This exhibition is part of the OPEN SKY / Kelly’s Garden 2022 program
Curated by Ainslie Macaulay

Rough and Cut documents four years journeying into central Australia to a place called Coober Pedy. The town owes its existence to the discovery of opal seams in 1915, an iridescent gemstone that came to existence from the water that once covered this desert scape. This precious opal has been mined through a series of boom & busts, almost into oblivion. Beyond the mullock heaps and away from the sun’s searing heat lies the underground dugouts inhabited by the last of the miners still dreaming of one last opal-rich strike. Keeping the idiosyncrasies of the town’s personality alive and well, the encounters are an insight into the characters that call this place a forever home. Captured are the remnants of this magnetic, surreal landscape shaped by its extremities. We are faced with a seeming wasteland formed by remoteness, isolation, and finite resources, and we are reminded of our delicate place in the natural world relentlessly evolving through climate change.

– Abigail Varney

Open Sky is a series of exhibitions showcased in Kelly’s Garden, presented on the land of the traditional owners, the muwinina people. In Varney’s Rough & Cut series she explores the notion of excavating and shifting landscape, and the remnants that are left behind. Echoing these changed landscapes of Coober Pedy we look to Kelly’s Garden, post invasion where Varney’s work is placed.  The exposed rock walls that sit within the Salamanca precinct show the impact of colonisation on the natural environment. A reminder of the layers that are beneath our feet and the rich histories that have come before us.  

Pre orders for the catalogue for Rough & Cut now available through Perimeter Books. Published by Trespasser Books


Artist

Abigail Varney

Abigail Varney (b. 1986) is a portrait and documentary photographer based in Melbourne (Naarm), Australia. Her work predominantly evolves from her curiosity and connection to Australia’s land, people and ecology; to explore untold stories that give light to the vivid and complex lives in Australia. Her work is more recently moving back even closer to home, working with family archives and stories that centre her community and family.  

She has completed a Bachelor of Arts, at Deakin University and an Advanced Diploma at the Photography Studies College. In 2014 her portrait series was featured at the National Portrait Gallery. In 2020 she became a member of the photography collective Oculi. Her long-term documentary project Rough & Cut (2014–2018), has been exhibited in Melbourne, Sydney and Canberra, as well as overseas. Rough & Cut will be her first publication with Trespasser, an independent Texas based publisher releasing in November of 2022.


Proudly presented by Salamanca Arts Centre.

Saturday 29 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.

Photo: supplied by the artist

Harry Edwards
Harry Edwards is a Hobart based guitarist, performer, and composer. He graduated with a Bachelor of Music and Bachelor of Arts from the University of Tasmania in 2012 and has since developed a regular practice of performing professionally with various ensembles around Tasmania, including Hobart gypsy jazz staple ‘Django’s Tiger.’



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Saturday 15 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Saturday 1 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Opening Event :
Thursday 13 October 2022, 6:00pm – 8:00pm
Free to attend, subject to capacity.
The opening event for Vacancy is sponsored by Spotty Dog Brewers

This exhibition showcases the highlights from the ‘outsider’ artist studio, a pilot program that aimed to find the best outsider artists in Tasmania and facilitate a tailored professional development program throughout 2022.  

An ‘outsider artist’ was defined here as an artist working outside of the mainstream visual arts industry or educational institutions, who may be self-taught or have no formal training in their chosen mediums.

This exhibition features new work from Lynn Avrillon, Hanna Batstone, Rosie Brennan, Kerrie Dare, Kjell Erskine, Sketch Kelly, Anna Mykhalchuk, Lisa Rime, and Faheem Sumar.

This activity was assisted through Arts Tasmania.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Opening Event
Friday 21 October 2022 @ 5:30pm

Showing Lloyd Rees’ love of Tasmania, this special exhibition features a remarkable series of 40 lithographs by one of Australia’s great landscape artists, with signed, original limited edition prints available for purchase.

“These lithographs were the artistic highlight of Rees’ last years, rich in grandeur and drama, executed when Rees worked with legendary master printer Fred Genis. Rees loved the technique of lithography and his relationship with Fred was one of his last creative pleasures”
– Jon Cecil, Curator

Presented by Jon Cecil Fine Art

Lloyd Rees. Morning Light, Hobart. Llithograph
Lloyd Rees. Mid-Afternoon, Sandy Bay, Lithogrpah.
Lloyd Rees. Breezy Day. Lithograph

Discovering Ability showcases the participants’ experiences, stories, and incredible creative abilities.

Discovering Ability is the second annual exhibition by OnTrack Tasmania NDIS participants. Its purpose is to highlight these artists’ who, despite the challenges and constraints, have a remarkable ability to use art to express their thoughts, feelings and life experiences.

Throughout the year the OnTrack Tasmania Making Tracks program offers a variety of classes and activities where participants learn new skills and work on art pieces. OnTrack Tasmania is proud to present the result of the talent and hard work from our participants’ and to showcase their creative abilities. The Discovering Ability exhibition makes use of the artistic talents of OnTrack Tasmania’s participants and staff to give each client the chance to express and share their experiences, stories, and exceptional skills. The exhibition aims to help artists recognise the value of their art and provide them an opportunity to sell at their pieces.

Artwork by Ontrack participant.
Ontrack participant with Art Program Leader.
Ontrack participant.

