Event Type: Free

Opening Event :
Friday 21 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Wednesday 19 February – Sunday 2 March 2025
Monday – Thursday 9:30am – 3:30pm
Friday 9:30am – 5:30pm
Saturday & Sunday 8:00am – 3:00pm 

A photographic study of the Tasmanian wilderness, by Tim Faircloth.

Viewers will be taken on a black and white journey celebrating and exploring some of the State’s favourite places. 

Tim Faircloth is a classically trained film photographer using a large format wooden field camera, vintage lenses and black and white film, processed in a home darkroom. 

Driven by a deep passion for photography as an art form, images are presented as a single edition artwork, emphasising the rarity and the significant time and effort invested in capturing it.

Thursday 23 January 2025
Doors Open 5:30pm | Performance from 6:00pm – 11:00pm

Duration : 5 Hours (15 minute sets for each performer) 

All Ages Event

This is a FREE EVENT, but booking is essential

The SESSIONS Project: LIVE! is the beating heart of the program and the foundation of the 2025 relaunch at the iconic Peacock Theatre. This free core event not only celebrates Tasmanian talent through our signature 15-minute open rotating concept but also plays a central role in supporting the vibrant performances, workshops, and events surrounding it.

Showcasing music, performance, and creativity, this all-ages event embodies the spirit of connection and community that The SESSIONS Project is all about. With a dynamic and inclusive atmosphere, it sets the tone for an unforgettable celebration of local artistry.

Performers will be announced in the lead-up, promising a diverse lineup of musicians, artists, and creatives. Tickets are free but essential and can be booked now through our new website. Don’t miss this celebration of talent, creativity, and the Tasmanian arts community.

Opening Event :
Friday 21 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 21 February – Tuesday 4 March 2025
Monday – Friday 10:00am – 4:00pm
Saturday 10:00am – 3:00pm
Sunday CLOSED

After The Rain by Sam Wilkinson, presents an intimate response to a seven day expedition through the remote regions of Tasmania’s South West. 

After The Rain is a body of work inspired by a seven day expedition through the remote regions of Tasmania’s South West. Shaped by a first day of heavy rainfall, the work explores the raw beauty of this majestic, yet unforgiving landscape and the untamed weather conditions that followed. 

These paintings are not exact representations, but rather seek to capture the emotional essence of what the artist experienced – shifting skies, blankets of mist and the stillness of rain soaked air. They delve into the powerful impact this precious and ancient landscape can hold both physically and emotionally, how it enters the body, stirs the mind, and lingers long after the journey has ended.

Opening Event :
Friday 7 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 7 – Wednesday 26 February 2025
Monday – Friday 10:00am – 5:00pm

This exhibition of new work by emerging artist Suemi Chiba explores the possibilities of clay within two different residency places, combining a variety of techniques and materials that the artist experimented with to develop skills and to explore a personal narrative.

“I would like to present an exhibition of ceramic works that combine the rough qualities of dark clays with the refined qualities of white clays. In ceramics different types of clays are generally used for different purposes; they match certain glazes and display different qualities that highlight specific processes and firing types. White clays are often used in refined and decorative work such as with porcelain figures or bone china tableware and ornaments. Often these works are decorated with painting and metallic lusters. Rougher darker clays are often used for more sculptural work and can be used in atmospheric firings where the firing itself plays a large role in the look of the work where effects are created from the fire or chemical reactions of soda and ash. Many ceramic artists will lean towards one of these two very different directions. 

I come from two different cultures that have a long history of ceramic traditions. I am half-Japanese, half-British, grew up in Alberta, Canada, and live in Tasmania, Australia. My ceramic style is influenced by all these cultures and I am still forming my own narrative in my work. I love Japanese techniques, atmospheric firings and the Japanese aesthetic and I also love highly decorative work that might have been seen in my British grandmother’s house.

I am currently completing a six month internship at Gaya Ceramic Arts and will have also completed a residency at the Medalta Historic Clay District in Alberta, Canada. During this time I have the opportunity to complete work with atmospheric firings such as soda, raku and wood firing as well as experimenting with different types of clay. I am working on combining elements of highly decorative work in porcelain with heavier clays used in atmospheric firing.”
– Suemi Chiba

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Opening Event :
Friday 24 January 2025, 5:00pm – 7:00pm 

Exhibition Dates :
Friday 24 January – Sunday 2 February 2025
9:00am – 5:00pm daily

A duo exhibition by Greg Ferry and Vanessa Stockard inspired by worship, icons from the Abbey of the good boy, and Gold frames.

Icons have a long history dating as far back as the 3rd century in Christianity, displaying portrait images or narrative scenes depicting scenes of worship or religious events. Often painted in small scale, on wood, egg tempera and gold. Often depicting the lives of saints or pilgrimage. 

Greg Ferry and Vanessa Stockard visit this method of pictorial construction with their own interpretations of iconography. Greg Ferry’s homage to the enormous Huntaway dog Harvey and his Abbey of the good boy and Vanessa Stockard’s Kevin the Kitten enter the ancient and mysterious world of worship.

Opening Event :
Thursday 9 January 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 10 – Monday 20 January 2025
10:00am – 5:00pm daily

An exhibition of Tasmanian Bird paintings and limited edition prints by Belinda Kurczok.
Beautifully accurate paintings of Tasmanian birds and flora. 

Wednesday 22 & Thursday 23 January 2025
Full Performance & Workshop Schedule available via The SESSIONS Project website

The SESSIONS Project is more than an arts event – it’s a celebration of local Tasmanian talent, creativity, and community. After a 12-month hiatus, The SESSIONS Project is relaunching at the Peacock Theatre in January 2025 with a 2-day series of specialised events. Discover unforgettable performances that inspire connection and celebrate Tasmania’s thriving arts scene.

