More than a century ago, Australia was introduced to the wonder of Antarctica by the great scientist and explorer Sir Douglas Mawson. 

Understanding the continent is key to a deeper understanding of climate, weather and sea level changes. As a nation, Australia has an enduring commitment to protect and preserve Antarctica for future generations.

A photo of a group of people dressed in thick coats and hats in Antarctica. They are sitting on the ice, next to a weather pole, and in the background there are sevral vehicles for travelling in the ice and snow.
Photo by Andy Hung. Australian Antarctic Division

An exciting presentation of recent works by members of the Art Society of Tasmania.

The Annual Exhibition is the highlight of the Art Society of Tasmania calendar. Artists submit work created in the last 12 months to be judged for prizes from sponsors. Artworks include representation of all mediums and genres, and showcase the skill, talent and imagination of local artists.

A textural painting of a blue, open boat tied to a dock on a river. In the background are several other boats and moorings.
Rick Crossland. Blue Boat, Franklin
A paintings of a breakfast table setting seen from above. The table is covered with a yellow and blue patterned tablecloth and a red and shite placemat crossed the table diagonally. On the table sits a coffe plunger, a white milk jug, a white bowl of fruit (two lemons, one red apple and one green apple), a blue and white pattern china teacup and saucers, a yellow plate with an egg cup and a hard-boiled egg cut in half, and a green plate with an apple sut in half and slices again.
Judy Griffits. There is a Certain Slant of Light.
A landscape painting, looking down from hill on a hill. In the foreground is a twisted tree, covered in moss, in the midground is the canopy of trees. In the far distance in a mountain range.
Sally James. Above the Falls, National Park

The 138th Annual Exhibition is proudly supported by : Artery, ARCFramerite, The City of Hobart, Phil’s Framing, Lauder and Howard Antiques and Fine Art, Just Frames, Wagner Framemakers, AdArt.

The debut solo exhibition by emerging Tasmanian designer-maker Patrick Adeney.

Concept to Collection is centred around two bodies of work, ‘Elbe’: A series of dining tables, and ‘Mara’: A series of benches. The work is tactile and sculptural, soft edges and sweeping curves enticing the viewer to touch and feel the work.

In developing these bodies of work, Patrick has been able to explore materiality, form, balance, colour, and their relationship to functionality. He has been able to experiment with his designs and identify where a design is successful, and more importantly- where it is not.

This developmental stage has been greatly assisted by Patrick receiving the Springboard Scholarship at Designed Objects Tasmania. The scholarship has funded Patrick’s workshop and studio expenses for 6 months, and also committed funding towards his exhibition. Designed Objects Tasmania (DOT) continues to provide fantastic resources and support for early career designers in Hobart.

“The support from DOT has been enormous. As an emerging designer, the people of DOT have really helped me to develop my work, which is invaluable during these early stages.”

Patrick is inspired by the vast natural world around him in Tasmania, his furniture referencing shapes and junctions found in some of Tasmania’s most iconic trees. Whilst the work is sculptural, it is equally functional and robust. The maker loves to showcase how timber can be connected, with a strong focus on exposed joins; bringing a more traditional element into a very contemporary practice.

Concept to Collection follows the story of each piece as it develops; how necessary changes are made to overcome issues, and move towards a fully resolved design.

It is through this process of exploring an idea, creating a design, building it, then rebuilding it – that the maker feels most comfortable.

“I never formally trained as a furniture maker, my background is as a tradesman. Design for me can’t just be on the iPad, that will get me only 50% there. I need to make it, look at it, live with it, study it in the flesh and then do it again.”

“This process of refinement is not about seeking absolute perfection. It’s about working towards it. It’s about taking the best parts of a prototype and doing it again, this time a little better.”

This exhibition was assisted by Arts Tasmania.

A close up of the legs of a dining table made from Tasmanian oak, against a white background. The legs are casting shadows against the wall and floor.
Studio Adeney. Elbe dining table (2022). Tasmanian Oak.
A close up of the corner and underside of a dining table made from Tasmanian oak, against a white background.
Studio Adeney. Elbe dining table (2022). Tasmanian Oak.
A wooden bench made from Tasmanian oak, against a white background. The legs of the bench are casting shadows against the wall and floor.
Studio Adeney. Mara bench prototype (2022). Tasmanian Oak.

Spend some time with outstanding Tibetan composer/ performer Tenzin Choegyal in this thoroughly enjoyable workshop.

Drawing on his nomadic heritage Tenzin shares his knowledge of Tibetan folk song and the nomadic style of vocal projection which is unique to his musical lineage. Tenzin will also share the practice of mantra singing. Derived from two Sanskrit words, manas (mind) and tra (tool or vehicle), mantras are considered to be powerful “tools of thought” – a means of harnessing and focusing the mind.  

In this workshop Tenzin leads participants on a musical journey from the joyous to the contemplative. Come along prepared to sing your heart out! 

Work with Kath Williams to bring a new level of understanding of your own voice and how it works. 

Find the YOU in your Singing to create ease, freedom and enjoyment through some great techniques and tools you will take away to use at Festival of Voices and beyond!  

