This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Utopia Now! is a community art project where artists collaborated with young people from diverse backgrounds and present their vision of a sustainable future that allows us all to flourish and live in harmony. The culmination of this explorative creative process will be a large-scale installation. The presentation will also include live performances and interactive elements.

The participating groups in Utopia Now Art Installation are: Campania District School | Goodwood Community Centre | The Circus Studio | TAFE Students Against Racism | City of Hobart Youth Art and Recreation Centre | Pakana Studio/Kickstart venue for Takani’s Workshops | LGTBQIA+ community | Cygnet Community

11 – 14 August 2022
Long Gallery

11 – 12 August 2022
2pm – 5pm
13 August 2022
10am – 4pm
14 August 2022
10am – 2pm

Thursday and Friday
Utopia Now! Installation
10am – 11am 

Utopia Now! Installation
11.30am – 12.30pm

QT Kids Edition
1.30pm – 2.15pm

Saturday
Utopia Now! Installation performance 
11.30am – 12.30pm

Young Performers
2.30pm – 4pm
Kieran Mulvany
Malachi Barker
Ari Soo
Sophie Henderson
‘Live Art’

Sunday
CANCELLED due to the weather
Utopia Now! Installation performance 
11.30am – 12.30pm



Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Mentors

Photo: Pier Carthew

Davina Wright

Davina Wright is a site-specific artist currently living in nipaluna/Hobart. 

She makes site specific, nonlinear and immersive theatre that looks at loneliness, suburbia, violence and feminism. She wrote and directed This is Grayson; a performance for audience 8+ with her collective Gold Satino. It received four Green Room Award Nominations in the Contemporary and Experimental Performance panel and received the awards for Innovation in Site Responsive Performance and Performance for Young Audiences.


Photo: Marie Nosaka

Risa Muramatsu Ray

Risa began her dancing career at an early age,  studying both classical and modern ballet and receiving numerous awards at the national competition level. In 2006 she entered the Japan Women’s College of Physical Education, home to some of Japan’s rhythmic sports  gymnastics olympic medal winners, where she majored in contemporary dance and poured her creative energies into choreography, stage production and dramatic composition while performing as a contemporary dancer in Tokyo.  

Complimenting her work in the contemporary sphere, Risa has also  

performed regularly at numerous music festivals and many of Tokyo’s  most famous clubs, as well as contributing her skills in event production  and choreography to many artists both in Japan and on the international stage. Now Risa is based in Tasmania and she is enjoying creating her  works inspired by Tasmanian nature.


Adie Delaney 

Adie began her circus career at NICA in 2004. After graduating she left Australia to Europe to join the UK’s largest touring contemporary circus company NoFitState. Over 8 years she performed swinging and flying trapeze, hula hoops, fire, acrobatics, trampolining, roller skating etc. Adie also spent two years with Cie Oncore’s flying trapeze show ‘Une Drole de Maison’ flexing her clowning muscles, and among other various events performed a season with La Clique at Edinburgh Fringe.


Photo: Gabrielle Kneebone

Andy Vagg

Andy Vagg is an artist, designer, writer, poet and performer. His practice explores the qualities and limitations of contemporary existence, and how the choices we make inherently effect, respond to, and delineate social evolution. Using post-consumer objects and materials, he creates work in social contexts, to activate spaces to form literal and metaphorical platforms for the development of ideas to encourage positive social change. His performances explore the role of religion, liturgy and ritual in a contemporary secular context, and how they can help us navigate the ongoing ecological and psychosocial changes caused by industrialisation, globalisation and consumerism. Andy has created work in public and private spaces in Newcastle, Sydney, Melbourne, Launceston and Hobart. He has collaborated with community in colleges, high schools, primary schools, community centres, and child and family centres.

www.andyvagg.com


Photo: Paul Hoelen

Troy Melville

Troy has worked on an extensive range of film and art projects over 20 years. His projects have involved working for and in collaboration with many different organisations and has often involved working with at risk youth, First Nations and CALD groups. Recent art projects include Paul Boam – A Creative Life, a film for his retrospective exhibition at Moonah Arts Centre. The Partnershipping Project, a national touring exhibition where Troy worked remotely with 19 artists to edit short bio films and Regenerate where New Town primary students created a series of short films about connectivity.


