Artists
Matt Arbuckle | Wona Bae and Charlie Lawler | Sean Bailey | Bronwyn Dillon | Eloise Kirk | Grant Nimmo | Kate Tucker | Alice Wormald

Opening Event
Friday 10 June 2022
5:30pm-7:30pm

Curator + Artist Floor Talk
Saturday 11 June 2022
11am
Long Gallery
Salamanca Arts Centre
The panel will consisted of artists Kate Tucker, Eloise Kirk, Grant Nimmo and curator, Daine Singer

The exhibition draws inspiration from the O horizon, the top layer in a vertical profile of soil. This is the top strata of earth, the biodiverse site of microorganisms and fungi, decomposing organic matter from plants and animals, leaf litter, mosses and lichens.

The O horizon has metaphoric connotations of regeneration, and the naming of this underfoot layer as a ‘horizon’ is richly evocative. Rather than being in the distance, a horizon can be immediately beneath your feet.

The exhibition refocuses our attention to the earth, the O horizon and nutrient-rich topsoils that are vital to life and our environment.

O Horizon is curated by Daine Singer


Artists

Photo: Jesse Hunniford

Matt Arbuckle

b.1987, Auckland/Tāmaki Makaurau, New Zealand. Lives Tāmaki Makaurau/ Auckland and Naarm, Melbourne

Matt Arbuckle splits his time living and working as a practicing artist between Tāmaki Makaurau, Auckland, New Zealand and Naarm, Melbourne, Australia. He graduated from Unitec Institute of Technology, Auckland, with a Bachelor of Fine Arts in 2009. Arbuckle has held solo exhibitions at Daine Singer (Melbourne), Two Rooms (Auckland), Vermont Studio Centre (USA), Bus Projects (Melbourne), Parlour Projects (Hawks Bay, New Zealand), Tim Melville (Auckland), Paulnache Gallery (Gisborne, New Zealand), Baustelle Gallery (Berlin). Group exhibitions include ChaShama (New York), Drill Hall Gallery (Canberra), Hugo Michell Gallery (Adelaide), TCB (Melbourne), Hanging Valley (Melbourne), The Pah Homestead, TSB Wallace Arts Trust (Auckland), Arbuckle has also participated in Sydney Contemporary, and Melbourne and Auckland art fairs.

In 2017 Arbuckle was the recipient of the James Wallace Art Fellowship to Vermont Studio Centre, USA. He has held recent solo exhibitions in 2020 and 2021 at Two Rooms (Auckland), Daine Singer (Melbourne) and Hastings City Art Gallery (Hastings, New Zealand). In 2021 he undertook a residency at Driving Creek (New Zealand). Arbuckle’s work is held in the Chartwell Collection, Auckland Art Gallery Toi o Tamaki, James Wallace Arts Trust and Arthur Roe Collection.


A grid of black square artworks sits on a white wall. A blurred figure passes in front of them.
Photo: Jesse Hunniford

Wona Bae and Charlie Lawler

Wona Bae
b.1976, Muan, South Korea. Lives nipaluna/Hobart and Narrm/Melbourne

Charlie Lawler
b. 1980, nipaluna/ Hobart. Lives nipaluna/Hobart and Narrm/Melbourne

Artists Wona Bae (South Korea) and Charlie Lawler (Australia) are a collaborative duo, who have been making work together since 2004. They are internationally recognised for their experimental and concept-driven installations and sculptures that navigate the visceral and symbiotic connections between people and nature. Central to their practice are the essences of minimalism, harmony and balance. Bae and Lawler present the natural world as active and central in an era of polarisation, inequality, inaction and apathy. Using a language of texture and reduction, their work combines immersive installation, sculpture, relief, sound and photography.

Bae and Lawler have held solo exhibitions at Heide Museum of Modern Art, Melbourne (2019/20); Backwoods Gallery, Melbourne (2022 and 2019); See You Soon Gallery, Tokyo (2017); and Koskela Gallery, Sydney (2016). They were commissioned to create a major new installation for The National at the Art Gallery of New South Wales (2021), and have undertaken other major installations throughout Australia, South Korea, Japan, Spain and the UK. Bae and Lawler have won the 2019 Yering Galley Award and the 2018 Yarra Valley Arts/ RACV Award. They have undertaken residencies at Artspace, Sydney (2021) and Gregans Retreat, Lisdillon, Tasmania (2020).


Photo: Jesse Hunniford

Sean Bailey
b.1977 Kaurna/Adelaide, lives Naarm/Melbourne

Sean Bailey’s paintings and sculptures are predominantly abstract, at once hard-edged and loose, precise and improvised. Bailey uses materials such as paint, paper, linen, wood, hydrostone and concrete to gather and harness a painterly energy, manifest non-representational forms and obscure collage and shapes drawn from his personal lexicon of painted formal, organic and symbolic imagery. Bailey is interested in the strict confines and parameters of the painting surface, seeing what can be conjured within the pictorial space, the process and chance of his practice, its limitations and also its potential to extend beyond the border of the picture frame.

Bailey’s solo exhibitions include: Sydney Contemporary; RM, Auckland; First Draft, Sydney; and in Melbourne at Daine Singer, Gertrude Contemporary, Neon Parc, West Space, T.C.B., Joint Hassles and Clubs Project Space. He has participated in group exhibitions at University of Queensland Art Museum, Brisbane; Gambia Castle, Auckland; Special, Auckland; Amsterdam Biennial; Darren Knight Gallery, Sydney; CAST, Hobart; and in many Melbourne spaces including: Spring 1883 Art Fair, Gertrude Contemporary, Sutton Project Space, Hell Gallery, Bus Gallery, Utopian Slumps, T.C.B. and Seventh. As a musician he is known for playing in groups including Paeces, Wasted Truth, Vivian Girls, Lakes, TOL and TAX as well as running the private press label Inverted Crux. He has a BFA (2005) from the Victorian College of Arts and has been a studio artist at Gertrude Contemporary.


Photo: Jesse Hunniford

Bronwyn Dillon
b. 1982, nipuluna, lutruwita/Tasmania. Lives nipaluna and Western Australia

Bronwyn Dillon is a proud born palawa woman with strong cultural connections. A muka nawnta — salt water sista. Dillon is a shell stringer and basket weaver, learning the ancient techniques, passed onto her by her elders. As well as being a cultural artist and knowledge keeper, Dillon is a mother to 3 pliri (boys), whom she is bringing up strong and proud. Dillon’s creations are inspired by her culture, her people, and Mother Earth. Each unique piece is created with strong cultural knowledge and explodes with positive energy.


