State of Flux Workshop operates from Salamanca Arts Centre as a contemporary jewellery and object gallery and workshop.

Its four members, Anna Webber, Gabbee Stolp, Jane Hodgetts and Emma Bugg, create and retail work from the space. 

State of Flux Workshop strives to create a greater connection with mainland peers and instil themselves in the national and global conversation of contemporary jewellery and objects.

In September 2021, State of Flux Workshop was successful in their bid to exhibit in Radiant Pavilion, Melbourne’s Contemporary Jewellery and Object Biennial.

The revolving selection of pieces displayed in the Lightbox demonstrate some of the techniques, tools and prototype workings of pieces before they are complete.

Pieces reflecting themes by each of the four individual members of State of Flux Workshop will be on display, alongside slow motion video documentation, giving a closer look at processes behind how things are made.

Follow the pink rope to find State of Flux Workshop.

Works by Emma Bugg. Brass, concrete.
Works by Jane Hodgetts. Sand cast, brass.
Works by Gabbee Stolp. Handmade ear hook.

Why did we start building things so symmetrical?

An installation by Georgie Vozar

Baron landscapes, the harsh undulating lines of new rock formations. Holding space. Moulded and re-purposed. The kind that hold up, fill up, and trip up. Do you see? Why did we start building things so symmetrical? Now feel the nature of the earth: what lies beneath its surface? Can you see the reddish-metallic copper? Like the metamorphic hole it was taken from, it will never rust.

Salamanca Art Centre’s most intimate venue, encountered even before passing through the front doors.

Commanding the best public location in Salamanca Place, the Lightbox is a square metre of window space available to selected artists to install works that utilise the attributes of this special exhibition space. This gallery is part of Salamanca Arts Centre’s subsidised Access Galleries Program and is available to Salamanca Arts Centre’s Associate Members and Resident Artists.

The Lightbox is a window space located at the main entrance to the Salamanca Arts Centre on Salamanca Place, and can be viewed 24 hours a day.

Salamanca Arts Centre encourages artists to interpret the space with installations that best reflect the Lightbox dimensions and location.


Venue Hire Rates

Exhibitions
FREE per month

The Lightbox is available for FREE for month-long exhibitions for Salamanca Arts Centre Associate Members and Salamanca Arts Centre Resident Artists only.


Applying for the Lightbox : 2025 Calendar REMAINING DATES

Salamanca Arts Centre (SAC) is currently seeking applications for inclusion in the Lightbox 2025 Calendar (March 2025 – March 2026).
Applications are sought from visual artists for Solo or Duo Exhibitions.

This Application Round is for REMAINING DATES ONLY. 
The majority of the 2025 Calendar was filled by successful applicants during the previous April 2024 Application Round. 

Remaining Dates are:
August 2025
October 2025
March 2026

DEADLINE for SUBMISSIONS:
5:00pm Monday 30 September 2024


Applying for 2026 & Beyond

The Lightbox is fully booked until August 2025.
Applications are now open for the REMAINING DATES in the 2025 Calendar (see above for details).

Salamanca Arts Centre assesses applications for the Lightbox twice annually, with application rounds occurring in April and September each year, with Special Applications Round (in the event of a cancellation) if required.

If you would like to be notified when applications open for 2026 or dates become available due to a cancellation, please sign up to our alert list.

A painterly surface with the echoing motif of the bottle.

This work talks directly to Jake Walker’s exhibition Grog, which was held in Kelly’s Garden and which is part of our curated OPEN SKY / Kelly’s Garden Program.


Jake Walker | Genevieve Griffiths

Jake Walker

Jake Walker was born in New Zealand and moved to Australia in 2000. His practice is inextricably linked to the natural and cultural landscapes of New Zealand. Walker admits that as a child he ‘didn’t really know there were too many other kinds of painting’ aside from landscapes. His works are constantly shifting and revisited after some time, with chance and instinct at the core of his working practice. Sometimes this results in works of ‘weightlessness of accident and incident.’ Exploring themes of modernist architecture and abstract perspectives, Walker’s free and loose sense of play embraces material forms. Walker sees paintings as objects, not flat two-dimensional images. This openness to experimental processes has led to a series of works using clay- painterly forms and stoneware frames that lead from one thing, to another.

He is represented by Station (Melbourne)Gallery 9 (Sydney)Hamish McKay Gallery (Wellington NZ)Ivan Anthony (Auckland) and Dutton (NYC).