Photo: Will Nicolson

Yumemi Hiraki

Yumemi Hiraki is a multidisciplinary artist currently based in Nipaluna. Her practice delves into the interactions between memory, nostalgia, history and connection to place, while re-examining the relationship to her Japanese heritage. Viewing herself as a resident of cultural gaps, her works evokes a familiar yet foreign sense of longing, belonging and holding on, while hinting at life’s inevitable continuity and ephemerality. 

Yumemi is originally from Hiroshima, Japan. She completed her BFA(Sculpture and Spatial Practice) at the Victorian College of the Arts and has been an active Arts Worker while exhibiting and developing her practice in both Naarm and Nipaluna. Yumemi has a growing interest in community-based arts, mentorship and education, and currently also works as a Youth Arts Officer at the Youth Arts and Recreation Centre.


Photo: Rebecca Thompson

Julie Waddington

A graduate of the Victorian College of the Arts, Julie has been directing and producing theatre for over 20 years during which she has worked for many organisation including St Martin’s Youth Arts, La Mama, MTC, Melbourne Fringe, Tasmanian Theatre Company, Ten Days and Tasmania Performs. From 2007 to 2010 she was the Artistic Director of Riverland Youth Theatre in South Australia. Julie is currently a specialist drama teacher and independent director and producer. Her latest work, The Motherload, a creative documentary performance made through engagement with over 500 mothers across Tasmania and Australia recently premiered at Junction Arts Festival.


Photo: Kobi Hayes

Takani Clark

Takani Clark is a professional dabbler and multidisciplinary creative from lutruwita, exploring and engaging with mediums of filmmaking, visual art and performance. As a First Nations woman, raised within the staunch palawa community, Takani feels a deep responsibility to protect and document the island and its cultural identity and diversity, both environmentally and socially. As a storyteller she strives to use her creative voice to deepen our understanding of each other, the natural world and ourselves. Takani believes that diversity is an integral part of her creative practice, striving to collaborate with people from different artistic practices, any background and all walks of life.


Utopia Now Mentee/Curators

Photo: supplied by the artist

Neko Kelly

Neko Kelly is a New Zealand born emerging video artist with experience in editing and animation. His work involves a range of content; from stop-frame stories screened in Mona Foma, to LGBTQI+ educational resources for Tasmanian schools. Neko has a keen interest in telling stories that inspire empathy and compassion for marginalised communities.


Photo: supplied by the artist

Adonay Tsegezeab
I’m Adonay Tsegezeab, 23 years old, working with Troy Melville as mentoree on Utopia now for winter light as well as with Tastafe STUDENTS AGAINST RACISM group to make this happen. It’s been amazing working on this project and to be part of it. 


Photo: supplied by the artist

Indigo Garcia is a 16-year-old visual artist working and creating in Nipaluna/Hobart. Swimming through pattern and form, ink stains her identity as she works to represent culture and individuality. Exploring the extent in which she can portray and incorporate all works of organic life, examining the runs of skin, the paths on land. Working with mentor Andy Vagg and the youth of Goodwood, the development and embodiment of their instillation helps to further the representation of utopia and the developing world.


Image: supplied by the artist

Sheree Martin (Utopia Now Coordinator)
Embracing and trusting in the unravelling uncertainties of creativity is integral to the artistic practice and way of life for New Zealander and Tasmanian Artist, Sheree Martin. Sheree is a passionate nurturer and advocate for ‘art as a process’ and the value that engaging in this open explorative process brings to enhancing our mental health and wellbeing. Sheree shares the joy of this process through her uniquely designed and facilitated ARTplayful experiences within The Little Red Art Shed for young children and families, with her creative arts and wellbeing clients and community projects.

@shereemartin_artist

@thelittleredartshed


Photo: supplied by the artist

Halima Bhatti

Halima Bhatti is a 26 yrs old, locally based contemporary Arabic calligraphy artist from Lahore, Pakistan. Her artworks reflect deep connections and sacred knowledge with every stroke and letter. Taking the opportunity to be a part of the Winter light festival, UTOPIA project, as a mentee with the artist “Yumeimi Hiraki”, from Youth Arts and Re-creation center (Hobart city) Halima aims to express the element of peace, diversity and connectedness through her teams youth based theatre work reflecting upon the vision of Utopia, and thereby connect and influence the mainstream community.


