francois Rabbath at Conservatoire Lili et Nadia Boulanger Paris IX. He left TSO in 2013. He is former board member of TSO, deputy chair Music Fund of Australia Council, chair of Music Panel of TAAB, president of Hobart branch of Musicians Union and lecturer in double bass and improvised music at UTAS. Currently chair of Kickstart Arts and freelance specialist in whiskers and kicks.


Photo: supplied by the artist

Michael Mathieson-Sandars | Creative Consultant
Michael Mathieson-Sandars is a Hobart-based Australian composer. He is a co-founding member of new music ensemble Kupka’s Piano, alongside whom he has collaborated with Ensemble Interface (Germany), Makeshift Dance Collective (Brisbane) and received funding through Arts Queensland and the Australia Council for the Arts. He completed his Honours in Music at the University of Tasmania Conservatorium in 2016, and his Bachelor of Music at the Queensland Conservatorium in 2013, studying with Gerado Dirie, Maria Grenfell and Don Kay. Michael has attended a number of international music festivals and conferences, including soundSCAPE (Italy – 2013) highSCORE (Italy – 2013) CoMA (UK – 2013) International Summer Course for New Music at Darmstadt (Germany 2014, 2016). For these courses he was awarded PPCA Performers Trust Award for overseas study (2016), Ian Potter Cultural Trust for overseas study (2014) and had lessons with Rebecca Saunders (Germany) Brian Fernyhough (US) Liza Lim (Aus/UK) Michael Finnissy (UK). Michael and Alethea have collaborated on new musical works since 2011; recent major works include “For Reza Berati” for violin, flute and dancer, as well as Jongleur Histories – a violin concerto commissioned by the Melbourne Metropolitan Sinfonietta.


This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Set up camp and stampede into the jungle for an outlandish, circus filled extravaganza


Winning Best Children’s Event award at the Adelaide Fringe Festival 2021, this is an extraordinary adventure you just can’t miss.

Lions and tigers and Dummies, oh my! Set up camp and stampede into the jungle for an outlandish, circus filled extravaganza that will leave you chuckling like a monkey and roaring for more.

Dummies Corp are also running a circus workshop!


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.


This “inspirational all-female troop” (The Wee Review Edinburgh) of strong women, empower and educate young audiences to question gender stereotypes and societal expectations of gender.

Having delighted audiences in thirteen countries and counting, with five-star reviews across the board, this is a crazy adventure sure to “have the children (and adults) in stitches throughout” (One 4 Review Edinburgh).


The Artists

Dummies Corp

Dummies Corp are the Australian circus-comedy specialists, recognised for creations of quality that are intelligent, theatrical, inventive and resonate across generations. Their productions transcend language barriers and their unique brand of dum and delightful has created treasured experiences for audiences across the globe.

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Live performances
Friday 19 & Saturday 20 August 2022
9pm – 11pm
Doors at 8.30pm

Music, art, costume, VR and film are the tools PARKER uses to implore us to travel through the hallways of her mind in Body of Work. From breaking up to dreaming big her work propels us on a journey that’s a poetic evaluation of liminality. In the waiting rooms of life, potentiality implores us to take a chance, to lament, to wander and to wonder– PARKER is our guide.

Using sound and vision to sculpt and disrupt space, each exhibition in the series reacts explicitly to the architecture in which it is held– no two visits are the same. Each show is incomplete without you, the audience, to participate in this Body of Work.


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


A white woman with brown hair and blue eyes looks directly to camera. She is wearing a blue silken top and has it covering part of her chin. We see her from the shoulders up. She stands in front of a peach background.
Photo: Isabella Connelly

Tash Parker
Tash Parker (PARKER)  is a multidisciplinary artist and musician born in Western Australia and raised on a tropical fruit farm in the North East Kimberley, now based in Launceston Tasmania.  Her music is a powerhouse of retro-futurist electronica that soars with glossy synths and commanding vocals.