Photo: Jesse Hunniford

Eloise Kirk
b. 1984, New South Wales. Lives St Marys, lutriwita/Tasmania

Eloise Kirk works predominantly with collage and poured resins, creating works about suspension, erasure and fragmentation. Often these works contain a central rock or geological form, severed from its context and suspended in resin. Kirk’s works contain landscape imagery sourced from books, which are collaged into her sculptures and paintings, with the torn edges of the books they are ripped from left visible. Her landscapes and mountainous forms are devoid of recognisable locations and references, but favour mountainous peaks, vertiginous slopes, volcanic and geological formations: they are the landscape of the sublime.

Eloise Kirk lives and works from her home studio in St Mary’s, Tasmania, regularly showing in Sydney, Melbourne and Hobart. Having achieved Bachelor of Visual Arts with first class honours, she subsequently completed a Masters of Fine Arts with an Australian Postgraduate Award at Sydney College of the Arts in 2013. Since then, Kirk has exhibited solo in Sydney, Melbourne, Hobart and Christchurch, Chasm Gallery in New York. Her works have been part of group shows at Darren Knight Gallery, Roslyn Oxley, Art Space (Sydney), and the College of Fine Arts (Canterbury, New Zealand), Safari Arts Festival and the Underbelly Arts Festival. Kirk was a finalist in the Fisher’s Ghost Prize, the John Fries Emerging Art Award, the Macquarie Bank Emerging Artist Award and the Grace Cossington Smith Art Prize. In 2014 Kirk was awarded a two month Moya Dyring residency at the Cite Internationale des Arts, Paris. In 2019 she was the recipient of SHOTGUN8, a mentorship program supported by Contemporary Art Tasmania, MONA and Detached. Kirk is represented by Gallery 9, Sydney.


Photo: Daine Singer

Grant Nimmo
b. 1979 Naarm/Melbourne. Lives Naarm/Melbourne)

Grant Nimmo has held solo exhibitions at Daine Singer (2021, 2016); Ivan Anthony Gallery, Auckland (2019); Fort Delta, Melbourne (2018); Westspace, Melbourne (2014); Chapter House Lane, Melbourne (2014); Sawtooth, Launceston (2013); Anna Pappas Gallery, Melbourne (2013, 2011, 2010); Stockroom Kyneton, Victoria (2012); TCB Art Inc (2011); Rearview Gallery, Melbourne (2010); and Evan Hughes Gallery, Sydney (2009). He has participated in group exhibitions at galleries including the National Gallery of Victoria, Ivan Anthony Gallery, Spring 1883, Bus Projects, Westspace, TCB Art Inc, Art Athena Athens Art Fair, Seventh, Anna Pappas, Death Be Kind, Korean International Art Fair, Melbourne Art Fair, and Gertrude Contemporary. Nimmo has a Bachelor of Fine Art from Monash University. His work is held in collections including the National Gallery of Victoria and Artbank.


Photo: Jesse Hunniford

Kate Tucker
b.1980 Canberra. Lives Melbourne/Naarm

Kate Tucker’s works are created through a collage-like accumulative process of layering, where paintings are cut and combined, with some pieces left raw and others subjected to continuous iterative changes. Alongside large new paintings are a series of hybrid painting/ sculpture works that have complex ceramic bases holding and supporting paintings. There is an interchangeability between material characteristics of painting and sculpture, textiles and printing, and a play between what is holding and what is being held, with an emphasis on literal and metaphoric supports.

Kate Tucker is a Melbourne/ Naarm-based artist. Her recent projects include solo exhibitions at Daine Singer, Galerie Pompom, Art Stage Singapore, Chapter House Lane, c3 Contemporary Art Space, Platform and Helen Gory, and group exhibitions at NADA New York, Sutton Projects, Dutton Gallery, Caves, Tristian Koenig, SPRING1883, Incinerator Gallery, Bus Projects and LON Gallery. Tucker has been a finalist in the Arthur Guy Memorial Painting Prize, Geelong Contemporary Art Prize, The Substation Prize, Albany Art Prize, Bayside Acquisitive Art Prize, The Churchie Emerging Art Prize, Geelong Acquisitive Print Awards, and The Archibald Prize. Her work is held in collections including Artbank, Shepparton Art Museum and Bendigo Art Gallery. Tucker graduated from the Victorian College of the Arts in 2009.


A painting of a distorted landscape. A grey background with cut out shapes. Through the shapes you can see a fragmented landscape in blues and greens.
Photo: supplied by the artist

Alice Wormald
b.1987 Auckland/Tāmaki Makaurau, New Zealand. Lives Melbourne/Naarm)

Alice Wormald creates paintings depicting strange constructed spaces where surface and depth, representation and abstraction and naturalism and artifice converge. The works often emerge through the process of image collection and collage. She exercises a controlled sense of representation, grounded in concerns around the act of painting and the physicality of paint itself, while reflecting a hallucinatory experience of space and nature.

Alice Wormald completed a Bachelor of Fine Arts with first class honours at the Victorian College of the Arts in Melbourne in 2011. She has held six solo exhibitions at Daine Singer, as well as solo exhibitions at Gallery 9, Linden New Art, Blindside and Shifted. Her work has been exhibited in Synthetica, a NETS touring exhibition at Wangaratta Art Gallery, Swan Hill Regional Art Gallery, Counihan Gallery, Gippsland Art Gallery, Latrobe Regional Gallery and Wagga Wagga Art Gallery. She has also been included in exhibitions including Accession, Bundoora Homestead (2018), Analogue Art in a Digital World, RMIT Art Gallery (2018), Gardening is not a Rational Act at c3 Contemporary Art Space (2017), Visiting Painting at Horsham Regional Art Gallery (2016), Imagined Worlds, Town Hall Gallery (2016) and Vertigo, an Asialink touring exhibition at Galeri Soemardja, Bandung, Indonesia, Museum of Contemporary Art (MoCA), Taipei, Taiwan and POSCO Art Gallery, Seoul, South Korea (2014). Other group exhibitions include Sydney Contemporary, Spring 1883 Art Fair (Sydney 2017 and 2015, Melbourne 2020, 2018, 2016 and 2014) and New Horizons at Gippsland Art Gallery in Sale (2013).