Photo: supplied by the artist

Lucas Rilyey-Lyne
My name is Lucas and I’m 16 years old and my mentor artist is Julie Waddington. I am working with a group from my school which is Campania District School. We are working to create an improvised cross art-form performance installation using physical ensemble theatre, drawing and creative writing. I hope my love for the preforming arts will only grow from this experience. 


Photo: supplied by the artist

Ailbhe Maria Szypura
My name is Ailbhe and I am 14 years old. My mentor is Risa Ray and we are doing a movement based performance with around 10 kids about what they envision their future to look like. 

Our group is located in Cygnet. I’m hoping that this mentee role will teach me how to work with kids and groups, and how to collaborate with others. I have been having a really great time doing this.

Photo: supplied by the artist

Bailey Mifsud

My name is Bailey and I’m 15. I’m working with my mentor artist Adie Delaney and a few of my peers from The Circus Studio in Kingston. We will be putting together a short performance involving ground based circus skills and other elements of movement; around what we as a group perceive to be the theme of Utopia Now! I’m really looking forward to improving my circus and collaboration skills with this project. 


Photo: supplied by the artist

Ari Soo
Ari Soo is a young stand-up comedian, who is occasionally funny and hates people who speak in third person. He recently was flown to Melbourne to perform in the Melbourne International Comedy Festival as part of the Class Clowns National Grand Final – most likely his greatest achievement. 


Photo: supplied by the artist

Malachi
My name is Malachi and I’m 16. I have a passion for sound engineering. I help at school mixing and setting up for the school rock band and have my own home studio where I record and mix songs. I’m hoping to extend my knowledge in sound engineering and working with the people around me so that everyone can have the best experience of Utopia Now! 


Photo: supplied by the artist

Kieran Mulvany
Kieran Mulvany is a homegrown Tassie artist who has been writing and recording music their bedroom since the beginning of time itself. With stories of robots, nights with friends and self reflection there is something for everyone in Kieran’s folio. Spotify: https://open.spotify.com/artist/2suxg5ymscPaZUKzNsZb2v? si=wsPt_YSHQ6i6LapOdXRI-w Instagram: https://www.instagram.com/kieranmulvanymusic/ 


Photo: supplied by Campania District School

‘Live Art’
Hello, we are Lucas, Josh, Anna, Mia and Belle. We are students from Campania District School. We will be performing a live art experience via a group painting on a large canvas, exploring what utopia is to us personally and how they are different from one another. We hope to show that everyones personal idea of Utopia is different and very diverse, as we all are. 


Photo: supplied by the artist

Sophie Henderson 

Sophie Henderson is a eager performer who has always grabbed any opportunity to perform wether that is singing or acting or both at the same time. She has been in quite a few musicals throughout her life her most recent being in Guys and Dolls with the Old Nick Theatre Company and The Little Mermaid at Southern Christian College where she starred as Ursula. Sophie hopes you enjoy her performance as part of the Utopia Now Youth Performance Stage! 

Proudly presented by Salamanca Arts Centre, (All) Together has its first iteration in Hobart. (All) Together is an open and collaborative project between the local community and artists Ross Coulter, Meredith Turnbull and Roma Turnbull-Coulter, who use photographic portraiture to expand modes and styles of representation of families and communities.

Portraits taken throughout their weekend residency at Salamanca Arts Centre in May, inform a very special exhibition of this photographic series of new and familiar faces.

This is an ongoing project for the artists which will form a larger body of work in the future.


Opening Event
Thursday 2 June 2022
5.30pm – 7.30pm
SOCIAL, 67 Salamanca Place, Hobart
RSVP here

Artist Talk
Friday 3 June 2022
5:30pm – 6:30pm

Join artists Ross Coulter and Meredith Turnbull in conversation with Simon Spain discussing their practice, collaboration and working with community.
Free to attend, all welcome.

Workshop

Saturday 4 June 2022
10.30am – 12.30pm

Explore and expand what portraiture can be – join artists Meredith Turnbull and Ross Coulter in their ‘Awkward Family Portrait’ workshop.

