Opening Event
Friday 3 February 2023
6:00pm – 8:00pm

Layers of monochrome became earth, sky, abstracted fields, wheat and grass twisted, flattened and forced – a changed landscape. From Nina Keri‘s psyche comes images of Ukraine as the breadbasket. Food, sustenance, life – threatened again by war. Borderland consists of eight works painted in heartfelt response to Ukraine.

“For several years the theme of my artwork has been my maternal family history – of life in Ukraine before and during the Second World War.  Specifically, the stories from my Russian Grandma.  I have shaped her stories into forms that are carriers of a deep family narrative of survival and continuation despite the destruction of war.  Part of me has always experienced Ukraine through my Grandma’s stories.  It is an almost fairy tale place in my psyche.  In my mind’s eye I see the farm, the many creatures that shared the life of the family, horses, cattle, pigeons, rabbits, a pet fox and a pet wolf, the great expanse of Steppe. green and verdant, where Grandma would ride.  But as with all fairy tales, there is darkness and evil.  I also see the cattle train taking my grandmother away, and her beloved uncle running after it.  It’s a real place, but I have never been there.  Yet in my DNA lies the deep rich soil, maybe alongside bits of broken china, rusty nails and animal bones.  To see this world of my imagination down the barrel of a soldier’s gun, uploaded to tiktok, is almost indescribable for me. 

On the 24th of February 2022, to my shock and disbelief, Russia invade Ukraine.  Four days into the war I started painting without concept, in a cathartic state, to release my mental and emotional anguish.  Layers of monochrome became earth and sky, abstracted fields, wheat and grass that’s twisted, flattened and forced – a changed landscape.  From deep in my psyche comes images of Ukraine as the breadbasket.  Food, sustenance, life – all this is threatened again by war.  I allowed myself free rein in the creative process.  If an image came to mind, I would honour it.  If there were suggestions in the beginning of a work, I would follow them.  I have named this exhibition Borderland.  It consists of eight works painted in heartfelt response to Ukraine.”
Nina Keri

Nina Keri. Skin (2022). Oil on board. 61cm x 122cm.
Nina Keri. Anomaly (2022). Oil on board. 90cm x 118cm.
Nina Keri. Brothers (2022). Oil on board. 98cm x 58cm.

Opening Event
Friday 20 January 2023
5:30pm – 7:30pm

Tasmanian bird paintings and limited edition prints by Belinda Kurczok

Belinda Kurczok. Eastern Rosellas (2022). Acrylic.
Belinda Kurczok. Southern Emu Wrens (2022). Acrylic.

A graphic art installation featuring The Tree of Life with geometrical patterns, floral motifs, and Arabic Calligraphy by visual artist Halima Bhatti.

The Arabesque art coupled with geometrical patterns, motifs and Arabic Calligraphy made on The Tree of Life symbol, which is used by many cultures. This Turkish floral version captures vibrant colours often used in architecture in the Ottoman era.

The work is a manifestation of cultural Islamic art that artist has deep connections with, which focuses on the spiritual representation of objects and beings, made with the Tree of life symbol, which is a metaphor for the interconnectedness of all beings.

“Only by recognizing our roots, we can flourish in life, with wisdom, power and prosperity” – Halima Bhatti 

Works by Halima Bhatti.
Works by Halima Bhatti.

Opening Event
Wednesday 8 February 2023
5:30pm – 7:30pm

Hobart to Yaizu is a series of digital illustrations by emerging artist Corey Sparkes inspired by the little known link between two cities.

“Yaizu is the sister city of Hobart’ is something you don’t hear often, if not at all.

I remember learning about Yaizu in school and thinking to myself, “hey this is great!” However, aside from Kanjiro Harada’s stunning Japanese Garden that is located within Hobart’s Botanical Gardens, there is very little in the way of promotional material in regards to this fact.
This body of work exists as a promotional piece for both cities, identifying their shared characteristics in regards to landscape and environment through a minimalistic approach that explores the use of colour, limitation and indulges the idea of “play” rather than work or accomplishment.

Overall these pieces intend to serve as a cleansing moment of simplicity in our lives that can often be overwhelmed by chaos and complexity.”
– Corey Sparkes

Corey Sparkes. Sandy Bay. Digital Art.
Corey Sparkes. Mount Fuji. Digital Art.
Corey Sparkes. Hobart. Digital Art.

The annual Hunter Island Press (HIP) Mini Print Exhibition and Sale showcases the different printmaking techniques and variety of subjects undertaken by its members. 

The fine art prints are all a uniform paper size of 21cm x 21cm and are affordably priced at $40 each.

The work is pegged around the room and customers are encouraged to help themselves to the print they would like to purchase in an untraditional gallery style way. As a print is sold, it is replaced with another by the same printmaker. This may not necessarily be the same subject or technique as participants are unrestricted for this Exhibition. Sales are made on a first come, first serve basis.

Rowena Bond. Dorian. Collagraph
Artwork by Jeanie Edwards
Cath de Little. Magellanic Woodpecker. Linocut, hand-coloured.

Vertical Life Film Tour is in its third year and again brings the best of Australian vertical adventures to the globe while showcasing the best of the globe back home in Australia. From untold stories, unsung heroes and the faces we’ve come to know and love in climbing – the Vertical Life Film Tour has something for everyone.

From its humble beginnings created by the team behind Vertical Life Magazine, the tour was conceived to bring inspiration to worldwide climbing communities while outdoor adventure was limited – growing into a globally successful film tour since. In 2022 we will again showcase incredible climbing and phenomenal storytelling in settings that inspire the adventure community to connect. Driven by the passion to tell the stories of climbers across the world and our love for the global climbing community, the tour will commence in November 2022 with a premiere at the Beta22′ Climbing Festival in Australia.