Wormald is the winner of the 2022 Bayside Acquisitive Art Prize and the 2022 Grace Cossington Smith Early Career Award. She has also been a finalist in the Bayside Art Prize (2020, 2017), Darebin Art Prize (2017, 2015), Bruny Island Art Prize (2016), City of Albany Art Prize (2015), Geelong Contemporary Art Prize (2018 and 2014), the John Leslie Art Prize (2016, 2014 – Highly Commended, 2012), the Macquarie Group Prize for Emerging Artists (2013), and the Banyule City Prize for Works on Paper (2013).

Her work is held in the ACU, Artbank, Bayside Gallery, Gippsland Art Gallery, Darebin City Council, Macquarie Group, Horsham Regional Art Gallery, Fiona Myer, Artisit and Joyce Nissan Collections.


CURATOR

Daine Singer
b.1980 Victoria, Australia. Lives Naarm/Melbourne

Daine Singer is a curator and art dealer. Since 2011 she has run her own independent gallery, representing a group of fifteen artists from Australia and New Zealand with a dynamic program that includes solo exhibitions by gallery artists, as well as projects by unrepresented artists and occasional curated exhibitions. As an adjunct to the exhibition program, she has also published four limited edition artist books through her independent small press, VERSION: Lane Cormick NOHARDATTACK, Jordan Marani EGGS, Kate Moss Wild Thoughts and Peter Davidson Words/ Lines.

Curatorial projects external to her gallery program include Experimenta Utopia Now: International Biennial of Media Art (curatorium, touring Australia 2010-2011), Dream Weavers (CAST Gallery, Hobart 2010), Draw the Line: the Architecture of Lab (National Gallery of Victoria 2009), The Nauru Elegies (DJ Spooky and Annie K Kwon, Experimenta at Blindside and Shed 4, 2010) and Big Screen Shorts (Federation Square 2010).

Before opening her own gallery, Singer has held positions including Gallery Manager at Anna Schwartz Gallery, Associate Curator at Experimenta Media Arts, and Curator at the Museum of Chinese Australian History. She has a BA (art history and history), Grad Dip in Arts Management, and Master of Art Curatorship from the University of Melbourne. Singer currently sits on the Business Advisory Council of the City of Yarra and the MLC Friends of Art Committee, previously she has been a board member of Blindside. She has been a mentor to the University of Melbourne’s Arts Career Mentoring Program, the Seventh Gallery Emerging Curator Program, Wundergym, Contemporary Art Tasmania’s Shotgun program, and The Smith Family’s iTrack Mentor program.
www.dainesinger.com

Salamanca Arts Centre hosts major curated exhibitions in the Long Gallery which are supported and developed by and alongside our Visual Arts Program Manager.

Above image | O Horizon, curated by Daine Singer

Major Curated Exhibitions Long Gallery Events
  • Education
  • Exhibitions
  • Free
  • Talks
An oil painting of a rainforest scene by Grant Nimmo

O Horizon

Curated by Daine Singer
Saturday 11 – Saturday 25 Jun 2022
Long Gallery
View event

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Utopia Now! is a community art project where artists collaborated with young people from diverse backgrounds and present their vision of a sustainable future that allows us all to flourish and live in harmony. The culmination of this explorative creative process will be a large-scale installation. The presentation will also include live performances and interactive elements.

The participating groups in Utopia Now Art Installation are: Campania District School | Goodwood Community Centre | The Circus Studio | TAFE Students Against Racism | City of Hobart Youth Art and Recreation Centre | Pakana Studio/Kickstart venue for Takani’s Workshops | LGTBQIA+ community | Cygnet Community

11 – 14 August 2022
Long Gallery

11 – 12 August 2022
2pm – 5pm
13 August 2022
10am – 4pm
14 August 2022
10am – 2pm

Thursday and Friday
Utopia Now! Installation
10am – 11am 

Utopia Now! Installation
11.30am – 12.30pm

QT Kids Edition
1.30pm – 2.15pm

Saturday
Utopia Now! Installation performance 
11.30am – 12.30pm

Young Performers
2.30pm – 4pm
Kieran Mulvany
Malachi Barker
Ari Soo
Sophie Henderson
‘Live Art’

Sunday
CANCELLED due to the weather
Utopia Now! Installation performance 
11.30am – 12.30pm



Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Mentors

Photo: Pier Carthew

Davina Wright

Davina Wright is a site-specific artist currently living in nipaluna/Hobart. 

She makes site specific, nonlinear and immersive theatre that looks at loneliness, suburbia, violence and feminism. She wrote and directed This is Grayson; a performance for audience 8+ with her collective Gold Satino. It received four Green Room Award Nominations in the Contemporary and Experimental Performance panel and received the awards for Innovation in Site Responsive Performance and Performance for Young Audiences.


Photo: Marie Nosaka

Risa Muramatsu Ray

Risa began her dancing career at an early age,  studying both classical and modern ballet and receiving numerous awards at the national competition level. In 2006 she entered the Japan Women’s College of Physical Education, home to some of Japan’s rhythmic sports  gymnastics olympic medal winners, where she majored in contemporary dance and poured her creative energies into choreography, stage production and dramatic composition while performing as a contemporary dancer in Tokyo.  

Complimenting her work in the contemporary sphere, Risa has also  

performed regularly at numerous music festivals and many of Tokyo’s  most famous clubs, as well as contributing her skills in event production  and choreography to many artists both in Japan and on the international stage. Now Risa is based in Tasmania and she is enjoying creating her  works inspired by Tasmanian nature.


Adie Delaney 

Adie began her circus career at NICA in 2004. After graduating she left Australia to Europe to join the UK’s largest touring contemporary circus company NoFitState. Over 8 years she performed swinging and flying trapeze, hula hoops, fire, acrobatics, trampolining, roller skating etc. Adie also spent two years with Cie Oncore’s flying trapeze show ‘Une Drole de Maison’ flexing her clowning muscles, and among other various events performed a season with La Clique at Edinburgh Fringe.