You don’t have to be a family – you could be a friendship group, neighbours who enjoy dog-walking, a table tennis team, a book club, housemates or work colleagues. Come dressed all in denim, wear your mother’s favourite blouse, bring your dog and feel the awkward…

Following a conversation about portraits and a drawing activity, the artists will help you create a unique group photo. After the workshop you will receive a digital photograph ready for you to display online or print!


Couldn’t make the exhibition? Check out the 3D tour developed by Ross Coulter (www.coultercoulter3dvr.com)


Photos: Jesse Hunniford

Artists

Photo: Ross Coulter

Ross Coulter

Ross Coulter is a visual artist with a BFA (Hons) and MFA (Research) from the Victoria College of the Arts. He has exhibited both locally and internationally at a number of gallery spaces. As the recipient of the 2010-2011 George Mora Fellowship at the State Library of Victoria he undertook a project that involved the release of 10,000 paper planes into the Domed Reading Room of the State Library of Victoria. His photographic series titled “Audience” (2013-2016) was exhibited at the NGV in 2017. In 2018 Ross developed and presented a photographic series titled “Corporate Portraits” that was presented at the Warburton Arts Centre. His recent artworks have been an exploration of photographic portraiture, performance and community participation. Ross has received numerous awards, artist residences and grants.



Photo: Ross Coulter

Dr Meredith Turnbull

Meredith’s practice focuses on the world of things as the form-creating basis of culture. She is interested in making and material, and the experiential and temporal register of forms. Her practice engages various disciplines and approaches to making, writing and curating. Her artworks engage diverse scales, art historical traditions and genres – and manifest in connections between the body and; sculpture, images, decorative objects and jewellery.

Recent projects include Closer, Ian Potter Museum of Art, Melbourne University, 2018 and SHE TURNS at c3 Contemporary Art Space, Hardbody Sculpture at Daine Singer and Softbody Sculpture at Pieces of Eight in 2017. Turnbull has held solo exhibitions at Station, MADA Gallery, Pieces of Eight, Bus Projects, The Other Side, West Space, the Centre for Contemporary Photography, TCB and The Narrows. She has exhibited in group exhibitions at galleries including the Heide Museum of Modern Art, the Ian Potter Museum of Art, Melbourne University, the National Gallery of Victoria, Craft Victoria, Jam Factory, Adelaide, Melbourne Art Fair, the VCA Margaret Lawrence Gallery and the George Paton Gallery. Recent curated projects include Material Exchange at c3 Projects (2017), Form and Flex (2015) and Rock Solid (2011), Pieces of Eight, Melbourne, A Condition of Change, Sarah Scout Presents, Melbourne (2011), Risk Potential, Die Ecke, Santiago (2010) and Once More with Feeling, VCA Margaret Lawrence Gallery, Melbourne (2009).

Meredith Turnbull completed a Bachelor of Art (Honours) in Art History at LaTrobe University in 2000, a Bachelor of Fine Art (Gold and Silversmithing) at RMIT University in 2005 and a PhD at Monash University in the field of Sculpture and Spatial Practice in 2016. In 2016 Turnbull was co-editor (with Shelley McSpedden) of un Magazine issue 10.1. From 2006 to 2010 Turnbull was Gallery Manager and Curator of the VCA Margaret Lawrence Gallery. She was editor of the Australian Centre for Contemporary Art’s online magazine ACCAMag from 2004 to 2005 where she also worked as a Project Manager and Assistant to the Artistic Director. Meredith has lecturered in Art History at RMIT University specialising in Contemporary Art and C20th Craft and Design. She currently Coordinator of Bachelor of Fine Art First Year in the Faculty of Art, Design and Architecture at Monash University.

Meredith Turnbull is represented by Daine Singer, Melbourne


Roma Turnbull-Coulter

Born in 2014, Roma Turnbull-Coulter is an emerging artist living on Boon Wurrung country. Her art practice includes painting, drawing, photography, video, performance and sculpture. Roma is in Grade 1, (when not being home-schooled due to COVID restrictions). Roma’s first exhibition was in 2016 when she was invited to collaborate with her mother Dr. Meredith Turnbull in the group exhibition Mum at the Stockroom in Kyneton, curated by Claire Needham. Roma has exhibited with her parents in the annual c3 fundraiser, Faux Studio, in 2016. In 2018 and 2019 she exhibited with her contemporaries from Monash Caulfield Childcare Centre at Monash University Museum of Art for her Childcare End of Year exhibition. Mathew Ware, director of Muse du Strip, invited Roma and her father Ross Coulter in 2019 to create an exhibition for his gallery which was titled Roma + Ross.

