Event Type: All Ages

Opening Event :
Friday 21 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Wednesday 19 February – Sunday 2 March 2025
Monday – Thursday 9:30am – 3:30pm
Friday 9:30am – 5:30pm
Saturday & Sunday 8:00am – 3:00pm 

A photographic study of the Tasmanian wilderness, by Tim Faircloth.

Viewers will be taken on a black and white journey celebrating and exploring some of the State’s favourite places. 

Tim Faircloth is a classically trained film photographer using a large format wooden field camera, vintage lenses and black and white film, processed in a home darkroom. 

Driven by a deep passion for photography as an art form, images are presented as a single edition artwork, emphasising the rarity and the significant time and effort invested in capturing it.

Workshops :
Wednesday 22 January 2025, 10:00am – 12:00noon
Thursday 23 January 2025, 10:00am – 12:00noon

Duration : 2 hours (per session)
Doors Open 15 minutes prior 

All Ages / Family -Friendly Workshop

Tickets :
Participant Tickets: $65 per session. Limited to 10 spots per session, participants will work directly with Penny McDonald and Jacob Golding, receiving personalized guidance in applying Alexander Technique principles.
Audit Tickets: $25 per session. Auditors will observe the process, gaining valuable insights into Alexander Technique and its application in performance and well-being.

Experience the transformative power of Alexander Technique in this exciting Masterclass with Penny McDonald and Jacob Golding. Designed for performers and anyone eager to learn, the event offers participation and audit options. With limited spots available, don’t miss this unique opportunity to explore Alexander Technique in Hobart.

Alexander Technique: LIVE! brings the transformative practice of Alexander Technique to the iconic Peacock Theatre in Hobart. Led by Penny McDonald, alongside Jacob Golding, this Masterclass provides an incredible opportunity to experience and witness first-hand how Alexander Technique enhances movement, presence, and well-being, particularly in the performing arts.

This event follows the widely used Participant/Audit format, a structure that offers deep learning opportunities for everyone involved. Participants work directly with Penny and Jacob, receiving personalised guidance as they explore Alexander Technique in action, while auditors observe the process, gaining valuable insights from a broader perspective.

This format has been successfully utilized by leading acting coaches around the world, including Howard Fine, a world-class acting coach renowned for integrating Alexander Technique into his Masterclasses. Howard’s approach demonstrates how Alexander Technique can empower performers to unlock their full creative potential, a philosophy echoed in this Masterclass.

With only 10 participant spots available, this is a unique opportunity to engage directly with the work live on stage or enjoy the equally valuable experience of auditing.

Thursday 23 January 2025
Doors Open 5:30pm | Performance from 6:00pm – 11:00pm

Duration : 5 Hours (15 minute sets for each performer) 

All Ages Event

This is a FREE EVENT, but booking is essential

The SESSIONS Project: LIVE! is the beating heart of the program and the foundation of the 2025 relaunch at the iconic Peacock Theatre. This free core event not only celebrates Tasmanian talent through our signature 15-minute open rotating concept but also plays a central role in supporting the vibrant performances, workshops, and events surrounding it.

Showcasing music, performance, and creativity, this all-ages event embodies the spirit of connection and community that The SESSIONS Project is all about. With a dynamic and inclusive atmosphere, it sets the tone for an unforgettable celebration of local artistry.

Performers will be announced in the lead-up, promising a diverse lineup of musicians, artists, and creatives. Tickets are free but essential and can be booked now through our new website. Don’t miss this celebration of talent, creativity, and the Tasmanian arts community.

Opening Event :
Friday 21 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 21 February – Tuesday 4 March 2025
Monday – Friday 10:00am – 4:00pm
Saturday 10:00am – 3:00pm
Sunday CLOSED

After The Rain by Sam Wilkinson, presents an intimate response to a seven day expedition through the remote regions of Tasmania’s South West. 

After The Rain is a body of work inspired by a seven day expedition through the remote regions of Tasmania’s South West. Shaped by a first day of heavy rainfall, the work explores the raw beauty of this majestic, yet unforgiving landscape and the untamed weather conditions that followed. 

These paintings are not exact representations, but rather seek to capture the emotional essence of what the artist experienced – shifting skies, blankets of mist and the stillness of rain soaked air. They delve into the powerful impact this precious and ancient landscape can hold both physically and emotionally, how it enters the body, stirs the mind, and lingers long after the journey has ended.

Opening Event :
Friday 7 February 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 7 – Wednesday 26 February 2025
Monday – Friday 10:00am – 5:00pm

This exhibition of new work by emerging artist Suemi Chiba explores the possibilities of clay within two different residency places, combining a variety of techniques and materials that the artist experimented with to develop skills and to explore a personal narrative.

“I would like to present an exhibition of ceramic works that combine the rough qualities of dark clays with the refined qualities of white clays. In ceramics different types of clays are generally used for different purposes; they match certain glazes and display different qualities that highlight specific processes and firing types. White clays are often used in refined and decorative work such as with porcelain figures or bone china tableware and ornaments. Often these works are decorated with painting and metallic lusters. Rougher darker clays are often used for more sculptural work and can be used in atmospheric firings where the firing itself plays a large role in the look of the work where effects are created from the fire or chemical reactions of soda and ash. Many ceramic artists will lean towards one of these two very different directions. 