Photo: Gabrielle Kneebone

Andy Vagg

Andy Vagg is an artist, designer, writer, poet and performer. His practice explores the qualities and limitations of contemporary existence, and how the choices we make inherently effect, respond to, and delineate social evolution. Using post-consumer objects and materials, he creates work in social contexts, to activate spaces to form literal and metaphorical platforms for the development of ideas to encourage positive social change. His performances explore the role of religion, liturgy and ritual in a contemporary secular context, and how they can help us navigate the ongoing ecological and psychosocial changes caused by industrialisation, globalisation and consumerism. Andy has created work in public and private spaces in Newcastle, Sydney, Melbourne, Launceston and Hobart. He has collaborated with community in colleges, high schools, primary schools, community centres, and child and family centres.

www.andyvagg.com


Photo: Paul Hoelen

Troy Melville

Troy has worked on an extensive range of film and art projects over 20 years. His projects have involved working for and in collaboration with many different organisations and has often involved working with at risk youth, First Nations and CALD groups. Recent art projects include Paul Boam – A Creative Life, a film for his retrospective exhibition at Moonah Arts Centre. The Partnershipping Project, a national touring exhibition where Troy worked remotely with 19 artists to edit short bio films and Regenerate where New Town primary students created a series of short films about connectivity.


Photo: Will Nicolson

Yumemi Hiraki

Yumemi Hiraki is a multidisciplinary artist currently based in Nipaluna. Her practice delves into the interactions between memory, nostalgia, history and connection to place, while re-examining the relationship to her Japanese heritage. Viewing herself as a resident of cultural gaps, her works evokes a familiar yet foreign sense of longing, belonging and holding on, while hinting at life’s inevitable continuity and ephemerality. 

Yumemi is originally from Hiroshima, Japan. She completed her BFA(Sculpture and Spatial Practice) at the Victorian College of the Arts and has been an active Arts Worker while exhibiting and developing her practice in both Naarm and Nipaluna. Yumemi has a growing interest in community-based arts, mentorship and education, and currently also works as a Youth Arts Officer at the Youth Arts and Recreation Centre.


Photo: Rebecca Thompson

Julie Waddington

A graduate of the Victorian College of the Arts, Julie has been directing and producing theatre for over 20 years during which she has worked for many organisation including St Martin’s Youth Arts, La Mama, MTC, Melbourne Fringe, Tasmanian Theatre Company, Ten Days and Tasmania Performs. From 2007 to 2010 she was the Artistic Director of Riverland Youth Theatre in South Australia. Julie is currently a specialist drama teacher and independent director and producer. Her latest work, The Motherload, a creative documentary performance made through engagement with over 500 mothers across Tasmania and Australia recently premiered at Junction Arts Festival.


Photo: Kobi Hayes

Takani Clark

Takani Clark is a professional dabbler and multidisciplinary creative from lutruwita, exploring and engaging with mediums of filmmaking, visual art and performance. As a First Nations woman, raised within the staunch palawa community, Takani feels a deep responsibility to protect and document the island and its cultural identity and diversity, both environmentally and socially. As a storyteller she strives to use her creative voice to deepen our understanding of each other, the natural world and ourselves. Takani believes that diversity is an integral part of her creative practice, striving to collaborate with people from different artistic practices, any background and all walks of life.


Utopia Now Mentee/Curators

Photo: supplied by the artist

Neko Kelly

Neko Kelly is a New Zealand born emerging video artist with experience in editing and animation. His work involves a range of content; from stop-frame stories screened in Mona Foma, to LGBTQI+ educational resources for Tasmanian schools. Neko has a keen interest in telling stories that inspire empathy and compassion for marginalised communities.


Photo: supplied by the artist

Adonay Tsegezeab
I’m Adonay Tsegezeab, 23 years old, working with Troy Melville as mentoree on Utopia now for winter light as well as with Tastafe STUDENTS AGAINST RACISM group to make this happen. It’s been amazing working on this project and to be part of it. 


Photo: supplied by the artist

Indigo Garcia is a 16-year-old visual artist working and creating in Nipaluna/Hobart. Swimming through pattern and form, ink stains her identity as she works to represent culture and individuality. Exploring the extent in which she can portray and incorporate all works of organic life, examining the runs of skin, the paths on land. Working with mentor Andy Vagg and the youth of Goodwood, the development and embodiment of their instillation helps to further the representation of utopia and the developing world.


Image: supplied by the artist

Sheree Martin (Utopia Now Coordinator)
Embracing and trusting in the unravelling uncertainties of creativity is integral to the artistic practice and way of life for New Zealander and Tasmanian Artist, Sheree Martin. Sheree is a passionate nurturer and advocate for ‘art as a process’ and the value that engaging in this open explorative process brings to enhancing our mental health and wellbeing. Sheree shares the joy of this process through her uniquely designed and facilitated ARTplayful experiences within The Little Red Art Shed for young children and families, with her creative arts and wellbeing clients and community projects.

@shereemartin_artist

@thelittleredartshed


Photo: supplied by the artist

Halima Bhatti

Halima Bhatti is a 26 yrs old, locally based contemporary Arabic calligraphy artist from Lahore, Pakistan. Her artworks reflect deep connections and sacred knowledge with every stroke and letter. Taking the opportunity to be a part of the Winter light festival, UTOPIA project, as a mentee with the artist “Yumeimi Hiraki”, from Youth Arts and Re-creation center (Hobart city) Halima aims to express the element of peace, diversity and connectedness through her teams youth based theatre work reflecting upon the vision of Utopia, and thereby connect and influence the mainstream community.


Photo: supplied by the artist

Lucas Rilyey-Lyne
My name is Lucas and I’m 16 years old and my mentor artist is Julie Waddington. I am working with a group from my school which is Campania District School. We are working to create an improvised cross art-form performance installation using physical ensemble theatre, drawing and creative writing. I hope my love for the preforming arts will only grow from this experience. 


Photo: supplied by the artist

Ailbhe Maria Szypura
My name is Ailbhe and I am 14 years old. My mentor is Risa Ray and we are doing a movement based performance with around 10 kids about what they envision their future to look like. 

Our group is located in Cygnet. I’m hoping that this mentee role will teach me how to work with kids and groups, and how to collaborate with others. I have been having a really great time doing this.