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

A Warm Glow to Remember is a body of work that physically manifests Yumemi’s personal relationship to her Japanese heritage. It is her transitional journey in reconciling her place as a resident within cultural gaps while accepting the importance of letting go.

3 – 28 August 2022
Opening Event
Friday 5 August 2022
6 – 8pm with performance happening at 7pm
RSVP 

Gallery hours
9am – 5pm weekdays
10am – 5pm weekends

Photo: Frazer-McBride

Artist

Photo: Will Nicolson

Yumemi Hiraki 

Yumemi Hiraki is a multidisciplinary artist currently based in Nipaluna. Her practice delves into the interactions between memory, nostalgia, history and connection to place, while re-examining the relationship to her Japanese heritage. Viewing herself as a resident of cultural gaps, her works evokes a familiar yet foreign sense of longing, belonging and holding on, while hinting at life’s inevitable continuity and ephemerality. 

Yumemi is originally from Hiroshima, Japan. She completed her BFA(Sculpture and Spatial Practice) at the Victorian College of the Arts and has been an active Arts Worker while exhibiting and developing her practice in both Naarm and Nipaluna. Yumemi has a growing interest in community-based arts, mentorship and education, and currently also works as a Youth Arts Officer at the Youth Arts and Recreation Centre. 


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health. Masks will be available upon entering our venues for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.



Thursday 7 April –  Sunday 26 June 2022
This exhibition is part of the OPEN SKY / Kelly’s Garden 2022 program
Curated by Ainslie Macaulay

Opening event
7 April 2022 6pm – 8pm

Workshop
Sunday 10 April 2022

Panel Talk
Monday 11 April, 5:30pm-6:30pm ‘Dance in Urban Media Art’
Wendy Yu in conversation with with Emma Porteus and Adam Wheeler

Acts of Holding Dance has its first Tasmanian iteration in Kelly’s Garden, presented by Salamanca Arts Centre. Emerging interdisciplinary artist, Wendy Yu playfully responds to site through her large-scale video work and image stills, cleverly merging dance, computational design and urban media.

Yu talk about her process:

‘When making these projections, I’m “soft” choreographing, where I give scores and choreographic structures to the dancers that encourage them to move within these given boundaries, but in doing so there is also space within these scores that allow for them to impart their own individualistic styles of dancing. In constructing this series of work, I want to be authentically reflecting the individual’s practise of dance, as a dedicated artform, that the dancer has invested in’


Artists

Photo: Hendrix Lesmana

Wendy Yu
Artist

Wendy Yu is an interdisciplinary artist actively practising in the fields of dance and urban media placemaking. She is a Masters graduate in Interaction Design and Electronic Arts at the University of Sydney and intends to further her research on creative interfaces between dance and city spaces through further research.

Her works of urban media placemaking have seen installation in Atlanta USA, the Powerhouse Museum Sydney, Carriageworks, the Inner West City Council, Woollahra City Council, numerous  arts festivals in Sydney, Melbourne, Poland, St. Petersburg, Beijing, Berlin, including Beijing Tech Arts Festival 2021, where she also gave a lecture on dance and computational design.

Wendy has also given lectures of dance and computational and interface design in Berlin as part of Stammtisch Arts Festival, Melbourne as part of Lucy Guerin and Temperance Hall, Sydney as part of Ausdance Australia and March Dance Festival.

Wendy Yu has undergone residencies with the Municipality of Woollahra, the Inner West City Council, Ausdance dance artist in residence residency program, March dance residency program, Bundanon residency program, Centre for Projection art residency etc. where she conducted theoretical research dance’s position in urban media art.