Tickets
Adult $26.93 (+BF)
Child / Concession $21.71 (+BF)
Family (2 x Adults + 2 x Children) $63.47 (+BF)



Midair
In scaling rocks by the hardest routes, boulderers seek to escape gravity in an endless quest to achieve weightlessness and momentarily leave the world behind.
Midair is a metaphysical bouldering film starring the UK’s best all-round climber, Jim Pope. Filmed in iconic Lake District locations and set to a pumping techno soundtrack.
Starring Jim Pope with Frances Bentley, Aidan Roberts and Holly Toothill | Director : Louis-Jack


The First Worm
New lines, in new places with new friends.
The highline’s called “The First Worm.” First of many potential lines for these crags.
Rigged on two backpacks and a boulder wrap, Lewis Foster and Brady Hayes made it possible for the first time to walk above some of the steepest ski lines in mainland Australia.
Stuff like this doesn’t happen over night. But sometimes it takes little more than a crazy idea and 5 days.
Director : Divya Gordon


Route Setters
Short sport documentary film about route settings in Hong Kong’s indoor climbing gym.
Director : Tony Cheung


Grace
Having spent her teenage years in hospital, Grace finds healing in the climbing community.
Director : Sandro Gromen-Hayes


The Process
Tom Randall is a world class crack climber. He is also a terrible runner, which is why his latest challenge seems like an odd choice. He decided to link up two of the Lake District’s biggest and toughest endurance challenges, the Bob Graham Round and The Classic Rock challenge into one hellish 24 hour mad dash. A funny, honest, genuine and heartfelt story.
Director : Matt Pycroft

Opening Event
Wednesday 21 December 2022
5:30pm – 7:00pm

An evolving annual exhibition of around 45 Tasmanian artists, with links to the University of Tasmania’s School of Creative Arts and Media in its various incarnations, where artists present engaging mini exhibitions in a wide variety of media and approaches.

Images of Tasmania (IOT) It is the brainchild of Jan Peacock and Betsy Gamble, who saw the potential of presenting a collaborative show in the Long Gallery and Sidespace Gallery over the Christmas – New Year period.  Hobart is buzzing with visitors at this time. The first IOT exhibition was held in 1998, as the initiative of artists and art educators who trained together in the late 1950s.  Over the past decades, IOT has evolved into a high-quality exhibition of 40 – 45 artists, each with an individual display space in which to showcase the development of their ideas over a wide range of approaches and disciplines.  Some artists have been exhibiting in IOT for many years, but the exhibition is annually infused with ‘new blood’ drawn mainly from art school graduates.  The exhibition is entirely self-funded, and all costs and tasks of mounting the exhibition are shared by participating artists. 

This year marks the 25th Anniversary of this thriving, co-operative venture and will include touches of silver throughout, a Rogues Gallery of participants (past and present) and various activities to encourage visitors to learn more about the artists in their local community.

Installation photo from Images of Tasmania 24.
Installation photo from Images of Tasmania 24.
Installation photo from Images of Tasmania 24. Artworks by Livia Bilsborough & Jenny Young.

Opening Event
Friday 11 November 2022
6:00pm – 8:00pm

Featuring works by Nolan Art‘s Adult Students, this annual exhibition features oil and acrylic painting, watercolour and drawing.

Opening Event
Sunday 13 November 2022
2:00pm – 4:00pm

Featuring works by Nolan Art K-12 Students, this annual exhibition features ceramics, sculpture, fashion illustration, oil and acrylic painting, and drawing.

Dive into this fun adventure and join the Musical Theatre Crew’s Junior Crew as they make a splash with this fun-tastic tale ‘under the sea!’

Ariel, an inquisitive and adventurous mermaid and youngest daughter of King Triton, is fascinated by the human world. She collects human ‘junk’, much to the worry of her best friends Flounder and mentor Sebastian, and to the amazement of Scuttle the seagull (and self-proclaimed expert on ‘human stuff’)! One day Ariel catches sight of a human called, Prince Eric, and longs to live in his world. Two slithery eels, Flotsam  and Jetsam take Ariel to see a magical sea-witch Ursula an octopus, with whom she trades her tail and voice for legs and a life on the land. But the deal is not what it seems, as life under the sea is turned upside down and Ariel and her friends must work together to save their world!

Season :
Friday 11 – Sunday 20 November 2022

Performances :
Friday 11 November 2022 @ 7:30pm
Saturday 12 November 2022 @ 3:00pm (Matinee)
Saturday 12 November 2022 @ 7:30pm
Sunday 13 November 2022 @ 11:00am (Matinee)
Sunday 13 November 2022 @ 3:00pm (Matinee) 
Friday 18 November 2022 @ 7:30pm
Saturday 19 November 2022 @ 3:00pm (Matinee) 
Saturday 19 November 2022 @ 7:30pm
Sunday 20 November 2022 @ 11:00am (Matinee) 

Doors / Ticketing opens 30 minutes prior to performance.
Duration : 70 minutes | No Interval

This show has double and triple casts. Please book the team that has the performer you wish to see on the booking site! Better still come again and see another team! Full cast details online here

Tickets :
Adult $35
Concession (Children, Students, Concession Cards / Seniors Cards) $29
Family (Good for 4) : 2 x Adults & 2 x Kids OR 1 x Adult & 3 x Kids $115