This milestone event marks the beginning of an exciting new chapter for The SESSIONS Project. From unforgettable live performances to inspiring collaborations, we thrive on creating spaces where our creativity can shine and audiences feel connected to the heartbeat of Tasmania.

Whether you’re a longtime supporter or new to The SESSIONS Project, this is your chance to experience the magic of Tasmanian talent like never before. Explore the full lineup on the website and join us in celebrating the incredible depth of artistry our island has to offer.

Exhibition Dates :
Friday 10 January – Saturday 1 February 2025
Monday – Friday 9:00am – 5:00pm
Saturdays 11:00am – 1:00pm
Sundays CLOSED

New works by emerging artist Klaaske Greenwood.

This collection reimagines the cowgirl archetype as more than a person—it is a way of being or state of mind. These loosely painted pieces depict the duality of strength and vulnerability, rebellion and grace. Featuring local, popular culture and historical characters the exhibition plays with this sense of identity in its various forms.

Exhibition Dates :
Thursday 23 – Tuesday 28 January 2025
10:00am – 4:00pm daily 

Immerse yourself in a celebration of art and inclusion! This inspiring exhibition showcases paintings, photography, clay works, and more—all created by talented NDIS participants supported by OnTrack Tasmania. Each artwork reflects their unique stories, creativity, and connection to Tasmania’s rich natural beauty and cultural heritage.

Discover the transformative power of art and community in Creatives of Tasmania, an inspiring exhibition showcasing the talents of NDIS participants supported by OnTrack Tasmania. This unique event features a diverse range of artworks, including paintings, photography, clay works, and collaborative projects, all celebrating Tasmania’s rich natural beauty, cultural heritage, and the creative spirit of its people.

The theme, Creatives of Tasmania, serves as a canvas for exploring the island’s landscapes, wildlife, and vibrant communities. Each piece in the exhibition tells a personal story, reflecting the individuality and resilience of its creator. From bold brushstrokes depicting iconic Tasmanian landmarks to intricate clay sculptures inspired by the island’s unique flora and fauna, the exhibition invites visitors to see Tasmania through the eyes of its artists.

This event is more than an art show—it’s a celebration of inclusion, empowerment, and connection. Every artwork represents a journey, where participants have expressed their challenges, triumphs, and joys through creativity. Supported by OnTrack Tasmania, these artists have embraced the opportunity to share their talents and contribute their voices to a collective celebration of what it means to be Tasmanian.

Art, in this context, becomes a powerful medium for transformation. It offers individuals a way to explore their potential, connect with others, and express emotions that words often cannot capture. For many participants, creating these works has been a deeply personal experience, allowing them to overcome barriers, build confidence, and communicate their unique perspectives.

The exhibition also highlights the collaborative spirit that lies at the heart of Tasmanian culture. Several artworks have been created as group projects, fostering teamwork and a shared sense of achievement. These pieces symbolize unity and the strength that comes from working together, embodying the supportive and inclusive environment cultivated by OnTrack Tasmania.

Through this exhibition, OnTrack Tasmania showcases its commitment to empowering individuals with disabilities and fostering their creative growth. By providing access to resources, guidance, and encouragement, the organization ensures that participants can explore their artistic abilities and share their talents with the wider community. This event stands as a testament to the positive impact of such initiatives, reminding us of the importance of inclusion and opportunity.

Visitors to Creatives of Tasmania will be captivated by the sheer diversity and creativity on display. Each artwork invites viewers to connect with the artist’s journey, offering a glimpse into their world and their interpretation of Tasmania’s unique identity. The exhibition serves as a bridge, bringing together artists and audiences in a shared appreciation of creativity and resilience.

Ultimately, Creatives of Tasmania is a celebration of the human spirit. It reminds us that creativity has the power to unite, inspire, and transform. It’s an invitation to see beyond the surface, to understand the stories behind the art, and to celebrate the beauty of diversity in all its forms. This exhibition will leave visitors with a renewed sense of appreciation for the talent, determination, and vision of Tasmania’s creative community.

Through the lens of art, Creatives of Tasmania offers a heartfelt tribute to the island’s culture, landscapes, and people, demonstrating how art can serve as a powerful tool for connection and expression. It’s an experience not to be missed—a reminder of the creativity and resilience that define Tasmania and its community.

Opening Event :
Thursday 9 January 2025, 5:00pm – 7:00pm
Exhibition to be Opened by Caroline Davies Choi

Exhibition Dates :
Thursday 9 – Sunday 19 January 2025
10:00am – 4:00pm daily

An exhibition by Rachel Bremner, exploring the expressive possibilities of contemporary mosaic using an improvised process highlighting texture, reflection, the effects of changing light on the surface.

“From early childhood leading up to my life as a visual artist, I trained and performed as a professional violinist. I continue to be fascinated by the similarities and differences between the two forms of artistic expression.

I had never conceived of music as an art form that needed words to provide background or convey what I mean to express.

Expressing myself in words has never come easily to me, I can rarely find the right ones for my purpose, music was always the perfect medium for my intense  sense of privacy. In music performance I could present my inner world to the audience, all my thoughts, reactions, emotions without having to describe the background story.

When I started to put my mosaic work out into the world, in contrast to music-making, I struggled with the obligation in the art world to use words when presenting to an audience. I felt a growing conflict with the wordless immediacy with which I wanted to engage and how much words can interfere with that engagement.

I presented the past exhibition as  an intense offering to the audience to pause, observe each work and examine emotional reactions in their own terms, with no titles, no accompanying prompts.

This Second Cycle is intended as an expression of where my life, imagination and emotional being have moved since my previous exhibition.”
– Rachel Bremner