Photo: supplied by the artist

Bethany Reece (she/her)
Dancer

Bethany is a contemporary dance artist born in lutruwita/Tasmania. She began her training in 2016 at the Western Australian Academy of Performing Arts (WAAPA). In 2018 Bethany was awarded the Palisade award for ‘most outstanding graduate’. Throughout her studies Bethany travelled to Taiwan as an exchange student with the Taipei National University of the Arts (TNUA) in 2017, and the following year toured the works The Resistance and Panthea by Brooke Leeder and Natalie Allen. In the same year Bethany staged her first choreographic work, This Transitory Weight. In 2019 Bethany was awarded a Bachelor of Arts (Dance) with First Class Honours from WAAPA and was a member of LINK Dance Company under the directorship of Michael Whaites. In her time with LINK she performed in works choreographed by Niv Marinberg, Scott Elstermann, Raewyn Hill, and Michael Whaites, and toured both nationally and internationally.

In 2020 Bethany became a developing artist with Co:3 Australia, and worked as an understudy for the production of Leviathan, a collaborative work with Circa performing both Leviathan and Stephanie Lake’s Colossus in Perth Festival 2020. Bethany has since returned to build her practice in lutruwita/Tasmania. Bethany received a Regional Arts Fellowship in 2020 to develop a new work that is in continued development. In 2021 Bethany was a collaborative choreographer on DRILL’s Leviathan, and dance artist with Second Echo Ensemble in the development of Charlie Smith’s Outside Boy. Bethany also worked as a performing artist in the Faro Experience at MONA in 2021, and as a casual lecturer delivering the unit Movement For Performers at the University of Tasmania. In 2022 Bethany performed in Rachel Ogle’s And The Earth Will Swallow Them Whole in the Perth Festival to great critical acclaim. Bethany is invested in work that is community centred, inclusive and has a social justice focus. Bethany believes dance has the ability to inspire a sense of belonging, and she is passionate about sharing this experience with dancers and nondancers alike.


Photo: supplied by the artist

Kyall Shanks
Dancer

Kyall is a Naarm/Melbourne based contemporary dance artist. His career has focused on finding a balance between performance, choreography and teaching work, and he is passionate about using the skills from these areas to increase the accessibility of dance through youth and community work. Since receiving his Bachelor of Fine Arts Dance from the Victorian College of the Arts he has danced for Tasdance, Antony Hamilton Projects, Chunky Move, Matthew Bourne’s New Adventures, Opera Australia, The Delta Project and Liquidskin Dance Company. In 2017-2018 Kyall undertook an 8 month international residency program with DanceBox in Kobe, Japan, and then spent 3 months in Sweden as a member of ilYoung 2018. Through various programs and projects Kyall has engaged with community youth groups and schools as a teacher and choreographer, examples of this being the Arts Centre Melbourne/Matthew Bourne ‘Lord Of The Flies’ project, the 2019 Dance Massive work ‘Simulcast’ and Stephanie Lake’s 2020 mass community work/film ‘Multiply’. He works as Artistic Director to preprofessional youth dance company Yellow Wheel and through teaching work has represented the Victorian College of the Arts, Chunky Move, Ausdance Victoria, Arts Centre Melbourne, DRILL, Transit Dance and The Space Dance and Arts Centre.


Photo: supplied by the artist

Emma Porteus
Panel facilitator: ‘Dance in Urban Media Art’

Emma holds a Bachelor of Contemporary Arts (Honours). She believes deeply in the positive power of art to transform individuals and communities positively. Emma has over 15 years’ experience working as a performance-maker and producer of dance, community, and festival projects throughout Australia and internationally, including with Vrystaat Festival (South Africa), ANTI Festival (Finland), Sydney Festival (NSW), Dancehouse, FOLA, Melbourne Fringe Festival, Next Wave (Vic), Tracks (NT), Dark Mofo, Mona Foma, Tasdance, Ten Days on the Island, Festival of Voices, Junction Arts Festival, and Tasmania Performs (Tas). In her current role as Executive Producer of Situate Art in Festivals, she is really interested in performance and art-making models that connect people and places. She helps artists create and produce tourable live, visual art, and festival events that can be delivered in any community, in any country, to produce rich experiences that speak directly to the place, the people, and communities who help create it. 