I come from two different cultures that have a long history of ceramic traditions. I am half-Japanese, half-British, grew up in Alberta, Canada, and live in Tasmania, Australia. My ceramic style is influenced by all these cultures and I am still forming my own narrative in my work. I love Japanese techniques, atmospheric firings and the Japanese aesthetic and I also love highly decorative work that might have been seen in my British grandmother’s house.

I am currently completing a six month internship at Gaya Ceramic Arts and will have also completed a residency at the Medalta Historic Clay District in Alberta, Canada. During this time I have the opportunity to complete work with atmospheric firings such as soda, raku and wood firing as well as experimenting with different types of clay. I am working on combining elements of highly decorative work in porcelain with heavier clays used in atmospheric firing.”
– Suemi Chiba

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Opening Event :
Friday 24 January 2025, 5:00pm – 7:00pm 

Exhibition Dates :
Friday 24 January – Sunday 2 February 2025
9:00am – 5:00pm daily

A duo exhibition by Greg Ferry and Vanessa Stockard inspired by worship, icons from the Abbey of the good boy, and Gold frames.

Icons have a long history dating as far back as the 3rd century in Christianity, displaying portrait images or narrative scenes depicting scenes of worship or religious events. Often painted in small scale, on wood, egg tempera and gold. Often depicting the lives of saints or pilgrimage. 

Greg Ferry and Vanessa Stockard visit this method of pictorial construction with their own interpretations of iconography. Greg Ferry’s homage to the enormous Huntaway dog Harvey and his Abbey of the good boy and Vanessa Stockard’s Kevin the Kitten enter the ancient and mysterious world of worship.

Opening Event :
Thursday 9 January 2025, 5:30pm – 7:30pm

Exhibition Dates :
Friday 10 – Monday 20 January 2025
10:00am – 5:00pm daily

An exhibition of Tasmanian Bird paintings and limited edition prints by Belinda Kurczok.
Beautifully accurate paintings of Tasmanian birds and flora. 

Performances :
Saturday 12 April 2025 @ 2:00pm  : Matinee
Saturday 12 April 2025 @ 6:00pm
Sunday 13 April 2025 @ 2:00pm : Matinee

Doors Open 20 minutes prior to performance

Duration : 60 minutes | NO Interval

Tickets :
Babies (under 2) $0
Kids (under 16) $10
Concession $15
Adult $20

Tickets available at the door, cash and card options (pending availability).

An acrobatic treat for all ages!

Tasmania’s own ROOKE brings us all a little closer once more, right to the edge of our seats.

Their new work, Nimble, plays the line between tension and joy, risk and release. Blocks, boxes and acrobats will be stacked and balanced and belly laughs will be had. This intimate work explores connection, humanity and trust.

A treat for the whole family. Not to be missed.

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Saturday 1 February 2025
Doors Open @ 7:00pm | Performance from 7:30pm – 10:00pm

Duration : 3 Hours (includes interval)

Tickets :
$35 Full Price
$20 Concession
Children under 15 free

**This Event is All Ages**

Japanese-born Montz Matsumoto‘s banjo and voice have entertained Australian audiences in festivals, venues, local markets and streets for almost 20 years. Montz and his band Voicestrings will showcase his new album Missing Home. The audience will experience many mesmerizing moments of tranquillity, excitement, affinity, and innovation.

This is the concert to showcase the music from Montz’s 3rd Album Missing Home. The album is a collection of Bluegrass, Celtic and Montz’s original Japanese songs and instrumentals which takes you through many mesmerizing moments of foot-tapping rhythm and virtuosic improvisations and tranquillizing melodies. All the musicians in this project have a wide range of musical backgrounds and experiences.

North Carolinian bass player Ross Sermons toured all over the US and has experienced almost all kinds of American music. Huon-based flautist Elisse Kleiner has been experimenting with a wide music horizon like folk, Brazilian, and contemporary music after she studied classical music and performed with the Melbourne Symphony. Paddy Montgomery on guitar and bouzouki is one of the most demanded instrumentalists in the Australian acoustic music scene who is very fluent in Celtic, Bluegrass, Greek and Middle Eastern traditional music. Cloudy Davey has been singing all around the Barossa Valley, SA.

Wednesday 22 & Thursday 23 January 2025
Full Performance & Workshop Schedule available via The SESSIONS Project website

The SESSIONS Project is more than an arts event – it’s a celebration of local Tasmanian talent, creativity, and community. After a 12-month hiatus, The SESSIONS Project is relaunching at the Peacock Theatre in January 2025 with a 2-day series of specialised events. Discover unforgettable performances that inspire connection and celebrate Tasmania’s thriving arts scene.

This milestone event marks the beginning of an exciting new chapter for The SESSIONS Project. From unforgettable live performances to inspiring collaborations, we thrive on creating spaces where our creativity can shine and audiences feel connected to the heartbeat of Tasmania.

Whether you’re a longtime supporter or new to The SESSIONS Project, this is your chance to experience the magic of Tasmanian talent like never before. Explore the full lineup on the website and join us in celebrating the incredible depth of artistry our island has to offer.