Her artistic practice is centred around reactionary works in collaboration with musicians, visual artists and technology artists to curate multi-sensory experiences:

“I write about what is real and happening whether that be about my own relationships and experience in my body or an imagined reality of a space travelling future ancestor.” –PARKER


The Visual Artists

Photo: supplied by the artist

Briony Law
Briony Law is a visual artist currently based in Brisbane, Australia who works primarily with sculpture, moving image and installation. Her practice explores aspects of human ecology, urbanisation and the complex systems of mediation at play in parks, reserves and conservation areas. Her work observes social practices in these places and notions of nature connectedness
www.brionylaw.com

Photo: supplied by the artist

Gina Thorstensen
Gina Thorstensen is an artist, illustrator, animator based in Oslo, Norway. She holds a masters in VR filmmaking and has worked on award winning animated films and music videos (Gotye – Giving Me A Chance).  Gina has exhibited in Barcelona, Berlin & Copenhagen and has a strong practice in collaboration with fashion designers, musicians, artists and filmmakers.
www.ginathorstensen.com

Photo: supplied by the artist

Hans Van Vliet
Long time collaborator with Tash Parker, Hans Van Vliet is a live musician (Wafia, PARKER, Hunz & 7 Bit Hero) a music producer (PARKER, Hunz & 7bit Hero) and an animator/game designer based in Brisbane. He is the creator of 7bit Hero, an interactive live performance video game, the Creative Director for Kids psychology game, Rumbles Quest and Game Director for Children’s book app Kindergo.

Photo: supplied by the artist

Jacob Collings
Jacob is a Nipaluna based filmmaker who is driven by conveying the internal feelings of life and telling the stories of those around him. He has engaged in projects with National Geographic, ABC, Channel 7 and STAN, He got his start as a freelancer, working on music and Arts projects across Australia.

Photo: supplied by the artist

Jaymis Loveday 
Jaymis is a video director and creative technologist. He pushes the dimensions of video and live performances by mixing VR, robots, cameras, 3D printers, drones, music, electronics, computer gaming, programming, lighting, animation, and explosions.  He is a live VJ performer for bands 7bit Hero, Tim Shiel and Nonsemble, and the creator of Cinema Swarm: the Autonomous Subject Tracking Robotic Camera System.
www.jaymis.com

Lillian Bell
Lillian Bell is an offgrid artist based in regional Victoria.  Lillian uses drawing, sculpture, ceramics, light, found objects and stop motion animation to tell imagined histories of women.  She shines a light on possible hidden and untold stories buried by the patriarchy.

Photo: supplied by the artist

Ursula Woods
Ursula Woods is a filmmaker based in southern Tasmania. She is a current member of the Australian Directors Guild (ADG), Women in Film and Television (WIFT) and Wide Angle Tasmania. Ursula is best known for her short film Clockumentary, which was selected and shown at a variety of festivals including the Melbourne Documentary Film Festival 2020 and Far South Film Festival 2021.
www.ursulawoods.com


The Musicians

Emma Anglesey
Emma’s songs have been playlisted by Double J and ABC Radio and used by Triple J to advertise Unearthed. Emma has performed at Woodford Folk Festival, A festival called Panama, Falls Festival, Party in the Paddock, Dark Mofo and Mona Foma, and toured with Guy Pearce, The Waifs and JUNO award winning Canadian band The East Pointers. In 2018 she showcased at Australia’s SXSW BIGSOUND.

A woman wearing headphones around her neck looks directly to camera. She is in the sunshine and has her brown hair pulled back in a ponytail.
Photo: Thomas Wood

Emi Doi
Emi Doi is a 23-year-old keyboardist, vocalist and songwriter, currently creating and working in her hometown of nipaluna, Hobart. A local music enthusiast and current member of local indie-pop four-piece ‘ACRES’, she has performed across a range of venues and festivals throughout Tasmania, including the Falls Festival and Party in the Paddock, supporting the likes of the Rubens and the Creases. She has recently jumped on board as a keyboardist for Hobart-based artist CELESTE and Launceston-based artist PARKER.


