Associate Membership of the Salamanca Arts Centre is by application and is open to any individual who supports the vision, aims and activities of Salamanca Arts Centre. As an Associate Member of Salamanca Arts Centre you will be supporting one of Tasmania’s foremost cultural organisations.

Associate Membership is an annual membership, spanning 1 January – 31 December each year.

Associate Membership is required to be eligible to exhibit in SAC’s Access Gallery Program (includes Sidespace GalleryTop Gallery and Lightbox). Exhibiting artists must have valid Associate Membership at the time of their exhibition; Associate Membership is not required when applying to exhibit.

Find out more about the current SAC Associate Membership Benefits, Discounts and Offers for 2025 below.
We will be increasing Benefits this year to ensure representation across all art forms – so keep an eye out for exciting developments.



Exhibition Dates :
Wednesday 18 December 2024 – Monday 6 January 2025
10:00am – 6:00pm daily

CLOSED Christmas Day
Closing Early on Final Day : Monday 6 January 2026 10:00am – 3:00pm

A high-quality exhibition covering a wide range of approaches and disciplines and showcasing the artworks of up to 45 Tasmanian artists, each with an individual display space.

Images of Tasmania (IOT) is an annual exhibition of selected artists with links to the Tasmanian School of Creative Art in its various incarnations. It is the brainchild of Jan Peacock and Betsy Gamble, who saw the potential of a collaborative show using the Long Gallery and Sidespace Gallery over the Christmas – New Year period.  Hobart is buzzing with visitors at this time.  The first IOT exhibition was held in 1998, as the initiative of artists and art educators who trained together in the late 1950s.  

The integral aim of the show is to display coherent bodies of work rather than single pieces hence the inclusion of mini exhibitions where audiences can get a sense of individual styles.

Some artists have been exhibiting in IOT for many years, but the exhibition is annually infused with ‘new blood’ drawn mainly from art school graduates. The exhibition is entirely self-funded, and all costs and tasks of mounting and running the exhibition are shared by participating artists.


Opening Event :
Wednesday 27 November 2024, 5:00pm – 7:00pm

Exhibition Dates :
Tuesday 26 November – Monday 16 December 2024
Tuesday – Sunday 10:00am – 5:00pm
Mondays CLOSED

Land Bridge by Peta Cross consists of multiple small en plein air oil paintings on wood. Painted quickly with minimal reworking they are largely sea scapes. The paintings are part of a sequence completed over several years mapping the coasts of Northern Tasmania (where the artist was born) and Southern Victoria (where the artist lives). 

The exhibition Land Bridge is an enquiry into The Bassian Plain or isthmus that is now submerged between Southern Victoria, (Cape Otway to Wilsons Promontory) and Northern Tasmania  (Mussleroe Bay to Cape Grim). The exhibition also includes, oil sketches from Flinders Island.

The Bassian Plain or isthmus served as a land bridge for thousands of years until the last ice age, 12,000 years ago. Many species of plants, birds, marsupials, insects and of course Palawa moved freely through the extraordinary biosphere it can only have been. The Palawa oral history of this event is notably one of the oldest if not the oldest narratives in history. Recorded in the 1830’s the narrative describes the positioning of the star Canopus near the South Pole.

Researchers were able to measure the sea floor of the Bass Straight and the ability to cover the isthmus on foot. They calculated the positioning of the star by descriptions of the Palawa and discovered that both conditions occurred at least 12,000 years ago.

The “ghost land plain” reveals itself through the many tiny islands of the Bass Straight. So many histories are now secrets of the deep and as geological time reveals, our histories may be submerged in years to come or another land bridge form.

” I have been fascinated by this sense of the land yearning for itself for so many years. I have spent most of my life living on both sides of the straight. Born and raised on the North West coast now living in Narrm ,Melbourne.

As a painter I am interested in sketches or unfinished works as much as finished works. This exhibition is an effort to draw or simply “map”, light, air, sea, coast, it is more of a work in progress, the mapping is not complete and the idea around the landbridge may be developed into a larger scale exhibition in the future.”
Peta Cross


Peta Cross. Killiecrankie Mountain (2023). Oil on board. 15cm x 13cm

Opening Dates :
Wednesday 30 October – Sunday 10 November 2024
10:00am – 4:00pm daily

Opening Event :
Thursday 31 October 2024, 6:00pm – 8:00pm

Terre by Audrey Durbridge is a collection of artworks articulating the textures, tonality and resonance of coastline.