Photo: supplied by the artist

Adam Wheeler
Panel facilitator: ‘Dance in Urban Media Art’

Adam is a Tasmanian born, Stompin and Victorian College of the Arts Alumni. Adam has performed for Chunky Move, Jo Lloyd, Circa Nica, 2NDTOE and Opera Australia and has made work for Lucy Guerin Inc (Pieces for Small Spaces), Stompin, QL2, Steps Youth Dance Company, fLing Physical Theatre, Tasdance and Chunky Move. As an Artistic Director, founded Yellow Wheel and 2NDTOE. Led AYDF in 2014 and 2017, The Space School of Performance Arts, Short+Sweet Dance and is currently the Artistic Director of Tasdance. Adam is curious about interdisciplinary making, providing pathways for artists to develop practice, and getting the community moving – all from his regional home of lutruwita/Tasmania.


Credits
Dancers | Bethany Reece | Kyall Shanks

The Open Sky/Kelly’s Garden 2022 program is supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Opening Event
Friday 1 July 2022, 5:30pm – 7:30pm

late for tomorrow, by emerging artist Sevé de Angelis, is a series about love and time, care and frustration. The water, the sky, the wood and the rock.

This is a series of process-based entries that have evolved through the alchemical properties of paint.

A process of morphology gives faces, figure and landscape an ability to rise.

Musings on our environment as an extension of ourselves, John Michell’s book Simulacra; a familiarity of human likeness in nature, and Daevid Allen’s Garden Song with its brief passage on us being an extension of the dreaming planet were the ideas for this series.

At the core, they are about love and time, care and frustration; about living with the water and sky, and the rocks and trees with voices and memories.

Sevé de Angelis is a Tasmanian visual artist. He is from Launceston and graduated with a Bachelor of Fine Arts in 2018 from the University of Tasmania. He lives in Hobart.

The Long Way Home features new original paintings and limited edition prints by Alyce Bailey

“I believe that to long for home, is to be human. It is the ache to be whole, to be known, loved and understood. To be at home with oneself is one of life’s greatest challenges and to be considered someone’s home, one of life’s greatest joys.

For me, home isn’t just a place. It’s those feelings we experience once we’ve found what we have been searching for – whether that’s love, acceptance or peace and it is from these longings that my works have sprung.”
– Alyce Bailey (2022)

Opening Event
Friday 1 July 2022 @ 6:00pm

A sheep with a brown face against a white background.
Alyce Bailey. Marie (2021). Archival print on cotton rag. 60cm x 40cm
A wooly white sheep against a white background.
Alyce Bailey. Grace (2021). Archival print on cotton rag. 60cm x 42cm.
A sheep with a black face and large curled horns against a white background.
Alyce Bailey. Jack (2021). Archival print on cotton rag. 60cm x 42cm.

Why did we start building things so symmetrical?

An installation by Georgie Vozar

Baron landscapes, the harsh undulating lines of new rock formations. Holding space. Moulded and re-purposed. The kind that hold up, fill up, and trip up. Do you see? Why did we start building things so symmetrical? Now feel the nature of the earth: what lies beneath its surface? Can you see the reddish-metallic copper? Like the metamorphic hole it was taken from, it will never rust.

convoke
verb. con·​voke | kənˈvəʊk
– call together or summon;
– a summons to assemble;
– a calling up of a number of things that form a group in order that they may be exhibited, displayed, or utilised as a whole.

Convoke is an annual showcase of works by Salamanca Arts Centre’s Resident Visual Artists, with all works created during the artists’ Residencies as part of their Studio Practice.

Works range from photograph to painting to collage; sculptural works to video to ceramics; figurative to abstract; from Artists who work in the Willis, Stanmore and Morrison Studios.

Featured Artists
Emma Bingham
Hannah Blackmore
Kathryn Camm
Katherine Cooper
Hilary Clared
Antoinette Ellis
Phillip England
Joe Fazackerley
Jane Flowers
Melly Frank
Peta Kruger
Oliver Lambert
Julien Scheffer
Jacqui Ward