Photo: supplied by the artist

Bailey Mifsud

My name is Bailey and I’m 15. I’m working with my mentor artist Adie Delaney and a few of my peers from The Circus Studio in Kingston. We will be putting together a short performance involving ground based circus skills and other elements of movement; around what we as a group perceive to be the theme of Utopia Now! I’m really looking forward to improving my circus and collaboration skills with this project. 


Photo: supplied by the artist

Ari Soo
Ari Soo is a young stand-up comedian, who is occasionally funny and hates people who speak in third person. He recently was flown to Melbourne to perform in the Melbourne International Comedy Festival as part of the Class Clowns National Grand Final – most likely his greatest achievement. 


Photo: supplied by the artist

Malachi
My name is Malachi and I’m 16. I have a passion for sound engineering. I help at school mixing and setting up for the school rock band and have my own home studio where I record and mix songs. I’m hoping to extend my knowledge in sound engineering and working with the people around me so that everyone can have the best experience of Utopia Now! 


Photo: supplied by the artist

Kieran Mulvany
Kieran Mulvany is a homegrown Tassie artist who has been writing and recording music their bedroom since the beginning of time itself. With stories of robots, nights with friends and self reflection there is something for everyone in Kieran’s folio. Spotify: https://open.spotify.com/artist/2suxg5ymscPaZUKzNsZb2v? si=wsPt_YSHQ6i6LapOdXRI-w Instagram: https://www.instagram.com/kieranmulvanymusic/ 


Photo: supplied by Campania District School

‘Live Art’
Hello, we are Lucas, Josh, Anna, Mia and Belle. We are students from Campania District School. We will be performing a live art experience via a group painting on a large canvas, exploring what utopia is to us personally and how they are different from one another. We hope to show that everyones personal idea of Utopia is different and very diverse, as we all are. 


Photo: supplied by the artist

Sophie Henderson 

Sophie Henderson is a eager performer who has always grabbed any opportunity to perform wether that is singing or acting or both at the same time. She has been in quite a few musicals throughout her life her most recent being in Guys and Dolls with the Old Nick Theatre Company and The Little Mermaid at Southern Christian College where she starred as Ursula. Sophie hopes you enjoy her performance as part of the Utopia Now Youth Performance Stage! 

The Long Gallery is the largest gallery space at Salamanca Arts Centre.

Originally a store for whaling products, then filled with can-labelling machinery during the jam factory days, the Long Gallery has provided the backdrop to countless exhibitions, conventions, balls, auctions, recitals, workshops, product launches and live performances. It is located on Level 1 of Salamanca Arts Centre.

An enigmatic venue where 180 year-old polished floor boards stretch for 30 metres past rows of oaken columns to limewashed sandstone walls. Licensed for 400 patrons and with French doors opening above Salamanca Place, the Long Gallery is always in high demand for exhibitions and private functions. Facilities include contemporary track lighting, demountable hanging panels, lift access, storage and limited tables and chairs.


Venue Hire Rates

Exhibitions

Not for Profit / Educational Institutions / Schools / Artists (group or solo)
$363 per Day / $1,505 per Week

Commercial Galleries / Government Departments
$464 per Day / $1,970 per Week

Tertiary Students (does not include School Exhibitions)
$230 per Day / $985 per Week

All Private Functions / Events (includes Weddings, Performances, Conferences etc.)
$3,165 per event (maximum Hire Period of 4 days)

All prices are inclusive of GST and valid from 1 January 2024.

*Venue Hire Rates will increase as of 1 January 2025.
For details of 2025 Venue Hire Rates, please refer to the Long Gallery Venue Hire Pack / Conditions of Hire (PDF)


Salamanca Arts Centre assesses applications for the Long Gallery twice annually, with application rounds occurring in April and September each year, with Special Applications Round (in the event of a cancellation) if required.

Applications are currently CLOSED for the Long Gallery.


Availability for 2026 & Beyond

The Long Gallery is fully booked until the end of February 2026.

If you would like to be notified when applications open for 2026 (March onwards) or when dates become available due to a cancellation, please sign up to our alert list.

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Live performances
Friday 19 & Saturday 20 August 2022
9pm – 11pm
Doors at 8.30pm

Music, art, costume, VR and film are the tools PARKER uses to implore us to travel through the hallways of her mind in Body of Work. From breaking up to dreaming big her work propels us on a journey that’s a poetic evaluation of liminality. In the waiting rooms of life, potentiality implores us to take a chance, to lament, to wander and to wonder– PARKER is our guide.

Using sound and vision to sculpt and disrupt space, each exhibition in the series reacts explicitly to the architecture in which it is held– no two visits are the same. Each show is incomplete without you, the audience, to participate in this Body of Work.


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


A white woman with brown hair and blue eyes looks directly to camera. She is wearing a blue silken top and has it covering part of her chin. We see her from the shoulders up. She stands in front of a peach background.
Photo: Isabella Connelly

Tash Parker
Tash Parker (PARKER)  is a multidisciplinary artist and musician born in Western Australia and raised on a tropical fruit farm in the North East Kimberley, now based in Launceston Tasmania.  Her music is a powerhouse of retro-futurist electronica that soars with glossy synths and commanding vocals.

Her artistic practice is centred around reactionary works in collaboration with musicians, visual artists and technology artists to curate multi-sensory experiences:

“I write about what is real and happening whether that be about my own relationships and experience in my body or an imagined reality of a space travelling future ancestor.” –PARKER


The Visual Artists

Photo: supplied by the artist

Briony Law
Briony Law is a visual artist currently based in Brisbane, Australia who works primarily with sculpture, moving image and installation. Her practice explores aspects of human ecology, urbanisation and the complex systems of mediation at play in parks, reserves and conservation areas. Her work observes social practices in these places and notions of nature connectedness
www.brionylaw.com

Photo: supplied by the artist

Gina Thorstensen
Gina Thorstensen is an artist, illustrator, animator based in Oslo, Norway. She holds a masters in VR filmmaking and has worked on award winning animated films and music videos (Gotye – Giving Me A Chance).  Gina has exhibited in Barcelona, Berlin & Copenhagen and has a strong practice in collaboration with fashion designers, musicians, artists and filmmakers.
www.ginathorstensen.com

Photo: supplied by the artist

Hans Van Vliet
Long time collaborator with Tash Parker, Hans Van Vliet is a live musician (Wafia, PARKER, Hunz & 7 Bit Hero) a music producer (PARKER, Hunz & 7bit Hero) and an animator/game designer based in Brisbane. He is the creator of 7bit Hero, an interactive live performance video game, the Creative Director for Kids psychology game, Rumbles Quest and Game Director for Children’s book app Kindergo.