Terre is a collection of artworks articulating the textures, tonality, and resonance of coastline. Made primarily from materials gathered and processed within their place of origin, Bellerive, and Barrett’s Bay as these are my studio sites and are the constant informants of my creative impetus.

Earth pigments, inks and stains infuse the cloth and paper with colour that creates a rich surface for embellishment. Collage, appliqué and stitch then provide the unexpected placements and connections. Using coastal detritus and salvaged metal gives form to the patterns and rhythms of place.

This work is situated between the unexpected and the intentional. The combining of various materials is the process through which the artwork forms, with mixed media becoming its own content. Terre is the language that represents my relationship to place.


Audrey Durbridge. Gust (2024) (detail). 80cm x 50cm

Opening Dates :
Thursday 17 – Sunday 27 October, 2024
10:00am – 4:00pm daily

Pop Up Performance :
4pm, Thursday October 24

An exhibition of fruitscapes by Jen Franklin

Paintings that elevate the everyday, with the richness of oil paint bestowed upon imperfect, ephemeral fruit.

A pop up performance by Zoe Knighton

Melbourne cellist Zoe Knighton will do a pop-up performance responding to the paintings in How Sweet To Know You. 4pm Thursday October 24. All are welcome.


Jen Franklin. SL56 Lemons (2023). Oil on Canvas. 54 x 61cm

Presented by Moving Creature Studio Members

18 – 29 September, 2024

10am – 4pm daily

Printmaking observing love, gender, adventure, fascination, history & family.

Moving Creature Studio members exhibition of printmaking looking at love, gender adventure, fascination, history and family.

Workshop Dates :
Sunday 6 October 2024, 10:00am – 3:00pm AND
Sunday 13 October 2024, 10:00am – 4:00pm 

NOTE: If you’d like to only do one Sunday you can come along a single day class. There is $40 discount to book into both days.

Price :
$215 for a Single Day
or $390 for both Days

Includes all materials and personalised tuition.


Sydney based fibre artist, Catriona Pollard, will be Salamanca Arts Centre’s Artist in Residence during October and will be holding a Workshop and Exhibition during her Arts Residency.

In this Workshop you will be learning and exploring four of Catriona’s favourite basketry techniques with materials you can easily access after the class so you can easily keep on weaving :
• random weaving with cane + inclusions;
• random weaving with long leafy plants;
• twining with jute with a pattern;
• looping with paper string;
• BONUS string / cordage demonstration.

By the end of this course you will be confident in multiple basketry techniques. Tapping into your creativity, like all of Catriona’s Workshops, it is so much more than just learning techniques, it’s an opportunity to tap into powerful creativity that is ready to surface. Learning at your own pace, in this hands on, practical workshop is all about exploration and experimentation not perfection. While learning basketry techniques, you will be reconnecting with your imagination and creativity.

It’s a small class so you get hands-on tuition from expert weaver, Catriona Pollard.

Suitable for beginners, or weavers who are looking to learn these techniques. If you’ve never done weaving before – perfect! You’ll love it and leave with finished basketry sculptures and the confidence to do more.


About Catriona Pollard

Catriona Pollard is a contemporary artist who uses traditional fibre techniques to transform foraged plant fibres and recycled metals into evocative sculptural works which investigate human’s personal connection with the natural world.

Her practice has been recognised as a skilful exploration of ideas around nature and human’s relationship, the invisible forces and the movement of energy within it. Central to her work is the investigation of transformation and humanity’s connection, dependence, and the possibility of harmony with the ecological world.

Catriona has been selected for multiple solo exhibitions and exhibits extensively selected, group and touring exhibitions including the Australian Design Centre and Sturt National Craft Centre. She has been a finalist in many art awards including Australian Textile Art Award, International Art Textile Biennale, National Capital Art Prize, Environmental Art & Design Award, North Sydney Art Prize, Australian Fibre Arts Award, Ravenswood Women’s Art Prize and many more.

Her artwork is profiled across major art and design media and is featured nationally in galleries, high end design spaces and private collections. Watch her talk about her art at ABC TV and Gardening Australia and read in the feature in Good Weekend, SMH/The Age.  She is profiled in the Book: Woven Together: Weavers and Their Stories. See her website for more talks and media.

As a dedicated professional educator, she holds sold out sculptural basketry weaving workshops in Australia and internationally and teaches for design and craft centres. She holds demonstrations for organisations including Museums, and gives artist talks at galleries and community groups. She also established the online SchoolofBasketryArt.com with students from around the world.