A swirling, colourful abstract pattern created from the weaving and knotting of found, soft plastics. It sits on a blank, white wall.
Image Credit: Peta Kruger. Takayna (series) (2022). White shopping bag, transparent grocery bag, yellow JB-HiFi retail bag, pink potato bag, red Red Nose collection bag, green grocery bag, light blue puff pastry liners, light grey Amscan single-use tablecloth, dark grey post satchel, black Amscan single-use tablecloth, organic cotton on Kellogg’s Corn Flakes packet. 30.5cm x 24cm.
A photograph of the base and trunk of a large, ancient oak tree. The tree is surrounded by a wooden fence and the entry marked by a carved wooden totem . The totems are carved to resemble a face and topped with a pyramid.
Image Credit: Gojaus miško ąžuolas (Gojaus Forest Oak), Lithuania (2021) Unique film positive and LED lightbox frame.
Eight, round, smooth, ceramic pebbles with faces. They have their eyes closed and their lips pursed as if whistling. Each has pink flowers sprouting from their head.
Image Credit: Melly Frank. Mindful Meeting. Stoneware, foliage. From 2cm-15cm in height

Elsewhere is an investigation by Megan Fae of the layers within herself that she didn’t know existed : the Neurodivergent Mother

In this exploration of the Neurodivergent Mother, emerging artist Megan Fae delves into the layers and the shadows behind single parenting.

Beneath the exhaustion and the daily disassociation.

Hidden inner layers are always there, aching in your gut and screaming out to you – if you’re listening.

This is also an ode to the years of nourishing little ones, through trauma and self discovery.

Through the mindful creation of soft sculptures, these layers will be explored and put forth in this collection known as Elsewhere.

This event is part of Winter Light 2022 and the Australian Antarctic Festival 2022 and is presented by Salamanca Arts Centre

11 – 28 August 2022
Tuesday – Sunday
11am – 4pm

Last Dance Orange Roughy depicts the final Australian voyage of the RSV Aurora Australis to the Antarctic continent. The Aurora Australis has been carrying expeditioners and resupply to Antarctica for over 30 years. This final voyage was special in many ways. It departed with COVID-19 just a whisper and returned to a fundamentally changed world. The extra protocols instituted on the ship in response to COVID-19 reinforced the interdependency and collaborative actions of such a tightly knit microcosm, already essential for survival in Antarctica, but with a renewed sense of urgency in the emerging emergency. At that time Antarctica became the last COVID-19 free continent and we had a duty to preserve that status.

Using laser and photogrammetry scans and ambisonic sound recordings of the ship, crew and expeditioners, Last Dance Orange Roughy  presents a virtual experience depicting the intricate choreography of ship and expeditioners. Using an artistic rendering of the ship along with choreographed impressions of the crew and expeditioners, Last Dance Orange Roughy portrays the final voyage as an intricate dance sustaining life.

Last Dance Orange Roughy is an immersive visual and sonic feast of three-dimensional environments and spatial sound visualising and sonifying the last grand Antarctic dance of the Aurora Australis, crew and expeditioners. John McCormick and Adam Nash (Wild System) were the 2020 Australian Antarctic Arts Fellows on the final Australian voyage of the icebreaker Aurora Australis to the Antarctic continent. 

Antarctic Art Fellows: John McCormick, Adam Nash
3D Artists: Casey Richardson, Casey Dalbo
Choreography: Kim Vincs, John McCormick
Dancers: Valentina Dillon, Wendy Feng
Ambisonic Sound: Adam Nash
Antarctic Arts Program: Sachie Yasuda, Tiffany Brooks
Drone Filming: Simon Payne, John McCormick
3D Stereo development: Joshua Reason
Ambisonic sound consultant: Simon Maisch

John and Adam would like to extend their thanks to all the crew and expeditioners aboard the final voyage of the RSV Aurora Australis to the Antarctic Continent.


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Artists

Photo John McCormick

John McCormick

John McCormick is a technology based artist with a major interest in movement. John is a lecturer and researcher at the Centre for Transformative Media Technologies, Swinburne University of Technology where he investigates artistic practice in mixed reality environments, robotics, artificial intelligence and human movement. John has collaborated on works worldwide, including at ISEA, SIGGRAPH, Melbourne Festival, SIGGRAPH Asia, Ars Electronica Futurelab and Art Science Museum Singapore.


Photo: John McCormick

Adam Nash

Adam Nash is an artist, composer, programmer, performer and writer working in virtual environments and generative platforms. His work has been presented all over the world, including SIGGRAPH, ISEA, ZERO1SJ, the National Portrait Gallery and Venice Biennale. He is Associate Professor (Virtual Interior) in the Interior Design discipline, School of Architecture and Urban Design, RMIT University.