As a self-confessed vocal pedagogy nerd and ever curious lifelong learner, voice teacher Kath Williams loves to create life changing experiences for all levels of singers through sharing her passion, knowledge and wisdom gained through studying extensively, and 30 + years as a singer, musician, and performer, via discovery exploration and curiosity.  

The Richard Smallwood Gospel Retrospective.

Includes performance as part of the Headline Concert and recording with the Southern Gospel Choir.

Spanning over 50 years, the music of Richard Smallwood, alongside James Cleveland and Edwin Hawkins, paved the way for and became the driving force behind the ‘new’ contemporary gospel music from the 1970’s to the present day.The influence of Smallwood’s music is immense, but at the heart of his music are the inspirational musicianship, arrangements, musical direction and production of Steven Ford. Now undertaking his PhD at the University of Tasmania with Associate Professor Legg, Steven Ford will act as a consultant with Andrew Legg and Maria Lurighi teaming up to facilitate and produce a landmark recording and concert series – a retrospective of the music of Richard Smallwood.

This workshop will create a gospel choir who will have the unique opportunity to be a part of this international project by participating in performing and recording some of Smallwood’s most loved tunes including : Anthem of Praise; Psalm 8; Total Praise and one of Steven Ford’s original compositions Faith To Believe. 

Thirty years in the making, Steven Ford (Richard Smallwood/Fred Hammond/the Winans), Andrew Legg (Myron Butler/Kirk Franklin/Michael Spiby/UTAS Southern Gospel Choir), and Maria Lurighi (Voice Lecturer at UTAS since 1999 and Coordinator of Voice since 2012 at UTAS since 1999) have forged a remarkable musical and personal relationship, underpinning and reinventing the contemporary gospel music tradition in Australia.

Glee Club’s Singalong Trivia comes to the festival

This is a trivia night where some of the questions are asked and some of the questions are sung!

Your host, Vicky Jacobs is not just a gameshow fanatic, she comes equipped with her very own live choir to sing and sometimes even sing along with!

But don’t worry, this isn’t just a music-centric trivia night, it’s more! You won’t need to know what Paul McCartney’s favourite food is (it’s chip butties).

There will be questions on science, history, travel and culture and we guarantee you’ll know at least one of the answers and probably a whole lot more!  

Get a table together and come along to play for some fabulous prizes and be part of a trivia night you’ll be telling people about for years! 

The Singers Lounge is the place for after-hours singalongs, open mic performances and general Festival buzz. 

Our festival lounge is open to patrons, performers and participants.  Since we began, the festival transforms Salamanca Arts Centre’s Long Gallery to become the heart and soul of the festival, where friends – old and new – enjoy scheduled and impromptu performances. It’s inclusive, informal and free of judgement – a welcoming space to sing or sit back in our laid-back lounge. 

Hosted by a variety of special guest MC’s, our licensed bar will be serving wines, spirits and beers, with refreshments and snacks. Doors open at 7.30pm with limited tickets on the door, subject to availability. 

This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

QT kids is an afternoon of Tasmanian (well Hobart) LGBTQIA+ youth showcasing their performative gifts, formulated in a series of workshops curated by Hera, the queen bee of QT.

Come and enjoy a welcoming environment, and listen, watch, and love the offers given that reflect the way these kids are moving through the world.

Thursday 11 August 2022
1.30pm – 2.15pm
Friday 12 August 2022
1.30pm – 2.15pm
Times includes Q & A


Whilst the wearing of masks is not mandatory it is recommended in certain situations by Tasmanian Public Health.  Masks will be available upon entering the venue for those patrons who would like one.  

If you’re unwell, it is recommended that you stay at home, and we look forward to welcoming you at Salamanca Arts Centre another time.


Artist

Photo: Bodie Strain

Hera Fox 

Hera is a playwright, and circus & cabaret creator based in nipaluna (Hobart). Having grown up in the Huon Valley starting in community musicals, they have had a varied career in burlesque and drag to circus and acrobatics. Now they have found their voice as a transgender woman returning to song and cabaret creating work for and by transgender people. Her plays have endeavored to assist in changing the culture of the live performing arts, to be more inclusive, and to not take itself too seriously. She has a tendency to write about love, lust, and loss, with a style reflecting reactions of your various ex partners.

They are the founder and artistic director of QT Cabaret, a space for transgender and gender queer performers to trial new cabaret and circus work, which won Artfully Queers unifying voice award 2019. Hera is also the winner of 2020’s Out For Australia Community Champion award.


This event is part of Winter Light 2022 and is presented by Salamanca Arts Centre

Utopia Now! is a community art project where artists collaborated with young people from diverse backgrounds and present their vision of a sustainable future that allows us all to flourish and live in harmony. The culmination of this explorative creative process will be a large-scale installation. The presentation will also include live performances and interactive elements.


Artists

Photo: Pier Carthew

Davina Wright

Davina Wright is a site-specific artist currently living in nipaluna/Hobart. 

