Proudly presented by Salamanca Arts Centre.

Saturday 15 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Proudly presented by Salamanca Arts Centre.

Saturday 1 October, 2022
11am – 1pm
The Courtyard, Salamanca Arts Centre
** weather dependant **

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Opening Event :
Thursday 13 October 2022, 6:00pm – 8:00pm
Free to attend, subject to capacity.
The opening event for Vacancy is sponsored by Spotty Dog Brewers

This exhibition showcases the highlights from the ‘outsider’ artist studio, a pilot program that aimed to find the best outsider artists in Tasmania and facilitate a tailored professional development program throughout 2022.  

An ‘outsider artist’ was defined here as an artist working outside of the mainstream visual arts industry or educational institutions, who may be self-taught or have no formal training in their chosen mediums.

This exhibition features new work from Lynn Avrillon, Hanna Batstone, Rosie Brennan, Kerrie Dare, Kjell Erskine, Sketch Kelly, Anna Mykhalchuk, Lisa Rime, and Faheem Sumar.

This activity was assisted through Arts Tasmania.

Proudly presented by Salamanca Arts Centre.

Come and hear some of Hobart’s finest Gypsy Jazz artists play a ‘session’ like you have never heard before!
Curated and hosted by award winning virtuoso violinist Charlie McCarthy, members of the musical community are encouraged to join in, just like they did back in the day.
Expect to be wowed by the music of the 1930’s Parisian Belle Epoque’ (Beautiful Era). This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their adventures.

Everyone is welcome!

Want to play along too?

If you are interested in participating in these sessions, then please register your interest below and Charlie will put your name on the list, and make sure there is a seat available for you.



Hosted by award winning virtuoso violinist Charlie McCarthy and featuring local and travelling musicians of the highest calibre, the Salamanca Gypsy Jazz Sessions differ from a regular musical performance in a few key ways.

This Gypsy Jazz Jam is based on how the genre was originally encountered in the 1930’s Parisian social scene, around a campfire fire/table or in a bar or even backstage during a gig where the musicians were formally booked to play for dances and would jam backstage for fun.

The Musicians will be seated in a circle facing each other, unrehearsed but with common repertoire and familiar calls/instructions/signals for on-the-spot arrangement decisions. All tunes are played from memory, no charts, just a list of common songs and everyone leads the song they nominate. Musicians can take a break whenever they like but the music is pretty much continuous and other musicians and even members of the audience are encouraged to join in and participate also! BYO instrument!

The audience is invited to be close to the music, and can move around the musicians, with the option of changing location at any time, go to the bar and enjoy a drink, chat and interact with friends, get in close to the musician you want to observe the most.

This session will not be amplified so move up close to hear the music as loud as you like.

The main goal being more fun for all.


Why these sessions are so special
The musicians are more relaxed and will be more communicative and adaptable to variation in the moment, they will play uninhibited and take musical risks to the enjoyment of all.

The audience engages with the musicians directly. Chats between tunes, observing the interactions first hand and even getting involved if you bring your instrument.

You hear the true sound of the instrument directly from the instrument, no amplification, no feedback, so that when identical instruments are soloing you can clearly see/hear who is doing what. These instruments have been around for hundreds of years and are already the perfect volume for this kind of music.


The Salamanca Gypsy Jazz Sessions are presented by Salamanca Arts Centre as part of its Live Music Program, which is supported by the Commonwealth Government’s Live Music Fund.


  • Supporters

    Salamanca Art Centre’s 2022 programs are supported by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Opening Event
Friday 21 October 2022 @ 5:30pm

Showing Lloyd Rees’ love of Tasmania, this special exhibition features a remarkable series of 40 lithographs by one of Australia’s great landscape artists, with signed, original limited edition prints available for purchase.

“These lithographs were the artistic highlight of Rees’ last years, rich in grandeur and drama, executed when Rees worked with legendary master printer Fred Genis. Rees loved the technique of lithography and his relationship with Fred was one of his last creative pleasures”
– Jon Cecil, Curator

Presented by Jon Cecil Fine Art

Lloyd Rees. Morning Light, Hobart. Llithograph
Lloyd Rees. Mid-Afternoon, Sandy Bay, Lithogrpah.
Lloyd Rees. Breezy Day. Lithograph

Discovering Ability showcases the participants’ experiences, stories, and incredible creative abilities.