More SAC Resident Artists
  • All Ages
  • Exhibitions
  • Free
  • Kid Friendly

Re-IMAGINED

Celyna Ziolkowski

Friday 4 Apr – Saturday 3 May 2025
Studio Gallery
View event

Daily Opening Times :
Thursday 3 – Sunday 13 October 2024
Thursday – Sunday 11:00am – 4:00pm
Monday – Wednesday CLOSED


Contemporary fibre artist, Catriona Pollard’s tenth solo exhibition Where Stars Walk Upon The Mountain Top explores our spiritual connection to nature using woven sculpture to access the visceral and organic landscapes of spirit within nature.

The sculptures of foraged vines and recycled metal wire references the ancient basketry technique of looping that has been used across human cultures for tens of thousands of years. The looping creates patterns and a harmonious rhythm that the artist witnesses in nature.

The exhibition explores how the invisible, non-material realm can uncover the psyche of our place in the landscape, with the objective of reaching beyond the human narrative of the landscape.

By sharing dialogue with the materials and allowing them to inform the narrative of the artwork, it means that stories are formed and shared from the landscape in transformational ways – in a language that provides new meanings and relationships with spirit, nature, humans, and the landscape – and the interconnectedness of all.


In conjunction with the exhibition and Arts Residency, Catriona will be running a Two Day Basket Weaving Workshop teaching four basketry techniques.


About Catriona Pollard

Catriona Pollard is a contemporary artist who uses traditional fibre techniques to transform foraged plant fibres and recycled metals into evocative sculptural works which investigate human’s personal connection with the natural world.

Her practice has been recognised as a skilful exploration of ideas around nature and human’s relationship, the invisible forces and the movement of energy within it. Central to her work is the investigation of transformation and humanity’s connection, dependence, and the possibility of harmony with the ecological world.

Catriona has been selected for multiple solo exhibitions and exhibits extensively selected, group and touring exhibitions including the Australian Design Centre and Sturt National Craft Centre. She has been a finalist in many art awards including Australian Textile Art Award, International Art Textile Biennale, National Capital Art Prize, Environmental Art & Design Award, North Sydney Art Prize, Australian Fibre Arts Award, Ravenswood Women’s Art Prize and many more.

Her artwork is profiled across major art and design media and is featured nationally in galleries, high end design spaces and private collections. Watch her talk about her art at ABC TV and Gardening Australia and read in the feature in Good Weekend, SMH/The Age.  She is profiled in the Book: Woven Together: Weavers and Their Stories. See her website for more talks and media.

As a dedicated professional educator, she holds sold out sculptural basketry weaving workshops in Australia and internationally and teaches for design and craft centres. She holds demonstrations for organisations including Museums, and gives artist talks at galleries and community groups. She also established the online SchoolofBasketryArt.com with students from around the world.

More SAC Resident Artists
  • All Ages
  • Exhibitions
  • Free
  • Kid Friendly

Re-IMAGINED

Celyna Ziolkowski

Friday 4 Apr – Saturday 3 May 2025
Studio Gallery
View event

Presented by Lynn Kelly

5 – 14 September, 2024

Mon – Fri | 10am – 4pm
Sat | 10am – 3pm
Sun | Closed

Flux is a series of paintings depicting the constantly changing colours and forms found in and around Tasmania’s coastal and inland waters.

These works explore the interplay between the weather, the water and the shores. Sun, clouds, rain, wind and tides are instrumental in the change that constantly refreshes our experience. They dramatically influence the intensity of colour, change the shapes, affect the movement, and ultimately create the mood of a place.

These impressionistic, enlarged segments are inspired by details from the artist’s photos taken around Tasmania.

Opening Dates :
Thursday 22 August – Sunday 1 September 2024
10:00am – 4:00pm daily
CLOSED Monday 26 August 2024

Presented by the Australian Antarctic Festival

Antarctic DataSpheres is an exhibition exploring data, sound and vision captured on the last voyage of the Aurora Australis to Antarctica. 

The artwork will fill the gallery with data driven visuals surrounded by immersive spatialised sound.

Antarctic DataSpheres will be presented at Salamanca Arts Centre in Hobart as an invited exhibition at the 2024 Australian Antarctic Festival. As part of their Australian Antarctic Arts Fellowship, John McCormick and Adam Nash captured the ship, crew and expeditioners, assisting and documenting the many scientific experiments along the journey. Antarctic DataSpheres transforms this data, sound and imagery into a walk-in immersive experience relating Antarctica’s aesthetic grandeur and Australia’s ongoing Antarctic engagement.

John McCormick – Concept, Visuals, Interaction
Adam Nash – Sound Recording, Composition
Casey Richardson – Visual Effects, Interaction