Behind the scenes
Creative support and development for exhibitions and performances

Photo: supplied by the artist

Michelle Boyde – Costume Design
Michelle is a freelance Tasmanian designer working across costume, fashion, stage and film.   Her work has been commissioned by numerous high profile cultural organisations including Chunky Move Dance Co., Melbourne Fashion Week, Mona, Dark Mofo and Design Tasmania and her designs have graced the backs of a plethora of independent artists locally and abroad.
www.boyde.com.au

Photo: Felipe Pagani

Allison Bell
Award winning Soprano Allison Bell is one of the leading and most exciting performers of 20th and 21st century music of her generation. Allison is also a celebrated voice teacher and peak performance coach, teaching both privately and within young artist programs and universities. Allison is a mentor and coach to the next generation of singing stars – from professional opera and classical singers to cross-over performers such as Kate Miller-Heidke, Allison’s students are leaders in their genres, internationally.
www.allisonbellsoprano.com

VR equipment provided by Soma Lumia
www.somalumia.art

Salamanca Arts Centre presents

Eclectica Salamanca ~ a musical excursion to other times, other places

A Sunday afternoon concert series: Two bands: Japanese Punk + Afrikaya = the Rhythm of Dance


7pm – 8pm
The Tokyo Punk Mona Music Ensemble [起爆]

Born of a Tokyo-Punk-inspired performance experience at Mona, The Tokyo Punk Mona Music Ensemble [起爆] is an absurdist, anarchist ensemble in which some of Tasmania’s most talented performers smash punk and Japanese influences into a riotous thing of beauty.

Bring your best pogo shoes and leather jacket.

Hayato Simpson – Synths, Drums, Violin.
Yyan Ng – Guitar, Drums, Flute Shakuhachi, Taiko Drums, Banjo, Vocals.
Risa Ray – Dance, Vocals.
Dominic Nguyen – Bass, Double Bass, Piano.
Eri Mullooly-Hill Konishi – Keys, Dance, Vocals
EAndy Page – Synths, Guitar


8:30pm – 10pm
KING B-FINE and AFRIKAYA BAND

King B-Fine 

Afrikaya’s unique & lively Rastafarian front man. King lives by the Rastafarian philosophy & the tradition of honouring that everyone is born royal. Originally from war torn Sierra Leone, King B-Fine now calls Australia home and resides in West Hobart with his Tasmanian wife & young family. King B-Fine’s passion for performing started early, his musical influences include the legends of reggae & afro beat such as Marley, Tosh & Fela Kuti. King’s musical achievements are impressive, as is his list of musical awards. He has toured Europe, shared the stage with international reggae musicians, headlined an Australian music festival in Qld and was an Australia Day Award Finalist in Sydney.

What is equally impressive is that King composes and produces his own music under his labels, Fine Records & Royal Movement Records. He has released numerous albums and singles with accompanying music videos.

AFRIKAYA BAND

King B-Fine’s recent Afrikaya Band ensemble is a mix of eclectic Tassie musicians dedicated to delivering his upbeat Afro Beat sounds in the soulful Tassie fashion. Formed in early 2020, he and his new band have already released two locally recorded singles with music videos.


All guests are reminded of the following entry requirements and to practice COVID Safe Behaviours including:

Full Vaccination required to attend this event
Check-In via the Check In Tas app
Sanitising hands upon entry
Maintain Physical Distancing (1.5m)
If you are feeling unwell, please do not attend (we will see you another time!)
If guests are not enjoying a beverage, guests must wear a face mask at all times.


Eclectica Salamanca is supported by the City of Hobart through its Cultural Grants Program and by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Salamanca Arts Centre presents

Eclectica Salamanca ~ a musical excursion to other times, other places

A Sunday afternoon concert series: three duos perform songs with & w/out words.


2pm – 2:50pm
The voice and the guitar

Quin Thomson – Vocals
David Malone – Guitar

Quin Thomson and David Malone

Quin Thomson and David Malone

 Members of the early and modern music group Sequenza, and have come together for a duo concert to explore some of the rich repertoire of music for voice and guitar. It is an alluring combination; a pairing that is centuries old and perfectly matched today. Quin and David will bring together seguidillas from Spain by Fernando Sor, lieder by Brahms, and music from South America by Villa-Lobos and Jorge Morel. A highlight of this concert will be the premiere of a new work by Maria Grenfell who has been commissioned to compose a piece for voice and guitar to celebrate Gustav Weindorfer, whose vision established the Cradle Mountain wilderness area as a national park.