Discovering Ability is the second annual exhibition by OnTrack Tasmania NDIS participants. Its purpose is to highlight these artists’ who, despite the challenges and constraints, have a remarkable ability to use art to express their thoughts, feelings and life experiences.

Throughout the year the OnTrack Tasmania Making Tracks program offers a variety of classes and activities where participants learn new skills and work on art pieces. OnTrack Tasmania is proud to present the result of the talent and hard work from our participants’ and to showcase their creative abilities. The Discovering Ability exhibition makes use of the artistic talents of OnTrack Tasmania’s participants and staff to give each client the chance to express and share their experiences, stories, and exceptional skills. The exhibition aims to help artists recognise the value of their art and provide them an opportunity to sell at their pieces.

Artwork by Ontrack participant.
Ontrack participant with Art Program Leader.
Ontrack participant.

Opening Event
Friday 14 October 2022
6:00pm – 8:00pm

A study of identity through portraiture and still life, by Zoe Lovell.

“Portraits give us a glimpse into who a sitter is through their physical appearance. We are able to understand aspects of who they are through their facial expressions, body language and personal style. However, there’s always more to someone than what’s presented on the surface.

This body of work was born out of a frustration of being overlooked based on my outward appearance and the way I present myself. We each have our own unique experience with this sense of dismissal, regardless of how we appear on the outside and it saddens me to know that through some eyes, we’re only worth as much as our looks. 

I have created a series of portraits of myself and my friends, showcasing not only the way we look, but aspects of our lives that shape our identities, whether that’s through our lived in spaces or objects of importance to us. My aim during this process has been to capture aspects of ourselves that we value most and want to be recognised for. We each have our own set of ambitions, skills and personality traits that define who we are and eclipse the significance of our outward appearances. 

Whilst I have created portraits, which typically only give us a sense of personality through expression, body language and looks, these paintings aim to be a quiet celebration of individuality through the everyday and act as windows into the lives and identities of the subjects.”
– Zoe Lovell

Self portrait of the artist, staring straight ahead. The artists holds four paintbrushes in their hand, which is also splattered by paint. The artists is wearing a grey vest with short white sleeves.
Zoe Lovell. Self Portrait of the Artist as a Young Woman. Oil on canvas. 40cm x 50cm
An open book, with two sketches of hands, lying on a heap os crumpled white sheets. In the corners of the painting there are fragments of striped fabric.
Zoe Lovell. Sunday Morning with Rodin. Oil on canvas. 40cm x 50cm
A woman with dark hair wearing a white top, turns away towards the wall. In her hair there is a light blue ribbon.
Zoe Lovell. Successful women don’t wear ribbons in their hair. Oil on canvas. 40cm x 50cm

Earth and Land presents lutruwita/Tasmania’s natural beauty, captured within the clay of Angela Reiher’s sculptural forms and Caitlin Love’s canvas.

Opening Event
Friday 30 September 2022
5:30pm – 7:30pm
Top Gallery, Salamanca Arts Centre

Emerging artists Angela Reiher and Caitlin Love met in 2020 after taking ceramics classes together. They soon realised their shared ambition to produce a body of work to exhibit. Angela and Caitlin’s interest in the natural landscape and obsession with the Tasmanian wilderness was the subject of many conversations which lead the pair to recognise the many ways their works speak to each other. Angela collects wild clay from different locations in lutruwita/Tasmania, to use within her work. Caitlin represents the natural environment in her paintings, including some of locations where Angela has sourced her clay from. Their work embodies the landscape in more ways than one.

Angela and Caitlin have nurtured a strong friendship over the last couple of years, consistently supporting and encouraging one another to follow their motivations as artists. Together, the pair launched their work for Earth and Land with a trip to Tasmania’s wild and captivating West Coast, early in 2022. This is the first time that Angela and Caitlin have exhibited their work.