Photo: supplied by the artist

Jacob Collings
Jacob is a Nipaluna based filmmaker who is driven by conveying the internal feelings of life and telling the stories of those around him. He has engaged in projects with National Geographic, ABC, Channel 7 and STAN, He got his start as a freelancer, working on music and Arts projects across Australia.

Photo: supplied by the artist

Jaymis Loveday 
Jaymis is a video director and creative technologist. He pushes the dimensions of video and live performances by mixing VR, robots, cameras, 3D printers, drones, music, electronics, computer gaming, programming, lighting, animation, and explosions.  He is a live VJ performer for bands 7bit Hero, Tim Shiel and Nonsemble, and the creator of Cinema Swarm: the Autonomous Subject Tracking Robotic Camera System.
www.jaymis.com

Lillian Bell
Lillian Bell is an offgrid artist based in regional Victoria.  Lillian uses drawing, sculpture, ceramics, light, found objects and stop motion animation to tell imagined histories of women.  She shines a light on possible hidden and untold stories buried by the patriarchy.

Photo: supplied by the artist

Ursula Woods
Ursula Woods is a filmmaker based in southern Tasmania. She is a current member of the Australian Directors Guild (ADG), Women in Film and Television (WIFT) and Wide Angle Tasmania. Ursula is best known for her short film Clockumentary, which was selected and shown at a variety of festivals including the Melbourne Documentary Film Festival 2020 and Far South Film Festival 2021.
www.ursulawoods.com


The Musicians

Emma Anglesey
Emma’s songs have been playlisted by Double J and ABC Radio and used by Triple J to advertise Unearthed. Emma has performed at Woodford Folk Festival, A festival called Panama, Falls Festival, Party in the Paddock, Dark Mofo and Mona Foma, and toured with Guy Pearce, The Waifs and JUNO award winning Canadian band The East Pointers. In 2018 she showcased at Australia’s SXSW BIGSOUND.

A woman wearing headphones around her neck looks directly to camera. She is in the sunshine and has her brown hair pulled back in a ponytail.
Photo: Thomas Wood

Emi Doi
Emi Doi is a 23-year-old keyboardist, vocalist and songwriter, currently creating and working in her hometown of nipaluna, Hobart. A local music enthusiast and current member of local indie-pop four-piece ‘ACRES’, she has performed across a range of venues and festivals throughout Tasmania, including the Falls Festival and Party in the Paddock, supporting the likes of the Rubens and the Creases. She has recently jumped on board as a keyboardist for Hobart-based artist CELESTE and Launceston-based artist PARKER.


Behind the scenes
Creative support and development for exhibitions and performances

Photo: supplied by the artist

Michelle Boyde – Costume Design
Michelle is a freelance Tasmanian designer working across costume, fashion, stage and film.   Her work has been commissioned by numerous high profile cultural organisations including Chunky Move Dance Co., Melbourne Fashion Week, Mona, Dark Mofo and Design Tasmania and her designs have graced the backs of a plethora of independent artists locally and abroad.
www.boyde.com.au

Photo: Felipe Pagani

Allison Bell
Award winning Soprano Allison Bell is one of the leading and most exciting performers of 20th and 21st century music of her generation. Allison is also a celebrated voice teacher and peak performance coach, teaching both privately and within young artist programs and universities. Allison is a mentor and coach to the next generation of singing stars – from professional opera and classical singers to cross-over performers such as Kate Miller-Heidke, Allison’s students are leaders in their genres, internationally.
www.allisonbellsoprano.com

VR equipment provided by Soma Lumia
www.somalumia.art

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Music, art, costume, VR and film are the tools PARKER uses to implore us to travel through the hallways of her mind in Body of Work. From breaking up to dreaming big her work propels us on a journey that’s a poetic evaluation of liminality. In the waiting rooms of life, potentiality implores us to take a chance, to lament, to wander and to wonder– PARKER is our guide.

Using sound and vision to sculpt and disrupt space, each exhibition in the series reacts explicitly to the architecture in which it is held– no two visits are the same. Each show is incomplete without you, the audience, to participate in this Body of Work.

17 – 21 August 2022
11am – 4pm daily
Long Gallery


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Tash Parker

A white woman with brown hair and blue eyes looks directly to camera. She is wearing a blue silken top and has it covering part of her chin. We see her from the shoulders up. She stands in front of a peach background.
Photo: Isabella Connelly

Tash Parker (PARKER)  is a multidisciplinary artist and musician born in Western Australia and raised on a tropical fruit farm in the North East Kimberley, now based in Launceston Tasmania.  Her music is a powerhouse of retro-futurist electronica that soars with glossy synths and commanding vocals.

Her artistic practice is centred around reactionary works in collaboration with musicians, visual artists and technology artists to curate multi-sensory experiences:

“I write about what is real and happening whether that be about my own relationships and experience in my body or an imagined reality of a space travelling future ancestor.” –PARKER


The Visual Artists

Photo: supplied by the artist

Briony Law
Briony Law is a visual artist currently based in Brisbane, Australia who works primarily with sculpture, moving image and installation. Her practice explores aspects of human ecology, urbanisation and the complex systems of mediation at play in parks, reserves and conservation areas. Her work observes social practices in these places and notions of nature connectedness
www.brionylaw.com

Photo: supplied by the artist

Gina Thorstensen
Gina Thorstensen is an artist, illustrator, animator based in Oslo, Norway. She holds a masters in VR filmmaking and has worked on award winning animated films and music videos (Gotye – Giving Me A Chance).  Gina has exhibited in Barcelona, Berlin & Copenhagen and has a strong practice in collaboration with fashion designers, musicians, artists and filmmakers.
www.ginathorstensen.com


Photo: supplied by the artist

Hans Van Vliet
Long time collaborator with Tash Parker, Hans Van Vliet is a live musician (Wafia, PARKER, Hunz & 7 Bit Hero) a music producer (PARKER, Hunz & 7bit Hero) and an animator/game designer based in Brisbane. He is the creator of 7bit Hero, an interactive live performance video game, the Creative Director for Kids psychology game, Rumbles Quest and Game Director for Children’s book app Kindergo.