She makes site specific, nonlinear and immersive theatre that looks at loneliness, suburbia, violence and feminism. She wrote and directed This is Grayson; a performance for audience 8+ with her collective Gold Satino. It received four Green Room Award Nominations in the Contemporary and Experimental Performance panel and received the awards for Innovation in Site Responsive Performance and Performance for Young Audiences.


Photo: Marie Nosaka

Risa Muramatsu Ray

Risa began her dancing career at an early age,  studying both classical and modern ballet and receiving numerous awards at the national competition level. In 2006 she entered the Japan Women’s College of Physical Education, home to some of Japan’s rhythmic sports  gymnastics olympic medal winners, where she majored in contemporary dance and poured her creative energies into choreography, stage production and dramatic composition while performing as a contemporary dancer in Tokyo.  

Complimenting her work in the contemporary sphere, Risa has also  

performed regularly at numerous music festivals and many of Tokyo’s  most famous clubs, as well as contributing her skills in event production  and choreography to many artists both in Japan and on the international stage. Now Risa is based in Tasmania and she is enjoying creating her  works inspired by Tasmanian nature.


Adie Delaney 

Adie began her circus career at NICA in 2004. After graduating she left Australia to Europe to join the UK’s largest touring contemporary circus company NoFitState. Over 8 years she performed swinging and flying trapeze, hula hoops, fire, acrobatics, trampolining, roller skating etc. Adie also spent two years with Cie Oncore’s flying trapeze show ‘Une Drole de Maison’ flexing her clowning muscles, and among other various events performed a season with La Clique at Edinburgh Fringe.


Photo: Gabrielle Kneebone

Andy Vagg

Andy Vagg is an artist, designer, writer, poet and performer. His practice explores the qualities and limitations of contemporary existence, and how the choices we make inherently effect, respond to, and delineate social evolution. Using post-consumer objects and materials, he creates work in social contexts, to activate spaces to form literal and metaphorical platforms for the development of ideas to encourage positive social change. His performances explore the role of religion, liturgy and ritual in a contemporary secular context, and how they can help us navigate the ongoing ecological and psychosocial changes caused by industrialisation, globalisation and consumerism. Andy has created work in public and private spaces in Newcastle, Sydney, Melbourne, Launceston and Hobart. He has collaborated with community in colleges, high schools, primary schools, community centres, and child and family centres.

www.andyvagg.com


Photo: Paul Hoelen

Troy Melville

Troy has worked on an extensive range of film and art projects over 20 years. His projects have involved working for and in collaboration with many different organisations and has often involved working with at risk youth, First Nations and CALD groups. Recent art projects include Paul Boam – A Creative Life, a film for his retrospective exhibition at Moonah Arts Centre. The Partnershipping Project, a national touring exhibition where Troy worked remotely with 19 artists to edit short bio films and Regenerate where New Town primary students created a series of short films about connectivity.


Photo: Will Nicolson

Yumemi Hiraki

Yumemi Hiraki is a multidisciplinary artist currently based in Nipaluna. Her practice delves into the interactions between memory, nostalgia, history and connection to place, while re-examining the relationship to her Japanese heritage. Viewing herself as a resident of cultural gaps, her works evokes a familiar yet foreign sense of longing, belonging and holding on, while hinting at life’s inevitable continuity and ephemerality. 

Yumemi is originally from Hiroshima, Japan. She completed her BFA(Sculpture and Spatial Practice) at the Victorian College of the Arts and has been an active Arts Worker while exhibiting and developing her practice in both Naarm and Nipaluna. Yumemi has a growing interest in community-based arts, mentorship and education, and currently also works as a Youth Arts Officer at the Youth Arts and Recreation Centre.


Photo: Rebecca Thompson

Julie Waddington

A graduate of the Victorian College of the Arts, Julie has been directing and producing theatre for over 20 years during which she has worked for many organisation including St Martin’s Youth Arts, La Mama, MTC, Melbourne Fringe, Tasmanian Theatre Company, Ten Days and Tasmania Performs. From 2007 to 2010 she was the Artistic Director of Riverland Youth Theatre in South Australia. Julie is currently a specialist drama teacher and independent director and producer. Her latest work, The Motherload, a creative documentary performance made through engagement with over 500 mothers across Tasmania and Australia recently premiered at Junction Arts Festival.


Photo: Kobi Hayes

Takani Clark

Takani Clark is a professional dabbler and multidisciplinary creative from lutruwita, exploring and engaging with mediums of filmmaking, visual art and performance. As a First Nations woman, raised within the staunch palawa community, Takani feels a deep responsibility to protect and document the island and its cultural identity and diversity, both environmentally and socially. As a storyteller she strives to use her creative voice to deepen our understanding of each other, the natural world and ourselves. Takani believes that diversity is an integral part of her creative practice, striving to collaborate with people from different artistic practices, any background and all walks of life.


Utopia Now Mentee/Curators

Neko Kelly

Neko Kelly is a New Zealand born emerging video artist with experience in editing and animation. His work involves a range of content; from stop-frame stories screened in Mona Foma, to LGBTQI+ educational resources for Tasmanian schools. Neko has a keen interest in telling stories that inspire empathy and compassion for marginalised communities.


Sheree Martin (Utopia Now Coordinator)
Info to come