Caitlin Love. South Cape Rivulet. Acrylic on Canvas. 38 x 82cm
Angela Reiher. Untitled (2022). Clay. Photographer: Sid Scott

Angela Reiher

Angela Reiher is an artist based in nipaluna/Hobart. Angela was born in Warragul, Victoria and moved to lutruwita/Tasmania in 2018. She came on a holiday to Tasmania in 2017 and fell in love with the amazing and diverse landscape as she travelled around the state. She has recently retired from a life of teaching to release her dreams and passion for the arts.

Angela has a deep-rooted connection with the natural world and her works reflect this. Angela’s work is inspired by what she sees around her, or literally includes elements from the environment. In her ceramic work, she uses items such as rocks for tools in shaping, trimming, carving and finishing work. Angela uses shells, rocks and leaves and other found items as inspiration and to emulate colours in glazes and in the finishing effects. Her handbuilding reflects the organic shapes in the environment and incorporates aspects of natural elements such as wild clay.

Angela loves connecting to the earth by collecting and hand processing clay found in the wild. Everything is done by hand until the final firing stage, including collecting the clay, picking up or digging out the clay with a small handheld shovel or shell. Clay is broken down and squished by hand, from large lumps into a smooth mix. Angela then pushes it through a sieve and dries it out to a usable degree, wedges it and makes it ready to use. Angela uses wild clays as finishing effects on ceramic pieces that she has either handbuilt or wheel-thrown. Angela likes her artwork to ‘create itself’. She begins with an idea but has learnt to have no boundaries. She likes the work to take on its own form and, in a way, to create itself.


Caitlin Love

Caitlin Love was born in Ngunnawal country/Canberra and she studied Art History and Curatorship at The Australian National University. She moved to lutruwita/Tasmania in 2015 and based herself in nipaluna/Hobart to further her study at the School of Creative Arts, completing her master’s degree.  Caitlin currently works as an art teacher.

Painting has been a lifelong passion of Caitlin’s. In this exhibition, Caitlin captures the essence and life of Tasmania’s diverse and pristine wilderness through her exploration of the colours and vistas that have captivated her during hiking and camping trips. These paintings reflect her personal connection to Tasmanian landscapes and the profound nourishment she receives from being in nature. There is a welcoming sense of solitude and peace that can be found in Tasmania’s unique landscape, which offers Caitlin both a sense of belonging and a feeling of remoteness.

This installation by Elizabeth Barsham, Betty Nolan and Rebecca Watson features ceramic and sculptural creatures, and is a preview of the upcoming exhibition FLOCK at Nolan Art throughout October 2022.

A abstract ceramic horse, glazed in organge with light blue stripes. Included next to the sculpture are design drawings of the construction of the horse.
Betty Nolan. Trojan Horse
A green creature suspended from a thin cord. The creature is made from found objects, including garbage ags and rubber gloves and has tufts of red sprouting from it's back.
Elizabeth Barsham. Sadie the Sanitising Saurian.
Two ceramic donkey's heads. The head on the left has curly hair on it's head and ears twisted to the side. Whilst the other donkey's ears are blowing in the wind.
Rebecca Watson. Asses

A Hunter Island Press Pop-Up Print Sale and Exhibition.
Postcards and artwork sales will raise funds for the Ukraine Crisis Appeal.

Hunter Island Press (HIP) provides a place for artists to create work and pass on their skills to the community.

HIP members have produced images for postcards to raise funds for the Ukraine Crisis Appeal.

Artists represented include: Maggie Aird, Anastasiia Ananieva, Sally Beech, Rowena Bond, Alicja Boyd, Carolyn Canty, Rebecca Coote, Tina Curtis, Cath de Little, Jeanie Edwards, Ailsa Ferguson, Abbey J Green, Janice Luckman, Pat Martin, Rob McKenna, Anna Mykhalchuk, Linda Pollard, Julie Race, Sarah Robert-Tissot and Amalea Smolcic.

HIP thanks Monotone Art Printers for sponsoring postcard printing. 

Tina Curtis. Gloaming (detail)
Sally Beech. Blue Dove (2022). Collagraph.
Cath de Little. Flight.