Photo: supplied by the artist

Jacob Collings
Jacob is a nipaluna based filmmaker who is driven by conveying the internal feelings of life and telling the stories of those around him. He has engaged in projects with National Geographic, ABC, Channel 7 and STAN, He got his start as a freelancer, working on music and Arts projects across Australia.

Photo: supplied by the artist

Jaymis Loveday 
Jaymis is a video director and creative technologist. He pushes the dimensions of video and live performances by mixing VR, robots, cameras, 3D printers, drones, music, electronics, computer gaming, programming, lighting, animation, and explosions.  He is a live VJ performer for bands 7bit Hero, Tim Shiel and Nonsemble, and the creator of Cinema Swarm: the Autonomous Subject Tracking Robotic Camera System.
www.jaymis.com

Lillian Bell
Lillian Bell is an offgrid artist based in regional Victoria.  Lillian uses drawing, sculpture, ceramics, light, found objects and stop motion animation to tell imagined histories of women.  She shines a light on possible hidden and untold stories buried by the patriarchy.

Photo: supplied by the artist

Ursula Woods
Ursula Woods is a filmmaker based in southern Tasmania. She is a current member of the Australian Directors Guild (ADG), Women in Film and Television (WIFT) and Wide Angle Tasmania. Ursula is best known for her short film Clockumentary, which was selected and shown at a variety of festivals including the Melbourne Documentary Film Festival 2020 and Far South Film Festival 2021.
www.ursulawoods.com


The Muscians

Emma Anglesey
Emma’s songs have been playlisted by Double J and ABC Radio and used by Triple J to advertise Unearthed. Emma has performed at Woodford Folk Festival, A festival called Panama, Falls Festival, Party in the Paddock, Dark Mofo and Mona Foma, and toured with Guy Pearce, The Waifs and JUNO award winning Canadian band The East Pointers. In 2018 she showcased at Australia’s SXSW BIGSOUND.

Photo: Thomas Wood

Emi Doi
Emi Doi is a 23-year-old keyboardist, vocalist and songwriter, currently creating and working in her hometown of nipaluna, Hobart. A local music enthusiast and current member of local indie-pop four-piece ‘ACRES’, she has performed across a range of venues and festivals throughout Tasmania, including the Falls Festival and Party in the Paddock, supporting the likes of the Rubens and the Creases. She has recently jumped on board as a keyboardist for Hobart-based artist CELESTE and Launceston-based artist PARKER.


Behind the scenes
Creative support and development for exhibitions and performances

Photo: supplied by the artist

Michelle Boyde – Costume Design
Michelle is a freelance Tasmanian designer working across costume, fashion, stage and film.   Her work has been commissioned by numerous high profile cultural organisations including Chunky Move Dance Co., Melbourne Fashion Week, Mona, Dark Mofo and Design Tasmania and her designs have graced the backs of a plethora of independent artists locally and abroad.
www.boyde.com.au

Photo: Felipe Pagani

Allison Bell
Award winning Soprano Allison Bell is one of the leading and most exciting performers of 20th and 21st century music of her generation. Allison is also a celebrated voice teacher and peak performance coach, teaching both privately and within young artist programs and universities. Allison is a mentor and coach to the next generation of singing stars – from professional opera and classical singers to cross-over performers such as Kate Miller-Heidke, Allison’s students are leaders in their genres, internationally.
www.allisonbellsoprano.com

VR equipment provided by Soma Lumia
www.somalumia.art

Salamanca Arts Centre presents

Eclectica Salamanca ~ a musical excursion to other times, other places

A Sunday afternoon concert series: Two bands: Japanese Punk + Afrikaya = the Rhythm of Dance


7pm – 8pm
The Tokyo Punk Mona Music Ensemble [起爆]

Born of a Tokyo-Punk-inspired performance experience at Mona, The Tokyo Punk Mona Music Ensemble [起爆] is an absurdist, anarchist ensemble in which some of Tasmania’s most talented performers smash punk and Japanese influences into a riotous thing of beauty.

Bring your best pogo shoes and leather jacket.

Hayato Simpson – Synths, Drums, Violin.
Yyan Ng – Guitar, Drums, Flute Shakuhachi, Taiko Drums, Banjo, Vocals.
Risa Ray – Dance, Vocals.
Dominic Nguyen – Bass, Double Bass, Piano.
Eri Mullooly-Hill Konishi – Keys, Dance, Vocals
EAndy Page – Synths, Guitar


8:30pm – 10pm
KING B-FINE and AFRIKAYA BAND

King B-Fine 

Afrikaya’s unique & lively Rastafarian front man. King lives by the Rastafarian philosophy & the tradition of honouring that everyone is born royal. Originally from war torn Sierra Leone, King B-Fine now calls Australia home and resides in West Hobart with his Tasmanian wife & young family. King B-Fine’s passion for performing started early, his musical influences include the legends of reggae & afro beat such as Marley, Tosh & Fela Kuti. King’s musical achievements are impressive, as is his list of musical awards. He has toured Europe, shared the stage with international reggae musicians, headlined an Australian music festival in Qld and was an Australia Day Award Finalist in Sydney.

What is equally impressive is that King composes and produces his own music under his labels, Fine Records & Royal Movement Records. He has released numerous albums and singles with accompanying music videos.

AFRIKAYA BAND

King B-Fine’s recent Afrikaya Band ensemble is a mix of eclectic Tassie musicians dedicated to delivering his upbeat Afro Beat sounds in the soulful Tassie fashion. Formed in early 2020, he and his new band have already released two locally recorded singles with music videos.


All guests are reminded of the following entry requirements and to practice COVID Safe Behaviours including:

Full Vaccination required to attend this event
Check-In via the Check In Tas app
Sanitising hands upon entry
Maintain Physical Distancing (1.5m)
If you are feeling unwell, please do not attend (we will see you another time!)
If guests are not enjoying a beverage, guests must wear a face mask at all times.


Eclectica Salamanca is supported by the City of Hobart through its Cultural Grants Program and by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Salamanca Arts Centre presents

Eclectica Salamanca ~ a musical excursion to other times, other places

A Sunday afternoon concert series: three duos perform songs with & w/out words.