Opening Event
Friday 14 October 2022
6:00pm – 8:00pm

A study of identity through portraiture and still life, by Zoe Lovell.

“Portraits give us a glimpse into who a sitter is through their physical appearance. We are able to understand aspects of who they are through their facial expressions, body language and personal style. However, there’s always more to someone than what’s presented on the surface.

This body of work was born out of a frustration of being overlooked based on my outward appearance and the way I present myself. We each have our own unique experience with this sense of dismissal, regardless of how we appear on the outside and it saddens me to know that through some eyes, we’re only worth as much as our looks. 

I have created a series of portraits of myself and my friends, showcasing not only the way we look, but aspects of our lives that shape our identities, whether that’s through our lived in spaces or objects of importance to us. My aim during this process has been to capture aspects of ourselves that we value most and want to be recognised for. We each have our own set of ambitions, skills and personality traits that define who we are and eclipse the significance of our outward appearances. 

Whilst I have created portraits, which typically only give us a sense of personality through expression, body language and looks, these paintings aim to be a quiet celebration of individuality through the everyday and act as windows into the lives and identities of the subjects.”
– Zoe Lovell

Self portrait of the artist, staring straight ahead. The artists holds four paintbrushes in their hand, which is also splattered by paint. The artists is wearing a grey vest with short white sleeves.
Zoe Lovell. Self Portrait of the Artist as a Young Woman. Oil on canvas. 40cm x 50cm
An open book, with two sketches of hands, lying on a heap os crumpled white sheets. In the corners of the painting there are fragments of striped fabric.
Zoe Lovell. Sunday Morning with Rodin. Oil on canvas. 40cm x 50cm
A woman with dark hair wearing a white top, turns away towards the wall. In her hair there is a light blue ribbon.
Zoe Lovell. Successful women don’t wear ribbons in their hair. Oil on canvas. 40cm x 50cm

Earth and Land presents lutruwita/Tasmania’s natural beauty, captured within the clay of Angela Reiher’s sculptural forms and Caitlin Love’s canvas.

Opening Event
Friday 30 September 2022
5:30pm – 7:30pm
Top Gallery, Salamanca Arts Centre

Emerging artists Angela Reiher and Caitlin Love met in 2020 after taking ceramics classes together. They soon realised their shared ambition to produce a body of work to exhibit. Angela and Caitlin’s interest in the natural landscape and obsession with the Tasmanian wilderness was the subject of many conversations which lead the pair to recognise the many ways their works speak to each other. Angela collects wild clay from different locations in lutruwita/Tasmania, to use within her work. Caitlin represents the natural environment in her paintings, including some of locations where Angela has sourced her clay from. Their work embodies the landscape in more ways than one.

Angela and Caitlin have nurtured a strong friendship over the last couple of years, consistently supporting and encouraging one another to follow their motivations as artists. Together, the pair launched their work for Earth and Land with a trip to Tasmania’s wild and captivating West Coast, early in 2022. This is the first time that Angela and Caitlin have exhibited their work.

Caitlin Love. South Cape Rivulet. Acrylic on Canvas. 38 x 82cm
Angela Reiher. Untitled (2022). Clay. Photographer: Sid Scott

Angela Reiher

Angela Reiher is an artist based in nipaluna/Hobart. Angela was born in Warragul, Victoria and moved to lutruwita/Tasmania in 2018. She came on a holiday to Tasmania in 2017 and fell in love with the amazing and diverse landscape as she travelled around the state. She has recently retired from a life of teaching to release her dreams and passion for the arts.

Angela has a deep-rooted connection with the natural world and her works reflect this. Angela’s work is inspired by what she sees around her, or literally includes elements from the environment. In her ceramic work, she uses items such as rocks for tools in shaping, trimming, carving and finishing work. Angela uses shells, rocks and leaves and other found items as inspiration and to emulate colours in glazes and in the finishing effects. Her handbuilding reflects the organic shapes in the environment and incorporates aspects of natural elements such as wild clay.

Angela loves connecting to the earth by collecting and hand processing clay found in the wild. Everything is done by hand until the final firing stage, including collecting the clay, picking up or digging out the clay with a small handheld shovel or shell. Clay is broken down and squished by hand, from large lumps into a smooth mix. Angela then pushes it through a sieve and dries it out to a usable degree, wedges it and makes it ready to use. Angela uses wild clays as finishing effects on ceramic pieces that she has either handbuilt or wheel-thrown. Angela likes her artwork to ‘create itself’. She begins with an idea but has learnt to have no boundaries. She likes the work to take on its own form and, in a way, to create itself.


Caitlin Love

Caitlin Love was born in Ngunnawal country/Canberra and she studied Art History and Curatorship at The Australian National University. She moved to lutruwita/Tasmania in 2015 and based herself in nipaluna/Hobart to further her study at the School of Creative Arts, completing her master’s degree.  Caitlin currently works as an art teacher.

Painting has been a lifelong passion of Caitlin’s. In this exhibition, Caitlin captures the essence and life of Tasmania’s diverse and pristine wilderness through her exploration of the colours and vistas that have captivated her during hiking and camping trips. These paintings reflect her personal connection to Tasmanian landscapes and the profound nourishment she receives from being in nature. There is a welcoming sense of solitude and peace that can be found in Tasmania’s unique landscape, which offers Caitlin both a sense of belonging and a feeling of remoteness.