3pm – 3:50pm
Bohuslav Martinu Duo No. 1 H.157 for violin and ‘cello
Zoltan Kodaly Duo for violin and ‘cello Op. 7|

Peter Tanfield – Violin
Martin Penicka – ‘cello

Composed in 1914, this great work had to wait until 1918 for its first performance. Conceived at the height of Kodaly’s research into and collection of Hungarian and Eastern European folk music – predominantly simple song, without the complex adornment so frequently heard in Gypsy renditions – with his then great friend and colleague Bela Bartok, the music is rich with Hungarian melody and idiom. Kodaly loved dialogue, and he uses the two instruments in elaborate conversation and exchange to achieve a big scale of structure and form. The work is rich with contrast and colour, demanding much of both instrumentalists.

Peter Tanfield 

Born in England in 1961 and started the violin aged four. He studied in Germany, Israel, Switzerland and Holland where his teachers were Igor Ozim, Felix Andrievski, Alberto Lysy, Herman Krebbers and Yehudi Menuhin. He was a prize-winner at The Carl Flesch International Competition, International Mozart Competition, International Bach Competition amongst others. As soloist and chamber musician he has played throughout Europe, China, Japan, India, Canada, the Middle East, Africa, USA, and USSR. He has recorded numerous solo and chamber works for television and radio as well as CD. He has played for Chairman Deng in China and the Sultan of Oman. As soloist he has appeared with many major orchestras; the Philharmonia, City of London Sinfonia, Scottish Chamber Orchestra, West German Radio Orchestra, Radio Symphony Orchestra of the RAI in Rome. As concertmaster, he has had extensive experience working with BBC Philharmonic, RSO RAI Roma, West German Radio Orchestra, London Sinfonietta, Scottish Chamber Orchestra.

Martin Penicka 

TitleMartin Penicka studied with Lois Simpson and Julian Smiles at the Australian Institute of Music. He graduated in 2002 with the degree of Bachelor of Music (Performance) with first class honours. During his studies, he played in many chamber ensembles, most notably with the award-winning Con Brio Trio. In 1999 Martin took part in a tour to the USA organised by the Performing Arts Unit to complement the Art Express exhibition in the Corcoran Gallery, Washington DC. A solo artist in the Symphony Australia Conducting Program in 2001, Martin has been a casual member of the Sydney, Melbourne and WA Symphony Orchestras. He was a semi-finalist in the 2004 Symphony Australia Young Performers Awards and the 2MBS FM Young Performers Award. Martin has been an ANAM Academy Musician at the Australian National Academy of Music. In 2006 and 2007 he was involved in the Sydney Symphony fellowship program. Martin joined the TSO in August 2008 and regularly plays in chamber music ensembles around Tasmania including the newly formed baroque ensemble Van Diemen’s Band. He has appeared on several ABC classic FM Sunday Live Broadcasts.


4pm – 4:50pm
Klezmer Music

Rachel Meyers – Violin
Dave McNamara – Accordion

Rachel Meyers & Dave McNamara

Rachel Meyers and Dave McNamara have been playing klezmer music for more than 20 years. Rachel’s violin playing draws out unimaginable emotion from this music of the Jewish people of Eastern Europe. Ably supported by Dave, on accordion, Rachel will be taking the audience on a journey through klezmer dances and songs, with and without words.


All guests are reminded of the following entry requirements and to practice COVID Safe Behaviours including:

Full Vaccination required to attend this event
Check-In via the Check In Tas app
Sanitising hands upon entry
Maintain Physical Distancing (1.5m)
If you are feeling unwell, please do not attend (we will see you another time!)
If guests are not enjoying a beverage, guests must wear a face mask at all times.


Eclectica Salamanca is supported by the City of Hobart through its Cultural Grants Program and by the Commonwealth Government’s Office of the Arts via the RISE Fund.