2pm – 2:50pm
The voice and the guitar

Quin Thomson – Vocals
David Malone – Guitar

Quin Thomson and David Malone

Quin Thomson and David Malone

 Members of the early and modern music group Sequenza, and have come together for a duo concert to explore some of the rich repertoire of music for voice and guitar. It is an alluring combination; a pairing that is centuries old and perfectly matched today. Quin and David will bring together seguidillas from Spain by Fernando Sor, lieder by Brahms, and music from South America by Villa-Lobos and Jorge Morel. A highlight of this concert will be the premiere of a new work by Maria Grenfell who has been commissioned to compose a piece for voice and guitar to celebrate Gustav Weindorfer, whose vision established the Cradle Mountain wilderness area as a national park.


3pm – 3:50pm
Bohuslav Martinu Duo No. 1 H.157 for violin and ‘cello
Zoltan Kodaly Duo for violin and ‘cello Op. 7|

Peter Tanfield – Violin
Martin Penicka – ‘cello

Composed in 1914, this great work had to wait until 1918 for its first performance. Conceived at the height of Kodaly’s research into and collection of Hungarian and Eastern European folk music – predominantly simple song, without the complex adornment so frequently heard in Gypsy renditions – with his then great friend and colleague Bela Bartok, the music is rich with Hungarian melody and idiom. Kodaly loved dialogue, and he uses the two instruments in elaborate conversation and exchange to achieve a big scale of structure and form. The work is rich with contrast and colour, demanding much of both instrumentalists.

Peter Tanfield 

Born in England in 1961 and started the violin aged four. He studied in Germany, Israel, Switzerland and Holland where his teachers were Igor Ozim, Felix Andrievski, Alberto Lysy, Herman Krebbers and Yehudi Menuhin. He was a prize-winner at The Carl Flesch International Competition, International Mozart Competition, International Bach Competition amongst others. As soloist and chamber musician he has played throughout Europe, China, Japan, India, Canada, the Middle East, Africa, USA, and USSR. He has recorded numerous solo and chamber works for television and radio as well as CD. He has played for Chairman Deng in China and the Sultan of Oman. As soloist he has appeared with many major orchestras; the Philharmonia, City of London Sinfonia, Scottish Chamber Orchestra, West German Radio Orchestra, Radio Symphony Orchestra of the RAI in Rome. As concertmaster, he has had extensive experience working with BBC Philharmonic, RSO RAI Roma, West German Radio Orchestra, London Sinfonietta, Scottish Chamber Orchestra.

Martin Penicka 

TitleMartin Penicka studied with Lois Simpson and Julian Smiles at the Australian Institute of Music. He graduated in 2002 with the degree of Bachelor of Music (Performance) with first class honours. During his studies, he played in many chamber ensembles, most notably with the award-winning Con Brio Trio. In 1999 Martin took part in a tour to the USA organised by the Performing Arts Unit to complement the Art Express exhibition in the Corcoran Gallery, Washington DC. A solo artist in the Symphony Australia Conducting Program in 2001, Martin has been a casual member of the Sydney, Melbourne and WA Symphony Orchestras. He was a semi-finalist in the 2004 Symphony Australia Young Performers Awards and the 2MBS FM Young Performers Award. Martin has been an ANAM Academy Musician at the Australian National Academy of Music. In 2006 and 2007 he was involved in the Sydney Symphony fellowship program. Martin joined the TSO in August 2008 and regularly plays in chamber music ensembles around Tasmania including the newly formed baroque ensemble Van Diemen’s Band. He has appeared on several ABC classic FM Sunday Live Broadcasts.


4pm – 4:50pm
Klezmer Music

Rachel Meyers – Violin
Dave McNamara – Accordion

Rachel Meyers & Dave McNamara

Rachel Meyers and Dave McNamara have been playing klezmer music for more than 20 years. Rachel’s violin playing draws out unimaginable emotion from this music of the Jewish people of Eastern Europe. Ably supported by Dave, on accordion, Rachel will be taking the audience on a journey through klezmer dances and songs, with and without words.


All guests are reminded of the following entry requirements and to practice COVID Safe Behaviours including:

Full Vaccination required to attend this event
Check-In via the Check In Tas app
Sanitising hands upon entry
Maintain Physical Distancing (1.5m)
If you are feeling unwell, please do not attend (we will see you another time!)
If guests are not enjoying a beverage, guests must wear a face mask at all times.


Eclectica Salamanca is supported by the City of Hobart through its Cultural Grants Program and by the Commonwealth Government’s Office of the Arts via the RISE Fund.

Salamanca Arts Centre presents

Eclectica Salamanca ~ a musical excursion to other times, other places


‘Le Chat Noir Quintette’ will present a variety of Parisian vintage swing and early European jazz from the 1910s to the 1930s in the style of the Hot Club of France, with music by composers such as Henri Crolla, Django Rienhardt, Stephane Grappelli, Romane, Ion Ivanovici, Vincent Rose, Joe Myrow, Irving Berlin, Juan Tizol, Matelo Ferret, Harry Akst, Fats Waller and Toni Murena to name a few.  This music has been curated to reflect the street and cafe/bistro sounds of Montmartre (Paris) during the ‘Belle Epoque’ (Beautiful Era). This was a period characterised by optimism, regional peace, economic prosperity and technological, scientific, and cultural innovations. In this era, France’s cultural and artistic climate flourished, with numerous masterpieces of literature, music, theatre, and visual art gaining extensive recognition.

This is the music that Monet, Renoir, Degas, Picasso, and Van Gogh listened to when they were out and about on their evening adventures. One of their favourite venues was the Chat Noir, the bohemian music bar where patrons sat at tables and drank alcoholic beverages while being entertained.

Charlie McCarth Violin
Isaac Gee –
Double Bass 
Rohan Sharma –
Melodica
David Squires –
Manouche Guitar
Felicity Lovett –
Manouche Guitar


All guests are reminded of the following entry requirements and to practice COVID Safe Behaviours including:

Full Vaccination required to attend this event
Check-In via the Check In Tas app
Sanitising hands upon entry
Maintain Physical Distancing (1.5m)
If you are feeling unwell, please do not attend (we will see you another time!)
If guests are not enjoying a beverage, guests must wear a face mask at all times.


Eclectica Salamanca is supported by the City of Hobart through its Cultural Grants Program and by the Commonwealth Government’s Office of the Arts via the RISE Fund.